When the new Halloween movie hits theaters in October 2018, it will have the distinction of being the first film in the series with creator John Carpenter’s direct involvement since 1982’s Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies. The new soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green’s film, its familiar 5/4 refrain stabbing through the soundtrack like the Shape’s knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter’s famously shoestring original, its musical spirit was preserved. “We wanted to honor the original Halloween soundtrack in terms of the sounds we used,” Davies explained. “We used a lot of the Dave Smith OB-6, bowed guitar, Roland Juno, Korg, Roli, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano.” Unlike the Lost Themes albums, where the composers wrote the soundtracks for imaginary movies, Halloween saw the Carpenters and Davies collaborating on music set to images for the first time. Though it marked a significant change from their previous creative process, the trio thrived under the constraints and tight deadlines that film scoring work demands. “Being limited by the length of time in scoring the sequence, we focused on the director’s tempo, timing, and vision,” Davies said. “He would tell us what he had in mind, how long the cue should be, what emotion he wanted, and we would take it from there. It’s only the three of us, there is no elaborate system. We wrote, performed, and orchestrated everything.” For John Carpenter, who reunited on the new film with original Halloween star Jamie Lee Curtis, composing the score felt like a homecoming. Not only had he not worked on a Halloween movie in 35 years, he hadn’t composed a soundtrack since his 2001 sci-fi thriller Ghosts of Mars. “It was great,” Carpenter said of the experience. “It was transforming. It was not a movie I directed, so I had a lot of freedom in creating the score and getting into the director's head. I was proud to serve David Gordon Green’s vision.” For Cody Carpenter, John’s son, and Davies, his godson, it was surreal to work on something that means so much to generations of fans, and that they grew up around. “It was an honor for us to be involved, and we are really happy to be a part of something that so many people are anticipating and excited about,” Davies said. “Working together with both the director of the new Halloween and the creator of the original Halloween was really a fantastic experience.”
This July marks the 50th anniversary of one of the most iconic and groundbreaking animated films of all time with a limited run of screenings around the world. As part of the celebrations, Capitol are releasing this picture disc of the title song, Yellow Submarine b/w Eleanor Rigby, which together was originally released as the band’s 13th single in August 1966.
Featuring images taken from the high resolution 4k restoration of the film, this limited edition single is a fun way for us all to join the party!
Unknown until 2004 and unheard until now, these recordings by the John Coltrane Quartet are, as Sonny Rollins says in the liner notes, “like finding a new room in the Great Pyramid.” With the discovery of the Ľ”reference tapes that Coltrane took home with him after the recording session a session that was completely unknown and for which master tapes don’t exist an important chapter in the evolution of Coltrane’s music can now be heard for the first time. Featuring the Classic Quartet John Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones and recorded at the end of a two week run at Birdland, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected and reaching in new, exploratory directions that were to affect the trajectory of jazz from that point forward.
My head feels like it is exploding with the amount of information we are forced to consume on a daily basis, and how that information is so DISTORTED there is almost no longer any tangible truth,” says James. “The name of my new record is UNIFORM DISTORTION because I feel like there is this blanket distortion on society/media and the way we gather our ‘news and important information. More and more of us are feeling lost and looking for new ways out of this distortion and back to the truth…and finding hope in places like the desert where I write this now...finding hope in the land and in the water and in old books offering new ideas and most importantly in each other and love.
Check out Uniform Clarity on CD / LP which explores the acoustic side of the songs on Uniform Distortion with an intimateness rarely felt in recorded music.
Six-time Grammy-nominee Florence + the Machine to release hugely-anticipated new album ‘High As Hope’ June 29th via Virgin EMI / Republic Records. ‘High As Hope’ is the sound of an artist who appears more certain than ever of herself. Florence writes about her teens and twenties with a renewed, more mature perspective: of growing up in South London, of family, relationships and art itself. The first official single ‘Hunger,’ is out now.
The Interrupters are an L.A. based four-piece bound by their rebel spirit and deep love of punk, rock, ska and 2 Tone. They make super high-energy rock -n-roll that’s equal parts catchy and confrontational. Their third album, Fight The Good Fight, was produced by Rancid’s Tim Armstrong and released on his Hellcat imprint for Epitaph Records. The album features front-woman Aimee Interrupter, guitarist Kevin Bivona, bassist Justin Bivone and drummer Jesse Bivona, spitting out lyrics that take on matters as thorny as family, friendship, martial law and loyalty, while churning out bouncing rock-steady rhythms and snarly guitar riffs. The Interrupters have built their live act of unstoppable energy and a feeling of easy community that reflects their familial vibe. They had toured the world with the likes of Green Day and Rancid and played huge festivals from The Vans Warped tour to Coachella. “There is usually a dance party going on in the crowd, which we appreciate since we always have our own dance party happening on stage,” says guitarist Kevin Bivona. The Interrupters will be dancing their way to a town near you this summer on many festivals and tours including The Punk in Drublic Festivals, Back to The Beach Festival and the Main Stage on Vans Warped Tour.
The Milk Carton Kids’ fifth album , All the Things That I Did and All the Things That I Didn’t Do arrives from ANTI- Records on June 29. The new project marks the first time that acoustic duo Joey Ryan and Kenneth Pattengale have brought a band into studio with them. “We wanted to do something new,” Pattengale says. “We had been going around the country yet another time to do the duo show, going to the places we’d been before. There arose some sort of need for change.” “Musically we knew we were going to make the record with a big- ger sonic palette,” says Ryan. “It was liberating to know we didn’t have to be able to carry every song with just our two guitars.” “Sometimes in singing, we’ll switch parts for a beat or a bar or a note,” Ryan says. “And things start to obscure what is the melody and what is the supporting part.” A third presence rises out of their combined voices. “There are only so many things you can do alone that al- low you to transcend your sense of self for even a short period,” Pattengale says. “I’m the lucky recipient of a life in which for hundreds of times, day after day, I get to spend an hour that is like speaking a language only two people know and doing it in a space with others who want to hear it.”
There comes a point in every career of note, when it’s time to dig a trench in the turf; to define exactly who you are in a way that resonates in the broadest possible manner. For Bullet For My Valentine – now two decades deep into their story, one of rock and metal’s foremost names, a genuine success – that time is now.
Produced and mixed by Carl Bown, ‘Gravity’ (the UK band’s sixth studio album, the follow-up to 2015’s ‘Venom’) sees the musicians delivering a body of work that looks set to add extra layers of excitement and meaning both to their own trajectory and to the genre per se. At a time when the international scene feels ready for a serious shot in the arm, ‘Gravity’ is an album of true craft and vision – an ambitious labour of love with the weight and the punch that the band’s extensive, ever-burgeoning fan-base has come to expect, a point made in style by lead single / video ‘Over It’, whilst adding enough in terms of atmosphere, melody and contemporary sheen to spin heads in wider circles.
Backed up by an extensive worldwide touring plan that sees BFMV’s strongest ever line-up playing major shows and festivals for the whole of 2018 (and beyond), ‘Gravity’ already feels like an important album. Simply, this is frontman Matt Tuck and his fellow players thinking big and bold and refusing to compromise or back down.
The title is ‘Gravity’, but the music is set to rise like a rocket. Let the countdown commence…
Following the group’s 1985 formation, Guns N’ Roses injected unbridled attitude into the burgeoning Los Angeles rock scene. They went on to captivate the entire world with the July 21, 1987 release of Appetite For Destruction, which remains the best-selling U.S. debut album ever, moving over 30 million copies globally. Appetite features such indelible tracks such as the No. 1 single “Sweet Child O’ Mine,” “Welcome To The Jungle,” “Nightrain,” and “Paradise City.”
The Appetite For Destruction: Super Deluxe Edition features 4CDs including the album newly remastered for the first time ever; B-sides N’ EPs newly remastered; the previously unreleased 1986 Sound City Session N’ More recordings; a Blu-ray Audio disc with the album, bonus tracks and music videos in brand new 5.1 surround sound along with the unearthed music video for “It’s So Easy” originally shot in 1989 but never finished; and a 96-page hardcover book showcasing unseen photos from Axl Rose’s personal archive and wealth of memorabilia. In addition, the Super Deluxe Edition contains collectables like never-before-seen band lithos, replica concert tickets, a wall poster, temporary band member tattoos , a Robert Williams painting litho, and a replica “Welcome To The Jungle” video shoot invite flyer originally drawn by Slash.
heavyweight black vinyl 12” LP in spined sleeve, with printed inner bag and download card.
The sixth full-length studio release for the Damon Albarn's animated band features guest appearances from George Benson, Jamie Principle and Snoop Dogg.
In the lush tobacco fields of North Carolina where BJ Barham was raised, people work hard. Families stay nearby, toiling and growing together. BJ loves those farms and his tiny Reidsville hometown, but he had to run off and start American Aquarium, a band now beloved by thousands. BJ couldn’t stay. But he couldn’t really leave, either: he’s still singing about the lessons, stories, and lives that define rural America––and him. Recorded at 3CG Records in Tulsa, Oklahoma, American Aquarium’s seventh studio album, Things Change was produced by Grammy-nominated singer-songwriter John Fulbright and features cameos from Americana standouts including John Moreland and Jamie Lin Wilson. Stacked with BJ’s signature storytelling––always deeply personal but also instantly relatable––Things Change questions and curses current events, shares one man’s intimate evolution, and leaves listeners with a priceless gift: hope. BJ’s candor has fueled American Aquarium’s runaway appeal, visible most clearly in consistently sold-out shows across the country and throughout Europe - between 200 and 250 dates a year. Much has changed for the band and BJ since their acclaimed last effort, Wolves. In 2017, every American Aquarium member save BJ quit the group. American Aquarium has featured about 30 players since BJ founded the outfit in 2006, and while each member has left indelible marks, the band has always been anchored by the literary songs and sometimes roaring, sometimes whispering, drawl of BJ Barham. Featuring a new band lineup that includes Shane Boeker on lead guitar, drummer Joey Bybee, bassist Ben Hussey, and Adam Kurtz on pedal steel and electric guitar, as well as a reinvigorated frontman in BJ, Things Change is American Aquarium’s first release on a label after selling thousands of records on their own.
