Mills Record Company

Mills Record Company

If one had to pare the prog-rock story down to a handful ofessential albums, this would undoubtedly be one of them. SELLING ENGLAND BY THE POUND was the culmination of all that Genesis had been striving for since their late-'60s inception, the refinement of the vision that developed on TRESPASS, NURSERY CRYME, and FOXTROT (somewhere in the world, there's been a second-wave prog outfit named after every one of thesealbums). The fusion of a complex classical mind with an electrified rock heart and pastoral folk spirit defined Genesis' anatomy, and never more effectively than on SELLING ENGLAND. Peter Gabriel's startlingly unpretentious tale-spinning is at it's best on "The Battle of Epping Forest". Tony Banks's elegant, sophisticated keyboard work is a vital element of nearly every tune, and the electric/acoustic guitar tapestry woven by Steve Hackett and Mike Rutherford is the perfect icing on the cake. Somewhat anomalous but entirely welcomeis the Gabriel-era band's catchiest, quirkiest song "I KnowWhat I Like (In Your Wardrobe)", the tale of a somewhat daft gardener. Phil Collins's lead vocal on the gorgeous acoustic ballad "More Fool Me" paints the shape of things to come. If you only buy one Genesis album, make it this one.
If one had to pare the prog-rock story down to a handful ofessential albums, this would undoubtedly be one of them. SELLING ENGLAND BY THE POUND was the culmination of all that Genesis had been striving for since their late-'60s inception, the refinement of the vision that developed on TRESPASS, NURSERY CRYME, and FOXTROT (somewhere in the world, there's been a second-wave prog outfit named after every one of thesealbums). The fusion of a complex classical mind with an electrified rock heart and pastoral folk spirit defined Genesis' anatomy, and never more effectively than on SELLING ENGLAND. Peter Gabriel's startlingly unpretentious tale-spinning is at it's best on "The Battle of Epping Forest". Tony Banks's elegant, sophisticated keyboard work is a vital element of nearly every tune, and the electric/acoustic guitar tapestry woven by Steve Hackett and Mike Rutherford is the perfect icing on the cake. Somewhat anomalous but entirely welcomeis the Gabriel-era band's catchiest, quirkiest song "I KnowWhat I Like (In Your Wardrobe)", the tale of a somewhat daft gardener. Phil Collins's lead vocal on the gorgeous acoustic ballad "More Fool Me" paints the shape of things to come. If you only buy one Genesis album, make it this one.
075678267529
Genesis - Selling England By The Pound [Import]

Details

Format: CD
Label: WEA INT'L
Catalog: AUD009531014
Rel. Date: 01/05/1995
UPC: 075678267529

Selling England By The Pound [Import]
Artist: Genesis
Format: CD
New: Not in stock
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If one had to pare the prog-rock story down to a handful ofessential albums, this would undoubtedly be one of them. SELLING ENGLAND BY THE POUND was the culmination of all that Genesis had been striving for since their late-'60s inception, the refinement of the vision that developed on TRESPASS, NURSERY CRYME, and FOXTROT (somewhere in the world, there's been a second-wave prog outfit named after every one of thesealbums). The fusion of a complex classical mind with an electrified rock heart and pastoral folk spirit defined Genesis' anatomy, and never more effectively than on SELLING ENGLAND. Peter Gabriel's startlingly unpretentious tale-spinning is at it's best on "The Battle of Epping Forest". Tony Banks's elegant, sophisticated keyboard work is a vital element of nearly every tune, and the electric/acoustic guitar tapestry woven by Steve Hackett and Mike Rutherford is the perfect icing on the cake. Somewhat anomalous but entirely welcomeis the Gabriel-era band's catchiest, quirkiest song "I KnowWhat I Like (In Your Wardrobe)", the tale of a somewhat daft gardener. Phil Collins's lead vocal on the gorgeous acoustic ballad "More Fool Me" paints the shape of things to come. If you only buy one Genesis album, make it this one.
        
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