On the group's sixth album, Passwords, inspiration pulls guitarist/ singer Taylor Goldsmith, drummer Griffin Goldsmith, bassist Wylie Gelber, and keyboardist Lee Pardini into their most universal, topical territory to date. This is a record about the modern world: the relationships that fill it, the politics that divide it, the small victories and big losses that give it shape. Taylor's writing is personal at points - the result of his recent engagement, which lends a sense of gravity and self-reflection to album highlights like "Time Flies Either Way" and "I Can't Love" - but it also zooms out, focusing not on the director himself, but on everything within the lens.
Nine Inch Nails will release their new album Bad Witch on June 22, completing the trilogy that began with 2016’s Not The Actual Events and 2017’s ADD VIOLENCE. Nine Inch Nails will launch COLD AND BLACK AND INFINITE NORTH AMERICA 2018 on September 13 with support The Jesus and Mary Chain. The band will bring their "musical, visual, emotional sensory onslaught,” as hailed by The New York Times, to some of the most iconic venues in the USA.
Limited-edition, indie-only. Single LP on translucent green vinyl. Includes 24” x 24” full color foldout poster. Includes coupon for full download
Born in Cabbagetown, Georgia, the Rock*A*Teens carved their signature echo-wrapped, wounded-heart music on the edges of the Atlanta music scene more than 20 years ago. Led by songwriter and lead singer/guitarist Christopher Lopez, the band released a handful of reverb-drenched singles and full-lengths on the independent Daemon and Merge labels in the late ’90s and early 2000s.
Following their reunion at the Merge 25 festival and the reissue of their last LP Sweet Bird of Youth (Merge, 2000), the group returned to touring and playing live. Restless with the need to move forward, the band began writing and recording new music.
Guided by a batch of home recordings and demos, Lopez, guitarist Justin Hughes, bassist William R. Joiner, and drummer Ballard Lesemann convened with Tim Delaney at Electron Gardens Studio and Rafael Pereira at Tribo Studios to shape their ideas into the glorious, bombastic new album Sixth House.
The band continues with their signature gritty, rock & roll, blues sound on All Of This Life, their second album following up a Grammy-nominated and hit-filled debut. The new album incorporates the band's organic style, but provides a richer, full expanded sound using Boulevard Recording Studio and mixes by Mark Needham (The Revivalists, Blue October, Newsboys, Fleetwood Mac, The Killers, Imagine Dragons, etc...). This album is comprised of stories about moving through difficult times in life and coming through the other side as shared by their fanbase over the last two years of non-stop touring.
New Vinyl - Indie Exclusive: $20.98 Add to Cart
Limited-edition, indie-only. Single LP on opaque red + translucent orange swirl vinyl. Includes coupon for full download
Formed in Brooklyn in 1998, The Essex Green released four albums between 1999 and 2006. They became one of the few bands from the Northeast to be associated with the groundbreaking Elephant 6 Collective. Their unique blend of harmony-infused pop music culminated in the 2006 release of Cannibal Sea.
Sasha Bell, Jeff Baron, and Christopher Ziter were last seen together in the late aughts, waving from their van as they bid farewell to Brooklyn. And then, the unthinkable: The Essex Green went silent. But why? Legal cannabis? Climate change? Bad oysters? Nothing so dramatic. It was a simple promise made among them to chase down their separate dreams: Baron to build a houseboat and navigate the mighty Allegheny, Monongahela, and Ohio Rivers; Ziter to return to his home state of Vermont and lead local fermentation efforts; and Bell to decamp to Montana to study elk rutting.
Having achieved their goals or not, they vowed to break their silence in secret on the frigid waters of Lake Champlain during the blood moon eclipse of 2015 when the effect of the moon in Libra would be most powerful. Over the next two years, the three continued to meet and record in undisclosed locations. The result is Hardly Electronic, a music mapping of the trio’s personal journeys over the past decade.
Sometimes the catalyst for creating great art is simply being in the right place at the right time. For Arthur Buck, the new collaboration between singer-songwriter Joseph Arthur and guitarist Peter Buck, that place was Mexico, and that time was the fall of 2017. Specifically, a little town off the Baja coast named Todos Santos, with the Sierra de la Laguna mountains to the east and the bright blue Pacific stretching out infinitely to the west. It is here that Buck has, for the last several years, held the Todos Santos Music Festival, which he created with his wife, Chloe Johnson, in 2012, shortly after R.E.M. called it a day. Among the many artists who have played the festival is Joseph Arthur, who also happened to leave behind a guitar—a Dobro, specifically—after his last appearance there. And so last year he made the trek down to Todos Santos to pick up the instrument. Which is where he ran into Peter Buck.
That was the beginning of Arthur Buck. The creative result of this relationship is a vibrant 11-song collection that captures the spontaneity at the heart of the project—right down to the 1-2-3-4 count off from Buck that opens the record—with sounds and styles meshed together in an easy, almost playful manner. Tchad Blake was brought in to mix the proceedings, and the result is the new Arthur Buck—the result of a shockingly productive burst of inspiration.
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‘The Studio Albums Vinyl Collection 1971 – 2016’ presents this monumental era in Rock N’ Roll history in a highly bespoke, lenticular mounted, limited edition box-set housing the 15 x Studio Albums from Sticky Fingers through Blue & Lonesome in faithful & intricate original packaging replications. Every album has been lovingly remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format. Each album is pressed on heavyweight 180-gram black vinyl, includes a download card for HD digital redemption of the catalogue & includes a numbered certificate of authentication.
Creative firebrand Manuel Gagneux returns with a brand new Zeal & Ardor album ‘Stranger Fruit’ Mixing blues, gospel, and soul with harsher music has opened up a world of possibilities for Gagneux. Previously creating as a one man solo effort, the immense interest and critical acclaim Zeal & Ardor attracted upon release of debut album Devil Is Fine, has led to the project becoming a fully-fledged, internationally-touring band. After months hidden away, crafting the new songs for Stranger Fruit, Gagneux entered the studio with producer Zebo Adam and mixer Kurt Ballou (Converge, Kvelertak, Nails). While the finished sound is larger and heavier, it is still unmistakably Zeal & Ardor. The diverse yet cohesive nature of the sixteen tracks on Stranger Fruit is designed to encourage the listener to dig a little deeper and find their own meaning in its words. In contrast to first LP Devil Is Fine, these songs are deliberately intended to play off each other both lyrically and musically. While the record seethes with a justifiable rage, its wider-reaching aim is to unify, not divide, and to inspire action, not inertia. Elements of a bleak melancholy are tempered by hope. Superficially, the album tells small isolated stories, but there are also references to the Goetia, Yoruba, and obscure occult literature and history within.
The Mountain is Dierks Bentley's ninth studio album. The writing process came together quickly when Bentley returned to Telluride a short time later for a retreat with fellow songwriters Natalie Hemby, Luke Dick, Ross Copperman, Jon Randall, Jon Nite and Ashley Gorley. The bulk of the album’s songs, including the title track were written during that week, which Bentley describes as the most inspiring creative experience he’s ever had.
GRAMMY® Award-winning pair Jennifer Nettles and Kristian Bush are refreshing their musical visions while staying true to an authentic sound and emotive songwriting that has made Sugarland ubiquitous with Country music duos. The Georgia natives released their first new music in seven years with “Still The Same” setting the tone for their joint venture with Big Machine Records and UMG Nashville. Their highly-anticipated new album BIGGER will be released on June 8.
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This album combines the brilliant original vocal harmonies of The Beach Boys’ classics with brand new symphonic arrangements performed by the Royal Philharmonic Orchestra, creating a unique and special experience of these 17 iconic songs.
2018 collaboration between the singer/songwriter and actress/vocalist, and follow up to their 2009 album ‘Break Up’. Comprised of 5 new recordings, including the single “Bad Dreams” (a cover of Brooklyn-based band The Echo Friendly’s “Worried”), and a new version of “Tomorrow” (previously featured on Yorn’s 2014 album ‘ArrangingTime’). “If Break Up was dealing with an unraveling relationship, Apart is dealing with the aftermath,” Yorn explains. “It acknowledges the array of heavy emotions that come up living separate lives. You’re getting used to the idea of not being with someone who has been a big part of your life.” Scarlett Johansson adds, “Being able to revisit this project with Pete in a totally different context but within the same creative parameters is a unique artistic opportunity for me.”
'Noonday Dream,' the highly anticipated new album from Ben Howard, is set for release 6/1 on Republic Records. 'Noonday Dream' was written and produced by Howard, with production contributions from regular collaborator and band-mate Mickey Smith. Howard's music has amassed well over half a billion streams to date and has earned the singer-songwriter an Ivor Novello Award nomination, the U.K.'s most prestigious songwriting accolade, in addition to two Brit Awards in 2012 for 'British Breakthrough' and 'British Solo Male Artist.'
*Loser Edition on metallic purple vinyl w/ jacket variation while supplies last*
Written largely in New York between summer 2016 and winter 2017, Josh Tillman’s fourth Father John Misty LP, God’s Favorite Customer, reflects on the experience of being caught between the vertigo of heartbreak and the manic throes of freedom.
God’s Favorite Customer reveals a bittersweetness and directness in Tillman’s songwriting, without sacrificing any of his wit or taste for the absurd. From “Mr. Tillman,” where he trains his lens on his own misadventure, to the cavernous pain of estrangement in “Please Don’t Die,” Tillman plays with perspective throughout to alternatingly hilarious and devastating effect. “We’re Only People (And There’s Not Much Anyone Can Do About That)” is a meditation on our inner lives and the limitations we experience in our attempts to give and receive love. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin. Together, these are songs that demand to know either real love or what comes after, and as the album progresses, that entreaty leads to discovering the latter’s true stakes.
God's Favorite Customer was produced by Tillman and recorded with Jonathan Rado (Foxygen), Dave Cerminara (Jonathan Wilson, Foster the People, Conor Oberst), and Trevor Spencer (FJM). The album features contributions from Haxan Cloak, Natalie Mering of Weyes Blood, longtime collaborator Jonathan Wilson, and members of Misty’s touring band.
This initial volume of the band’s complete recorded output comes in a limited-edition 180-gram heavyweight vinyl box set, featuring Def Leppard’s first four studio albums — along with some choice bonus live and studio material — all spread across 8LPs. The Volume One collection contains all of Def Leppard’s iconic 1980s recordings – On Through The Night, High ‘N’ Dry, Pyromania and Hysteria - with reproductions of the original packaging. Furthermore, this collection includes a replica 7-inch single of the band’s original independent EP, the self-titled The Def Leppard E.P. The Volume One collection also houses bonus material including Live At The LA Forum 1983, originally released as a bonus disc in the deluxe CD version of Pyromania, making this the first-ever vinyl offering of the complete show. This 2LP version comes with a new sleeve and inner bags. The box set also includes Rarities Volume 1 which has been specially compiled by Joe Elliott, containing rare B-sides and recordings from Def Leppard’s early years, all in a newly commissioned sleeve. Each album in the Volume One box set was mastered by longtime band producer/soundmaster Ronan McHugh and frontman/vocalist Joe Elliott at Joe’s Garage in Dublin, Ireland, and cut by Greg Moore. Housed in rigid boxes, the Volume One collection also contains a hardback book with rare photos by longstanding band confidant Ross Halfin and liner notes by Classic Rock’s Paul Elliott. Def Leppard bandmembers Joe Elliott, bassist Rick Savage, drummer Rick Allen, and guitarist Phil Collen have all also contributed their personal introductions to the collection.
Prequelle follows Ghost's third studio album, Meliora, and its accompanying EP Popestar, which elevated the Swedish rock band into the pantheon of the greatest rock bands on earth and resulted in a Grammy® Award for 'Best Metal Performance'. Prequelle delves into the plague, the apocalypse, and dark ages.
Shawn Mendes to release highly anticipated self-titled album on 5/25 via Island Records. The album will include previously released tracks, 'In My Blood' and 'Lost In Japan.' Current single 'In My Blood' is quickly approaching Top 10 airplay at Top 40 and Hot AC radio formats. He will support the album with numerous media appearances, which will include a week-long residency on 'The Late Late Show with James Corden' in June.
Produced by Grammy award-winning producer, engineer & mixer John Congleton - who has worked with everyone from St. Vincent to Modest Mouse, Amanda Palmer to Laurie Anderson and Brian Wilson to The War on Drugs - at L.A.'s famed Sunset Sound, Spring captures that eclecticism.
Produced by Chris Bond (Ben Howard, Tom Speight) and mixed by Tim Palmer (Pearl Jam, David Bowie, U2), Xavier Rudd's forthcoming album Storm Boy - his ninth studio album, and first solo album in six years - showcases his incomparable songwriting craftsmanship and is an impressive addition to his ever-growing legacy.
On May 18, Ohio-based band The Sidekicks will release their fifth album, Happiness Hours. Nearly three years in the making, Happiness Hours follows 2015’s critically acclaimed Runners in the Nerved World.
Produced, engineered, and mixed by John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile), Happiness Hours features some of the sunniest, most ebullient songs The Sidekicks have ever recorded—all ringing guitars, charging drums, and soaring vocals. That dynamic is more than apparent on the infectious lead single “Twins Twist,” which premieres today.
With its warm harmonies and shining melody, bouncing groove and bittersweet lyrics, “Twins Twist” also reveals the more narrative-driven direction that The Sidekicks pursued in creating Happiness Hours. As vocalist/guitarist Steve Ciolek explains, those narratives reach squarely toward a kind of universal experience.
“They are relative to my life, but they aren’t just about me,” says Ciolek, whose bandmates include drummer Matt Climer, guitarist/vocalist Toby Reif, and bassist/vocalist Ryan Starinsky. “Unlike when you’re a kid, when every song has to be about falling in love or breaking up—about me, me, me—you get to a point when you really want your art to be inclusive. You want everyone to be able to locate themselves somehow in your songs.”
Santa Rosa Fangs is critically acclaimed California-based singer/songwriter Matt Costa’s new full-length, his first in five years. The album was produced by Peter Matthew Bauer (The Walkmen) and Nick Stumpf (French Kicks). The tale of Santa Rosa Fangs centers around a young woman named Sharon, her two brothers Ritchie and Tony, and their story of love, loss, and coming of age in a timeless yet contemporary California. It is replete with long distance love affairs and nostalgic romances woven through the loom of tragedy and time.
Reverence arrives as the follow-up to 2015’s Ire—Parkway Drive’s most successful album to date and a major force in boosting their ever-growing worldwide following. Like each album released since the band formed in 2002, Ire has been certified gold in their homeland of Australia; it also helped fuel their recent dominance at European festivals and won critical praise from outlets like Kerrang (who hailed Ire as a “fascinating album”). But while Ire brought Parkway Drive’s uncompromising artistry to bold new levels, Reverence pushes their creative ambition even further.
Following the success of his multi-platinum debut album, Stoney, Post Malone is set to release his highly anticipated sophomore album beerbongs & bentleys on April 27th via Republic Records. The album includes the massive hit singles "Psycho" which is already Top 20 at Top 40 radio and Top 5 at Rhythm Radio and the certified 6x platinum single "rockstar" which peaked at #1 on the Billboard Hot 100 for 8 consecutive weeks.
Producer/singer/songwriter Neko Case has won a large and loyal audience for her smoky, sophisticated vocals and the downcast beauty of her music. Now more than 23 years into her musical calling, Case is the consummate career artist--fearless and versatile, with a fierce work ethic and a constant drive to search deeper within herself for creative growth.
On June 1st, Anti- will release Neko Case’s ‘Hell On,’ an indelible collection of colorful, enigmatic storytelling that features some of her most daring, through-composed arrangements to date. Produced by Neko with help from Bjorn Yttling (Peter Bjorn & John), ‘Hell On’ is simultaneously the most accessible and most challenging album in a rich and varied career that’s offered plenty of both. Rife with withering self-critique, muted reflection, anthemic affirmation, and her unique poetic sensibility, the 12 tracks of ‘Hell On’ — which features collaborations such as Joey Burns, Beth Ditto, Kelly Hogan, KD Lang, AC Newman, Paul Rigby, Laura Veirs, and more.
It's rare that a band's debut album sounds as confident and self-assured as Rolling Blackouts Coastal Fever's Hope Downs. To say that the first full-length from the Melbourne quintet improves on their buzz-building EPs from the last few years would be an understatement: the promise those early releases hinted at is fully realized here, with ten songs of urgent, passionate guitar pop that elicit warm memories of bands past, from the Go-Betweens' jangle to the charmingly lo-fi trappings of New Zealand's Flying Nun label. But don't mistake Rolling Blackouts Coastal Fever for nostalgists: Hope Downs is the sound of a band finding its own collective voice.
With Last Man Standing, Willie Nelson has added 11 essential new songs to his classic catalog. Comprised entirely of songs newly-penned by Willie along with longtime collaborator and producer Buddy Cannon, it is one of his most personal and introspective albums to-date. An album that acknowledges the transience of time while marveling at the joy, beauty and surprise the world has to offer, Last Man Standing finds Willie Nelson rolling at a creative peak, writing and singing and playing with the seasoned wit and wisdom that comes from the road.
The Yonkers, NY born singer-songwriter uses airy vocals and vivid lyrics to draw listeners into her soulfully emotive world on her debut album Pendulum. "A major theme of every human’s experience is that we’re constantly swinging between good and bad," says Aisha of the album’s theme. "We can’t avoid it. By realizing the that the swings aren’t permanent, you begin to develop the ability to control how you feel about the unfortunate events that may arise in your life."
Penned as one of 2018’s most important breakout artists, Bishop Briggs to release her debut album, ‘Church Of Scars,’ on 4/20 via Island Records. The album will include current single ‘White Flag,’ which is building at Alternative radio. Album will also include previous hits, ‘River’ and ‘Wild Horses,’ which have been featured on a variety of television shows and commercials. She will support ‘Church Of Scars’ with her forthcoming headlining tour, launching in April 2018.
Grammy-winning artist The Weeknd to release CD of new project ‘My Dear Melancholy,’ via XO Records / Republic Records on 4/13. 'My Dear Melancholy,' follows the Weeknd's 2016 record, 'Starboy', which debuted #1 on the Billboard 200 Albums Charts and charted 2 Top 10 hits, “Starboy” & "I Feel it Coming." The Weeknd will perform at a handful of major festivals this summer, including headlining performances at Coachella & Panorama.
”Kings Among Scotland,” the band’s long-awaited live album, arrives in stores on April 27, 2018. Captured last February 15 at the band’s sold-out concert at Glasgow’s historic venue Barrowland Ballroom, the two-hour “Kings Among Scotland” incorporates the band’s entire live show. The concert is also available on on DVD.
Lord Huron to release new album, Vide Noir, on 4/20 via Republic Records. The album follows critically lauded EPs, 'Strange Trails' and 'Lonesome Tails', which has garnered over 400M streams to-date. Previous single 'The Night We Met' is best known for featuring in Netflix's '13 Reasons Why.' The band is currently on an extensive USA headlining tour through Summer 2018.
BOARDING HOUSE REACH is the new solo album from Jack White, and is a testament to the breadth of the artist's creative power and his bold artistic ambition. This new material finds Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation). The album explores a remarkable range of sonic terrain -- crunching rock 'n' roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country -- all remapped and born anew to fit White's matchless vision and sense of restless experimentation.
Since releasing their debut album in 1998, Snow Patrol has gone on to be one of the biggest acts in the world. With over 10 million global album sales, 1 billion global track streams, 5 UK Platinum awards, 6 BRIT Award nominations, 1 GRAMMY nomination, 1 Mercury Music-Prize nomination, a massive and passionate fan base, the band is back with their 7th album, Wildness, out 5/25. Wildness follows Snow Patrol's 2011 record, Fallen Empires, and finds the group reuniting with longtime producer Jackknife Lee.
Legendary front man of The Who, Roger Daltrey, to release brand-new studio album, 'As Long As I Have You,' on 6/1. 'As Long As I Have You' is Roger’s first solo album since 1992. The album will feature 11 new studio recordings of new Roger Daltrey written tracks and covers of tracks from the likes of Steve Stills, Parliament, Nick Cave, Stevie Wonder & Dusty Springfield. Additionally, the album features guitar from Pete Townshend. 'As Long As I Have You' was produced by the iconic producer Dave Eringa.
11th studio album from D.C. based electronic duo featuring artists: Mr. Lif, Sitali, Racquel Jones, Notch, Natalia Clavier, and Lou Lou Ghelichkhani. The 12 track Treasures from the Temple is a continuation from their last album Temple of I & I, recorded in Port Antonio. Blending their signature sound with classic dub, dancehall, and roots vibes. Download Card
7 is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel. For 7, we built a "home" studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there, in the process shortening the amount of time between the original idea and the finished song (of the album’s 11 songs, 8 were finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los Angeles). 7 didn’t have a producer in the traditional sense. James Barone, who became our live drummer in 2016, played on the entire record. We also worked with Sonic Boom (Peter Kember), who became a great force on this record by shedding conventions and helping to keep the songs alive, fresh and protected from the destructive forces of recording-studio over-production/over-perfection. The societal insanity of 2016-17 was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source. In a more general sense, we are interested by the human mind's (and nature’s) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny. While the title is simply a number that represents our seventh record, the number 7 does represent some interesting connections in numerology. 1 and 7 have always shared a common look, so 7 feels like the perfect step in the sequence to act as a restart or “semi-first.” Most early religions also had a fascination with 7 as being the highest level of spirituality, as in "Seventh Heaven.” At our best creative moments, we felt we were channeling some kind of heavy truth, and we sincerely hope the listeners will feel that. Much Love, Beach House
Following the success of his multi-platinum, Grammy-nominated debut album, Chaos & The Calm, James Bay to release highly anticipated album, Electric Light, on 5/18 via Republic Records. Album includes current single “Wild Love,” which recently entered Top 20 at Hot AC radio & continues to gain traction. James will headline a SOLD-OUT US tour, which will launch on 3/25 in Seattle. Additionally, there will be multiple media appearances & performances to support the album, including a major look on SNL.
Lake Street Dive will release Free Yourself Up, its second album with Nonesuch Records, on May 4. The four-member band—drummer Michael Calabrese, bassist Bridget Kearney, singer Rachael Price, and guitarist/trumpeter Michael "McDuck" Olson—self-produced the album at Goosehead Palace Studios in Nashville with engineer Dan Knobler.
To Lake Street Dive, the title, Free Yourself Up, is both an exhortation to listeners and a statement of purpose for the band. In many ways, this is the band's most intimate and collaborative record, with the band working as a tightly knit unit to craft its ten songs. For this album, the quartet drafted touring keyboardist Akie Bermiss to join them in the studio as well as on stage. Adding another player to the process freed up the the band members to explore a wider range of instrumental textures, construct more full-bodied arrangements, and build on their well-known background harmonies.
Limited-edition, indie-only. Single LP on opaque red vinyl. Includes bonus 7” of “Baby’s Got It Bad” b/w “Can’t Get Over You” on black vinyl. Includes coupon for full download. Limited to 1,000 in the US.
Tracyanne & Danny is a new collaborative project between singer-songwriters Tracyanne Campbell (Camera Obscura) and Danny Coughlan (Crybaby). Tracyanne hails from Glasgow, Scotland. London-born Danny is based in Bristol, England. Their paths first crossed in 2013 when introduced by mutual music industry pals. Tracyanne dug Danny’s Crybaby album (released on Helium Records) and invited him to open some Camera Obscura shows in the UK. Mutual artistic respect led to the swapping of song ideas, but tentative plans to work together were set aside while Camera Obscura wrote, recorded, released, and promoted their fifth album Desire Lines. Following the death of Camera Obscura’s Carey Lander, all band activity stopped. Time passed. Tracyanne and Danny revisited the idea of collaborating. A pool of songs were honed and crafted. On the suggestion of their manager (and Teenage Fanclub drummer) Francis Macdonald, they recorded at Clashnarrow, a studio in Helmsdale in the highlands of Scotland owned by the esteemed Edwyn Collins.
'I feel like I'm in a totally new band right now,' says Dr. Dog guitarist/singer Scott McMicken. It's a bold declaration considering he's been co-fronting the beloved indie outfit for a decade-and-a-half, but it cuts straight to the heart of the intense and transformative experience behind the group's brilliant new album, 'Critical Equation.' Produced by Gus Seyffert (Bedouine, Michael Kiwanuka), 'Critical Equation' is the most infections and adventurous collection Dr. Dog has laid to tape yet. The record was born from a journey of doubt and discovery, a heavy, sometimes painful reckoning that ultimately brought the band closer together with more strength and clarity than ever before. Call it an existential awakening, call it a dark night of the soul, whatever it was, it fueled one of the most fertile creative periods in the group's history.
It has been two years since the release of his chart-topping, record breaking album RIPCORD, but on Friday, April 27th, Keith Urban returns with his ninth studio album, GRAFFITI U. The 13-track recording, which includes his current single “Coming Home,” featuring Julia Michaels. The intimate image on the GRAFFITI U album cover was taken by world-renowned photographer Mark Seliger.
Old Crow Medicine Show have announced the release of their new studio album, Volunteer, due out April 20th, 2018 on Columbia Records Nashville. The album was recorded at the historic RCA Studio A and produced by Dave Cobb (Chris Stapleton, Jason Isbell, Sturgill Simpson).
EMBER is Breaking Benjamin's 6th studio album and is the follow up 2015’s DARK BEFORE DAWN, which debuted #1 on Billboard's Top 200, spun off three No. 1 rock radio tracks, “Failure” and “Angels Fall,” as well as their latest hit single “Never Again.” Selling over 500K, DARK BEFORE DAWN was certified gold in early 2017.
John and TJ Osborne co-wrote every track on Port Saint Joe along with frequent collaborators Lee Thomas Miller, Kendall Marvel, Barry Dean, Shane McAnally, Troy Verges and more. The title, Port Saint Joe, reflects the small town on the Florida coast where the real-life siblings recorded the album.
“Port Saint Joe is a sonic representation of who we’ve become not only as a band but as people,” says John Osborne. “Every show we’ve ever played together is on this record. Every song we’ve ever written and every mile we’ve ever ridden has led to the making of this record. Imperfections and all.”
TJ adds, “we shacked up for two weeks to make an unabashed record that would reflect who we are in every way, and in the process we had the most enjoyable and memorable recording experience of our lives.”
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The Wait is over…Actually, it’s back! Nearly three decades after going out of print, Metallica will release a remastered version of The $5.98 EP - Garage Days Re-Revisited on April 13, 2018 as part of thir ongoing remasters series via their own Blackened Recordings label.
Originally released over 30 years ago on August 21, 1987, the collection features the band covering songs by early Metallica influencers such as Diamond Head, Holocaust, Killing Joke, Budgie, and The Misfits. The five songs from the EP were later included as a part of the 1998 multi-platinum release Garage, Inc., but the band felt it was time to bring it back in the original formats!
Garage Days Re-Revisited was remastered by Chris Bellman at Bernie Grundman Mastering in Hollywood, CA
With the release of his highly anticipated debut album Mr. Jukebox via Third Man Records, Joshua Hedley will embrace the role he was born to play: this generation’s classic country champion.
An accomplished fiddle player, Hedley felt inexplicably drawn toward the instrument as a child. He got his hands on his own fiddle at age 8, and by 12, he was playing with middle-aged pickers at the VFW. At 19, he moved from his native Florida to Nashville, where he became an in-demand sideman at Robert’s Western World and other bars, and ultimately, a well-respected frontman. Armed with an easy croon and prodigious fiddle playing, he became known as the Mayor of Lower Broad. He hit the road to perform with artists including Jonny Fritz, Justin Townes Earle, and more, while the 2015 documentary Heartworn Highways Revisited featured Hedley prominently.
Formed in the South Bay of Los Angeles, a neighborhood with a rich punk rock history, Pennywise began in 1988. The band would go on to amass an international following through relentless touring and a melodic high energy sound merging melodic surf punk, blistering hardcore and the classic punk of their youth. The group has solidified their place in punk history and are ready to continue their legacy with their long awaited new album, Never Gonna Die. A return to form for the band, Never Gonna Die contains 14 solid tracks that a punk fan can run in circles to.
Leading with his heart as much as with his head, AHI is an emotional yet discerning lyricist who would rather demonstrate love than use the word itself. He allows his light to shine inward but only to a degree, admitting to some autobiography on In Our Time but as glimpsed through an imaginative lens. While his music possesses a quality of timelessness, the sounds here reveal a broad spectrum of influence and also toe the line between retro and revelatory. None of that is by accident: the album, like its 2016 predecessor, We Made It Through the Wreckage, was recorded in Nashville -- a place AHI finds attractive for its sound and skilled studio hands rather than its glitzy polish -- and this time on analog-to-tape with flourishes of digital technology.
Ten years after Mamma Mia! The Movie grossed more than $600 million around the world, fans are invited to return to the magical Greek island of Kalokairi in an all-new original musical based on the songs of ABBA. With the film’s original cast returning and new additions including Lilly James and Academy Award® winner Cher, the musical comedy will open on July 20, 2018. Original ABBA member Benny Andersson produced and arranged the upcoming soundtrack.
The Gaslight Anthem and SideOneDummy celebrate 10 years of the seminal album, The '59 Sound. New compilation features rare, unreleased, and alternate takes recorded during the '59 Sound sessions. Launching a tour in celebration of the 10th anniversary of the album, kicking off May 27th in Washington D.C.
Underworld and Iggy Pop announce Teatime Dub Encounters due for release on July 27th via Caroline. The 4 track EP is the result of a few clandestine hotel room recording sessions that began a few weeks after Underworld and Iggy Pop each released their last albums on the same day (3/18/16). It is neither historical nor a tribute to past work; it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.
The band's ninth-studio album, Among the Ghosts, is their first for noted Nashville indie label Thirty Tigers. It was recorded and co-produced with Grammy-winning engineer/producer and Memphis native Matt ross-Spang (Jason Isbell, Margo Price, Drive by Truckers) at the historic Sam Phillips Recording Service/Sun Studio. Recorded primarily as a five-piece, Among the Ghosts eschews the Stax-inspired horns and Jerry Lee Lewis-style boogie piano featured in some of the band's past recordings for a streamlined rock & roll sound that pays homage to their seminal influences as it seeks to push that legacy into the future. For a band who carried the torch of the alt-country movement back in the 90's and helped pave the way for what is now called Americana, Lucero have re-discovered what inspired them in the first place. The sound is more their own and at the same time not exactly like anything they've done before. This is a band settling into their craft. The 10-song disc's title is both a tribute to the spirits which road the streets of their fabled city, as well as the hard road the determinedly independent band set out on 20 years ago.
Limited-edition, indie-only. Single LP on pink + yellow marble vinyl in same packaging as standard LP. Includes coupon for full download + 2 extra digital tracks. Limited to 2,500 worldwide.
You may not be able to see the gorgeous landscapes behind Baby Grand, Stuart McLamb’s fourth record as The Love Language, but they’re so essential to the picture you’ll feel them in every note. Started in, of all places, a cavernous Virginia hammock factory, fragmentary demos came alive when splashed by sunshine during a move across the country to California, where the album was completed. “It was something just about being in a new city, and a new light,” McLamb says, “and reopening the sessions, and this demo that I thought was a throwaway, suddenly I’m really feeling it….” You can hear the freedom kick in when the backwoods country shuffle of “Castle in the Sky” explodes into a full-on aughts anthem, equal parts outstretched arms and pumped fists.
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Out August 3rd
Limited-edition, indie-only. Single LP on “bruiser” vinyl (purple, blue, and black marble). Includes coupon for full download
Four years after releasing their Merge debut, Frozen Letter, Spider Bags return with an LP that ascends to new levels of aural punch and perspective. The years that elapsed between records were crucial in enabling that progress to take place.
Recorded in Memphis at Bunker Audio by Andrew McCalla (who also engineered 2012’s Shake My Head), Someday Everything Will Be Fine leverages the limitations and glory of the Tascam 388, a vintage recording/mixing device that’s acquired a mythos via its association with legendary records by Dinosaur Jr. and others. Unlike the error-erasing editing software Spider Bags frontman Dan McGee has favored in the past, the Tascam’s charms are more immediate, and it has a visceral resonance all its own.
Someday Everything Will Be Fine, which is about the importance of saying f**k it and dancing to a rock and roll record, is an album only Spider Bags could make.
'It's all rock & roll -- no golf!' is how acclaimed singer/songwriter/violinist Amanda Shires describes her electrifying firth album, To The Sunset. She's borrowed a lyric from the effervescent track 'Break Out the Champagne,' one of ten deftly crafted songs that comprise her powerful new recording. The Texas-born road warrior, new mom, and recently minted MFA in creative writing has mined a range of musical influences to revel an Amanda Shires many didn't know existed. 'Isn't it refreshing?' Shires asks. Indeed. Distorted electric guitars, effects pedals, swirling keys and synths, and rockin' rhythms certainly suit Shire's visceral songcraft and lilting soprano.
Nicki Minaj to release her fourth studio album, 'Queen,' on 8/17 via Cash Money Records / Republic Records. The album will include previously released tracks, 'Chun-Li,' 'Rich Sex,' and new track 'Bed (feat. Ariana Grande).' Her current single 'Chun-Li' is quickly approaching Top 5 airplay at Urban radio and recently broke into Top 10 airplay at Rhythmic radio. Nicki will support her album with a 28-date North American headlining tour with Future, which commences 9/21 in Baltimore and concludes 11/24 in Las Vegas.
Alina Baraz surprises fans with a new 9-song album prelude, The Color of You, that includes 8 new songs and "Electric" feat. Khalid. The prelude is her first extended release since the chart-topping Urban Flora EP and 2017's viral hit, "Electric" featuring Khalid. Using color as a metaphor and a means of describing the discovery of new emotions, the project sees Alina thrive with her trademark vocal effervescence while exploring new sensual and striking production directions. The Color of You thematically explores young love and musically captivates with an allover bigger sound, reflective of today's updated pop genre, a mix of R&B and electronic styles.
Unfortunately there were some manufacturing delays on the Alina Baraz The Color of You merchandise. All CD and LP's will now street on September 7th. Thank you for your patience.
Sweetener is the fourth album from Ariana Grande, the Grammy Award-nominated, multi platinum, record-breaking superstar that has emerged as one of the most magnetic and massively successful performers in pop music today. The album features the number 1 smash 'no tears left to cry,' as well as 'the light is coming (feat. Nicki Minaj)' and 'God is a woman.' With the release of 'no tears left to cry,' she became the first artist in music history to see the lead single from her first four albums debut in the Top 10 on Billboard Hot 100. By the age of 24, Ariana Grande delivered three platinum-selling albums in addition to nabbing four Grammy Award nominations and landing eight hits in the Top 10 on the Billboard Hot 100 chart. Since making her full-length debut with 2013's Yours Truly (featuring the game-changing, triple-platinum smash 'The Way'), Grande has brought her striking vocal presence to a genre-blurring breed of pop, taking on soul, and electronic music with equal nuance and assurance. Her 2014 sophomore effort My Everything garnered a Grammy Award nomination for Best Pop Vocal Album and spawned the 6x-platinum hits 'Problem' and 'Bang Bang' (a Grammy nominee for Best Pop Duo/Group Performance). Grande embraced a more uncompromising vision than ever before in the making of 2016's Dangerous Woman and wrapped up her widely lauded 'Dangerous Woman Tour' in support of the album in 2017, performing 85 arena shows worldwide. Through the years, the longtime actress and former Broadway star has proven the scope of her talent by appearing on Scream Queens and Hairspray Live! and showcased her comedic chops by hosting Saturday Night Live. Grande has also earned numerous accolades from the MTV Video Music Awards, iHeartRadio Music Awards, and American Music Awards (including the highly coveted Artist of the Year prize). She has also graced the prestigious magazine covers of TIME s Next Generation Leaders, FADER, and British Vogue.
Thank You for Today, Death Cab for Cutie's ninth studio album, was produced and mixed by Rich Costey (Fiona Apple, Franz Ferdinand, Muse), who also produced the band's last album the GRAMMY® nominated Kintsugi. Thank You for Today marks the first Death Cab for Cutie release to see long time bandmates Gibbard, Nick Harmer, and Jason McGerr joined in the studio by new members Dave Depper (Menomena, Fruit Bats, Corin Tucker, Ray Lamontagne) and Zac Rae (My Brightest Diamond, Fiona Apple, Lana Del Rey, Gnarls Barkley). Depper and Rae have both been part of Death Cab's touring band since 2015. Death Cab for Cutie will celebrate their new album with a much anticipated fall tour. Check out the single "Gold Rush"
The power of words isn’t lost on longstanding Americana triumvirate The Devil Makes Three—Pete Bernhard, Lucia Turino, and Cooper McBean. For as much as they remain rooted in troubadour traditions of wandering folk, Delta blues, whiskey-soaked ragtime, and reckless rock ‘n’ roll, the band nods to the revolutionary unrest of author James Baldwin, the no-holds barred disillusionment of Ernest Hemingway, and Southern Gothic malaise of Flannery O’Connor.
In that respect, their sixth full-length and first of original material since 2013, Chains Are Broken, resembles a dusty leather-bound book of short stories from some bygone era. As the band began writing ideas for Chains Are Broken, they veered off the proverbial path creatively. Instead of their typical revolving cast of collaborators, The Devil Makes Three stuck to its signature power trio, with one addition. This time, they invited touring drummer Stefan Amidon to power the bulk of the percussion.
Another first, they retreated to Sonic Ranch Studios in El Paso, TX a stone’s throw from the Mexican border to record with producer Ted Hutt [Dropkick Murphys].
The incorporation of new sounds as well as the experimentation in space finds the Devil Makes Three crafting a new yet still familiar sound. Coupled with a continued focus on in-depth lyricism that tells a story in every song, Chains Are Broken is a liberating, rump-shaking collection of past, present and future.
The brainchild of Matthew Logan Vasquez (Delta Spirit), Glorietta was born of a desire to collaborate with friends that Vasquez has collected over the years. Those friends; Noah Gundersen, Kelsey Wilson (Wild Child), David Ramirez, Grammy-winner Adrian Quesada, and Jason Robert Blum came together over the course of a week in a rented house in Glorieta, NM. "We chose Glorieta because it was isolated enough to feel like we were at camp" said Vasquez, "the only requirements were vaulted ceilings and a jacuzzi. The days were long with the tape running constantly as the players bought songs in various stages of completion to their new family of collaborators. Midway through the sessions the group was joined by a guest appearance from Nathaniel Ratliff, who drove straight through the night to join the party. The result is their self-titled debut record; a beautiful mix of voices from six band leaders, that fit perfectly together.
On August 24th Interpol will release their sixth studio album Marauder on Matador Records worldwide, available on CD and vinyl. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless others. In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself, and the answer is in the striding gallop of opener “If You Really Love Nothing,” the embellished skip ‘n’ bounce of “Stay in Touch” and the R&B swagger of closer “It Probably Matters.” Interpol have always been world-beaters at creating a feeling, but Marauder is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist, but he’s stepping into an even brighter light as a songwriter. During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters, and observations, often phrased in abstract. But more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.” “A swift and searing song centered around a blown-out drum stomp and a prickly lead guitar riff. Singer Paul Banks’ vocals drift above the mix with a slight sneer soaked in echo.” - Rolling Stone “[The Rover] is Interpol as shit, which means ricocheting guitars and an unstoppable rhythm section.” - Noisey “Interpol are back with ignited energy.” - Stereogum “A driving and relentless bit of post-punk revivalism” - Cons. of Sound
White Denim's new album 'Performance' collects nine expertly crafted songs that twist and turn, bending genres in the band's unique style. Students of rock music, White Denim has clearly listened to and learned from the best albums ever made from T. Rex to XTC to Little Feat to Jim O'Rourke...but they write songs just dumb enough to drink, dance, and fight to. Rock and roll music that aims for the whole body. Recorded in hometown Austin, Texas in their new Radio Milk studio, Performance displays a band of extraordinary musicians at their creative peak.
TASH SULTANA is a dynamic young artist who has commanded world attention since homemade videos of Tash jamming went viral. A true virtuoso, Tash was soon selling out massive theaters globally and playing at the world's biggest festivals - no mean feat for an artist who just a year before was recording songs on a go pro in a bedroom. The virtuosic playing of over 18 instruments, vocals that shine with a magical quality and the natural gift for melody that Tash possesses needs to be seen to be believed. Tash has sold over 200K tickets globally with 50K in the US, is selling out theaters and clubs around the world, played major festivals including Coachella, Lollapalooza, Bonnaroo, ACL and more, and amassed hundreds of millions of streams globally on her Notion EP. Tash has received 4x Aria award nominations and multiple APRA nominations.
Although civilization’s transition into a cyborg world seems inevitable, there are still those who recognize the beauty and power of a human touch to complement the circumvention. Jack Tatum understands this balance, and through a decade making music as Wild Nothing he has learned to embrace both sides of that dynamic—but perhaps never as distinctly as on Indigo, the fourth Wild Nothing album. On one hand, it is a return to the fresh, transcendent sweep of his debut, 2010’s Gemini, and on the other, a culmination of heights reached, paths traveled, and lessons learned while creating the follow-ups, Nocturne and Life of Pause. Indigo finds Tatum at his most efficient, calculated, and confident—resulting in an artful blend of hi-fi humanity and technology that fires on all circuits and synapses.
To make Indigo, Tatum confronted the Man vs. Machine dichotomy by seizing on the surrounding synergy. Finding the right people to work on the album was integral, as was the proper place to record it. So, Tatum booked four days at legendary Sunset Sound’s Studio. Afterwards, producer Jorge Elbrecht (Ariel Pink, Gang Gang Dance, Japanese Breakfast) and Tatum built out the rest of the album’s sound by adding new parts and repurposing sounds from Tatum’s demos. The resulting Indigo is its own cyborg world, utilizing the artful mechanisms of human touch with the precision of technology to create the classic, pristine sound Tatum had been seeking his entire career. From the opening drum beat, chiming guitar, and sweeping synth of “Letting Go” to Tatum’s Bryan Ferry vocal turn on “Oscillation” to the ’80s-heavy blips, clicks, and strut of “Partners in Motion,” it’s clear that Indigo is at once vintage Wild Nothing and a bold, new leap into a bigger arena.
Most people know Aaron Lee Tasjan as one of the wittiest, most offbeat, brilliant, weed-smokin’ & LSD microdosin’ Americana troubadours writing and singing songs today. And the New York Times, NPR and Rolling Stone will all gladly corroborate. But steel yourselves, folk fans, because he’s about to follow his restless muse straight out from under the weight of everyone’s expectations into the kind of glammy, jingle-jangle power-pop- and- psych-tinged sounds he hasn’t dabbled in since his younger days playing lead guitar for a late-period incarnation of The New York Dolls.
Karma for Cheap is Tasjan’s third LP and second for his label New West Records, based in his current hometown of Nashville. The record was co-produced by ALT and his friends Jeff Trott (Stevie Nicks, Liz Phair, Meiko, Joshua Radin) and Gregory Lattimer (Albert Hammond Jr.) and features Aaron Lee’s road band—guitarist Brian Wright, bassist Tommy Scifres and drummer Seth Earnest—with whom he’s been touring heavily for the last two years.
While the stylistic shift from Tasjan’s palpably stoned ‘70s-country-channeling 2015 debut, In the Blazes, to his more sophisticated, introspective and lushly produced 2016 follow-up, Silver Tears, was relatively incremental, Karma’s rocked-up Brit-pop-influenced Beatles-Bowie-Badfinger vibes underscore a significant departure. The album boldly reminagines these vintage sounds, pushing the boundary of what can be considered Americana.
The roots of Tasjan’s Karma for Cheap, stretch deep, drinking up the sounds of a Southern California childhood spent listening to The Beatles while riding around with his mom at the wheel of their navy blue Volvo station wagon—back to the very first pre-teen year he picked up a six-string and started figuring out all the pretty little chords in those Lennon-McCartney tunes. Back to the pure, blissful unfiltered innocence of falling in love with music for the first time. A huge sonic touchstone for ALT’s new record is The Beatles Anthology, one of his childhood favorites. In songs like “If Not Now When,” “Song Bird” and “The Rest Is Yet to Come,” you can hear echoes of George Harrison’s vibrant guitar riffs and Jeff Lynne’s lavish production on those lo-fi John Lennon demos the surviving Beatles dug up and polished off in the mid ‘90s.
Perhaps the most poignant moment on Karma for Cheap is the anthemic, hypnotic “Heart Slows Down,” a tune rife with musical and lyrical references to the Beatles and Tom Petty, anchored by an unforgettable chorus with a Traveling Wilburys vibe that finds the sweet spot between Tasjan’s two earliest musical heroes. “When I was a kid, my favorite CD to fall asleep to was Tom Petty & the Heartbreakers’ Greatest Hits, and the last song is a cover of that Thunderclap Newman song ‘Something in the Air.’ From the time I was a little kid to when I was teenager, I used to listen to that song on headphones almost every night—I heard it in that space between wake and sleep so many times. And Tom’s passing—he was a really big hero of mine, so it hit me pretty hard. We were in Seattle playing a show when I heard, and it was a heavy thing to process. But all of those elements are there in ‘Heart Slows Down.’ The chorus, ‘I will always be around,’ is a reminder that all the good you ever got out of listening to this music is still around you. You’ll always have that.”
Aaron Lee Tasjan says he aims to use his music for good, but he’s no protest singer. And Karma for Cheap isn’t some heavy-handed, didactic political record cramming a set of talking points down anyone’s throat. It’s a finely tuned rock & roll seismograph measuring the dark and uncertain vibrations of the time in which it was created. A cracked mirror reflecting back the American zeitgeist in this foul year of Our Lord, Two Thousand and Eighteen. With Karma, Tasjan establishes himself as an artist who not only evolves over time, but isn’t afraid to risk reinventing himself completely from one record to the next.
Passenger is Mike Rosenberg, the Brighton-born singer/songwriter known for busking his way to the global hit “Let Her Go” which topped the charts in 19 countries. Produced by Rosenberg, along with longtime collaborator Chris Vallejo, the new album is largely inspired by the North American landscape and geography, both musically and lyrically, and taps into Rosenberg’s family roots in New Jersey. This brings a fresh new approach and sound, and speaks to the road going traveler in all of us.
140g Double Vinyl, single jacket with 16 tracks (14 songs + 2 instrumentals).
Paul McCartney invites you on a musical journey to Egypt Station, estimated time of arrival September 7, 2018 by way of Capitol Records. Sharing a title with one of Paul’s own paintings, Egypt Station is the first full album of all-new McCartney music since 2013’s international chart-topping NEW. Preceded by two of its tracks just released as double A-sides--plaintive ballad “I Don’t Know” and raucous stomper “Come On To Me”—Egypt Station was recorded between Los Angeles, London and Sussex, and produced (with the exception of one Ryan Tedder track) by Greg Kurstin (Adele, Beck, Foo Fighters).
Of the forthcoming album’s enigmatic title, Paul says, “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make.., Egypt Station starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”
True to the inspiration behind its title, Egypt Station’s 14 songs combine to convey a unique travelogue vibe. Between the opening and closing instrumentals “Station I” and “Station II,” each song finds Paul capturing a place or moment before transporting the listener seamlessly to the next destination. Stops along the way include an acoustic meditation on present day contentedness (“Happy With You”), a timeless anthem that would fit on virtually any album of any McCartney era (“People Want Peace”), and an epic multi-movement closer clocking in at seven minutes with a song suite structure harkening back to the days of Paul’s previous combos (“Despite Repeated Warnings”). The result is a kaleidoscopic journey through myriad musical locales and eras, yet firmly rooted in the here and now--with Paul’s singular unmistakable melodic and lyrical sensibility serving as a guide.
A previously unheard home studio cassette recording of Prince performing at his piano in 1983 will be released as Piano & A Microphone on Sept. 21. The nine-track, 35-minute project from the Prince Estate in coordination with Warner Bros. Records is planned for what would have been the rock icon's 60th birthday.
This rare, intimate glimpse finds Prince working through songs including "17 Days" and "Purple Rain" (which would both be released the following year), a cover of Joni Mitchell's "A Case of You," "Strange Relationship" (issued in 1987 on the Sign O' The Times album) and "International Lover," as well as a rare recording of the pre-Civil War spiritual "Mary Don't You Weep," which will be heard on the end credits of Spike Lee's upcoming film BlacKkKlansman, due out in August.
4-track 12" Vinyl EP. Recoded live at Copenhagen's Royal Arena in October 2017, Performing new album Skeleton Tree's beautiful compositions alongside songs from their essential catalogue, Distant Sky captured an extraordinary and triumphant live concert from Nick Cave & the Bad Seeds from their celebrated 2017 world tour.
Seratones aptly named sophomore release POWER is described by poet and author Hannif Abdurraquib as a glorious, swelling album[a] sonic monument, and precise lyrical tapestry. AJ Haynes bends her gloriously malleable voice seamlessly around the temples of rock, and soul, and funk. All of them, unfurling in waves of keys, staccato percussion and wailing curves of guitar. Based in Shreveport, Louisiana, Haynes and founding members, drummer Jesse Gabriel and bassist Adam Davis, form the kind of laser-focused rhythm section that you only get from bandmates who've been playing together since they were teenagers. New members Tyran Coker (keys) and Travis Stewart (guitar) bring a fresh dynamic to the band with interstellar soundscapes and entrancing melodies, all while maintaining the emotional edge and intensity from their acclaimed proto-punk debut record Get Gone.vPOWER exemplifies a true strength in vulnerability, a kaleidoscopic view into Haynes passions, hopes, and worries: from her love of poetry to her advocacy for Reproductive Justice and racial equity. Hard-learned lessons from lovers and intimate friends. The struggles to adapt and overcome. POWER is as much a statement as it is a question, a semiotic exploration of sound and Soul.
GRAMMY Award-winning MCA Nashville country star Vince Gill announced today that his new album, Okie, will be released on August 23. Gill wrote or co-wrote all 12 songs on Okie. The album's title is taken from the once-derogatory term used to disparage migrants from Oklahoma to the nation's west coast during the Dust Bowl and Great Depression eras. A proud Oklahoman, Gill has appropriated this term on an album that embraces his roots and explores some of the most important issues of our time. I thought this was going to be a songwriter record, not a concept album, Gill says. It wound up being more information than I'd envisioned. A friend sent me an email saying, You could have only written this record after living a 60-year-plus life. He said, There's no struggle in these songs, just truth and your experience. Okie marks Gill's most recent solo album since 2016's Down To My Last Bad Habit and 2011's Guitar Slinger. In 2013, Gill partnered with famed steel guitarist Paul Franklin on Bakersfield as a tribute to the Bakersfield sound of Buck Owens and Merle Haggard. With 21 GRAMMY Awards to his credit. Gill has solidified his place as country music's most eloquent and impassioned champion. He is both a world-class musician and a wide-ranging songwriter whose compositions earned him entry into the Nashville Songwriters Hall of Fame in 2005 and the Country Music Hall of Fame in 2007. Gill has also made appearances on over 1000 artists records. In 2017, Gill was invited to join the Eagles for their worldwide tour, and later this month he will again join the band for the European leg of their upcoming tour with stops in Antwerp, Belgium, Cologne, Germany and Amsterdam.
Over 75 years after Rodgers & Hammerstein reinvented the American musical, this is OKLAHOMA! as you’ve never heard it before and reimagined for the 21st century. Stripped down to reveal the darker psychological truths at its core, Daniel Fish’s production tells a story of a community circling its wagons against an outsider, and the violence of the frontier that shaped America. Funny and sexy, dark and terrifying, “this is the OKLAHOMA! that was there all along” (New York Magazine).
“How does brokenness walk? Or move through the world?” says guitarist/vocalist Carrie Brownstein about The Center Won’t Hold, Sleater-Kinney’s tenth studio album. “We’re always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person – ourselves or versions of ourselves or iterations of depression or loneliness – in the middle of the chaos.” The Center Won’t Hold is Sleater-Kinney’s midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock’n’roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we’ve heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won’t Hold drops you into the world of catastrophe that touches on the election,” says guitarist/vocalist Tucker of the title track. “We’re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it’s like we’re finding our way out of that space by becoming a rock band.
Ride return with the 6th studio album of their career and their second since reforming in 2015 and signing to Wichita. As with their previous album, the highly acclaimed Weather Diaries, Erol Alkan was in the producers chair, whilst career-long collaborator Alan Moulder (with Caesar Edmunds) mixed the album. The albums title was inspired by one of the hobo code symbols once used by those who travelled the railroads of the US, and then found in the early artwork of Jean-Michel Basquiat. The phrase clearly resonates with the current state of the world politically and environmentally. This Is Not A Safe Place is arguably the Ride album with the broadest sonic palette thus far. You can hear sounds and styles that span their entire catalogue but, both musically and lyrically, this is clearly an album made by a band who love being back together and who are at the very top of their game.
Five new songs not previously released along with five songs from the collection of singles released between November 2017 and March 2019
All songs produced by Josh Kaufman and engineered by D. James Goodwin. Formed in 2003, The Hold Steady have released six albums, numerous singles and played over 1000 shows during the past 16 years. The Brooklyn-based band, by way of the Midwest, has performed in all 50 states in the USA, and throughout Canada, the UK, Europe and Australia.
The Hold Steady began releasing two-song singles in November 2017 ahead of the sold-out weekend shows they do in select cities each year and have released five new singles (nine songs total) thru March 2019. The band will launch "Constructive Summer 2019" in August + September four weekends of US shows in Seattle, Chicago, Nashville and Boston.
Craig Finn: "I've been saying for a few years now - since Franz came back- that this six piece lineup of The Hold Steady is the best band we've ever been. The new songs recorded by this version of the band are super exciting to us. It's been a very fun and creative period for The Hold Steady.ť
Thrice celebrate the 10 year anniversary of their classic "Beggars" on striped colored vinyl and includes a bonus 7" with two rare b-side tracks, "Red Telephone" and "Answered," never before available on vinyl.
Old Salt Union once again enlisted GRAMMY-winning banjoist and Compass co-founder Alison Brown to produce the follow-up to their self-titled Compass Records debut. The resulting album, WHERE THE DOGS DON't BITE, builds on this non-traditional stringband's varied musical backgrounds for a wildly entertaining, eclectic batch of songs. The quintet Ryan Murphy (banjo), Justin Wallace (mandolin), John Brighton (violin), Jesse Farrar (primary vocalist and bassist) and newest member Graham Curry (guitar) have continued to hone and develop their sound through relentless touring, cultivating a steadfast fanbase drawn to their high-energy shows. Coming from varied musical backgrounds, Old Salt Union's collective melting pot of styles and musical vocabularies informs their fresh approach to modern string band music and has helped to carve a unique niche for this Belleville, Illinois roots outfit. Farrar, nephew of Son Volt's Jay Farrar, kicks off the album with "God You Don't Need,' a hook laden ode to a relationship gone bad set against a tapestry of strings and an eerily compelling banjo melody. Label mate Bobby Osborne guests on "Tells Me So,' a nod to the bluegrass side of the band's musical sensibilities featuring a lead vocal by mandolinist Justin Wallace. Violinist Brighton delivers the gypsy-tinged instrumental "Johann's Breakdown,' which pulls from jazz and classical progressions, and Wallace delivers the haunting title track, "Where The Dogs Don't Bite.' The dark, but heartfelt song features triple-layered guitar harmonies, stacked vocals and a group sing-along that recalls last call at a corner pub in the rust belt, a fitting closing to this musically diverse and compelling release.
Over the last decade, Drew Holcomb has established himself as one of Americana s freshest upstarts, building his following and critical appeal with every release, show, and entrepreneurial undertaking (like his curated Moon River Music Festival and Magnolia Record Club). For Holcomb, music is what helps us try to understand our place in a world full of equal parts chaos, confusion, love, and community, and Dragons is his reminder to all of us to keep fighting the good fight and to never give up. Produced by Cason Cooley (Ingrid Michelson, American Authors) Dragons features collaborations with Lori McKenna, Natalie Hemby, Sean McConnell, and Zach Williams of The Lone Bellow.
On August 16th, 2019, Eilen Jewell will release Gypsy on Signature Sounds. Described as one of Americana's most intriguing and creative voices (American Songwriter), Jewell has written 11 new songs for Gypsy and is calling it her favorite album yet: new sounds, old sounds, electric guitar-driven rockers, classic country, and tender ballads. Gypsy continues to solidify Jewell's reputation as one of the most distinctive and potent voices in the Americana world today.
Tootsie's Original Broadway Cast Recording is now available from Decca Broadway. The album preserves David Yazbek's Tony-nominated score and the performances of the original Broadway cast, led by Tony nominee Santino Fontana as Michael Dorsey.
Third Man Records is excited to announce the release of ANN ARBOR BLUES FESTIVAL 1969, a 50th anniversary celebration collecting 24 previously unheard songs by such blues legends as Howlin’ Wolf, Muddy Waters, B.B. King, James Cotton, Son House, Magic Sam, T-Bone Walker, Junior Wells, Big Mama Thornton, Clifton Chenier, Son House, Mississippi Fred McDowell, Lightnin’ Hopkins, Pinetop Perkins, J. B. Hutto & His Hawks, Roosevelt Sykes, Luther Allison, Otis Rush, Big Joe Williams, Charlie Musselwhite and more. The first ever release of music recorded live at the landmark event, ANN ARBOR BLUES FESTIVAL 1969 will be available in two individual 2x LP volumes, exclusively on 180 gram vinyl.
Third Man Records is excited to announce the release of ANN ARBOR BLUES FESTIVAL 1969, a 50th anniversary celebration collecting 24 previously unheard songs by such blues legends as Howlin’ Wolf, Muddy Waters, B.B. King, James Cotton, Son House, Magic Sam, T-Bone Walker, Junior Wells, Big Mama Thornton, Clifton Chenier, Son House, Mississippi Fred McDowell, Lightnin’ Hopkins, Pinetop Perkins, J. B. Hutto & His Hawks, Roosevelt Sykes, Luther Allison, Otis Rush, Big Joe Williams, Charlie Musselwhite and more. The first ever release of music recorded live at the landmark event, ANN ARBOR BLUES FESTIVAL 1969 will be available in two individual 2x LP volumes, exclusively on 180 gram vinyl.
VOLBEAT emerged from Copenhagen in 2001. Since then, they’ve tirelessly clawed their way to hard rock’s upper echelon with endless touring and a string of six beloved full-length albums. Recently, their 2010 album Beyond Hell/Above Heaven, which features hit singles “A Warrior’s Call” and “Heaven Nor Hell,” received RIAA Gold Certification. 2013’s Outlaw Gentlemen & Shady Ladies bowed at #9 on the Billboard Top 200 upon release marking the highest U.S. chart entry for a Danish Act since 1997.
Digital: $5.99 Add to Cart
In the fall of 2018, pianist and bandleader Jon Batiste played a six-night residency at the historic Village Vanguard in downtown New York City. On August 2, Batiste will release selections from those nights entitled ‘Anatomy of Angels: Live at the Village Vanguard’ via Verve Records.
The selection for Anatomy of Angels is comprised mostly of Batiste’s own compositions, which range from bluesy (“Dusk Train To Doha”) to Coltrane-esque explorations (the titular track “Anatomy of Angels” and “Creative.”) In addition to his own works, Rachael Price from Lake Street Dive joins him for Ray Noble’s “The Very Thought Of You.” Batiste also arranged on one of the most famous works of his idol Thelonious Monk, “’Round Midnight.”
Crafting honestly poetic, passionate and powerful songs, Nashville-Indie duo, The Harmaleighs (composed of Haley Grant and Kaylee Jasperson) forthcoming project 'She Won’t Make Sense' is a concept album about mental illness (Mania, Depression and Anxiety) experienced by band member Haley Grant.
‘High Expectations’ is that rare record which feels both like a graduation and, also, just the beginning for Mabel. The twice-Brit-nominated singer and songwriter has already sold over 3 million singles in the UK (two platinum, three gold, and two silver), surpassed 1 billion streams, and sold out the likes of Brixton Academy. Across her formative singles and first long-form project, ‘Ivy To Roses’, Mabel has written with startling honesty on young love, identity, girl power, and mental health – knowing full-well that she would make her debut album only when she was ready. And on that road to her first record, Mabel’s music has become a soundtrack – for her impassioned young female fanbase, but also for herself – on how to turn those vulnerabilities into your advantages. Now poised to join the pantheon of international pop greats, her tireless energy, positivity and drive will never allow Mabel to settle for anything less than ‘High Expectations’. In 2019, watch Mabel meet them and keep reaching higher still.
Beginning with 2013's Tenboom, the staunchly DIY pair Penny & Sparrow released a series of critically lauded records that garnered comparisons to the hushed intimacy of Iron & Wine and the adventurous beauty of James Blake, building up a devoted fanbase along the way through relentless touring and word-of-mouth buzz. NPR praised the band s songwriting as a delicate dance between heartache and resolve, while The World Café raved that they ve steadily built a sound as attentive to detail as Simon & Garfunkel and as open to the present day as Bon Iver. Penny & Sparrow's magnificent sixth album Finch is titled as a nod to Charles Darwin, who developed his theory of evolution in part by studying the changes that manifested over time in groups of birds that moved to different islands across the Galapagos, and it's easy to see the connection. The album finds the band reckoning with a prolonged period of intense personal transformation, a profound awakening that altered their perceptions of masculinity, sex, religion, divorce, friendship, vanity, purpose, and, perhaps most importantly, self. Deeply vulnerable and boldly cinematic, the resulting songs blur the lines between indie-folk and alt-pop, with dense string arrangements and atmospheric production underpinning soaring melodies and airtight harmonies. It's a revelatory collection, both for the listener and the performers, one that s been a lifetime in the making.
The groundbreaking band’s 10thstudio album, HOTEL LAST RESORT resides among Violent Femmes’ finest work, simultaneously refining and redefining their one-of-a-kind take on American music, mingling front porch folk, post-punk, spiritual jazz, country blues, avant garde improvisation, and golden age rock ‘n’ roll. Founded and fronted of course by Gano and Ritchie, the group remains as warm, wise and weird as ever before, with such new favorites as “Another Chorus” and “Everlasting You” continuing to mine the vast range of ideas, melodic complexity, and organic sonic craftsmanship that has characterized the band’s body of work since their landmark 1983 debut.
Limited edition custom center-opening gatefold LP pressed on 180g virgin vinyl at Pallas, Germany. Mastered by Dave Gardner at Infrasonic Sound.
WINDOW ROCK is an album yearning to find meaning in a morally ambivalent world. Micah Nelson, who records under the name Particle Kid, seeks to achieve this goal via 9 new, kaleidoscopic tracks, exploring the mythology of the self, with verve, minimalism and simplicity.
Caamp formed when childhood friends Taylor Meier and Evan Westfall bonded over a shared love for Ohio and music. Their self-titled debut (2016) exceeded 52 million plays and climbed the Spotify charts. Thereafter, Caamp toured with Rainbow Kitten Surprise, headlined the US, released Boys EP (2K sold) and added a third member, Matt Vinson. The band has built their grassroots audience from touring all over the world and have sold 25K tickets over the past 8 months. In 2019 they will play worldwide festivals including Shaky Knees, The Great Escape, Outside Lands, Edmonton Folk Festival, Austin City Limits, and more. By & By was co-produced by Josh Block and Austin Jenkins (Leon Bridges, White Denim) at Ft. Worth’s Niles City Sound. The much-awaited album By and By includes key tracks "Penny Heads Up", "No Sleep", "By and By" and "Peach Fuzz”.
You think you know the Icelandic band Of Monsters and Men, but you have no idea. Within the first minute of their new single 'Alligator' you'll be wondering if this huge anthem is the brainchild of the Yeah Yeah Yeahs fronting Arcade Fire –all thumping drums, brimming guitars and a call-to-arms chorus about taking control. During a day of final mixing at the LA studio of their co-producer Rich Costey (MUSE, Vampire Weekend, Chvrches), the five-piece gather in stages.
The 4LP 180-gram audiophile black vinyl concert album features 17 songs that have never been released on a live album, including 'Blind Dogs' which is the first-time the band ever performed the song live. Packaging features a slipcase that holds four individual jackets which link together to form one large image and a two-panel insert.
On February 17, 2013, Soundgarden concluded a sold-out U.S. Winter tour in support of King Animal, their first studio album in over sixteen years, with a special Live from the Artists Den taping at the Wiltern in Los Angeles. Soundgarden mixed new songs with classic radio hits and rarities performed live for the first time, in front of a rapturous crowd. The concert has become the most requested Soundgarden show to be released of all-time. The 29 song, nearly two-and-a-half-hour show encompasses the band’s entire legacy of songs, from their early years with “Hunted Down” through their monumental albums Badmotorfinger and Superunknown respectively with “Outshined” and “Black Hole Sun,” and nearly every song from King Animal including “By Crooked Steps” and “Been Away Too Long.” The concert film features 21 songs never released on a concert film, 17 of which have never been released on a concert album, including “Blind Dogs” which is the first-time the band ever performed the song live.
"Twister" is the second studio LP from the acclaimed New Zealand quintet LEISURE. Produced by the band themselves, the album continues their free form exploration into catchy pop psychedelia, smooth electro-funk and big room modern soul music, all wrapped in shimmering sun-kissed soulful vocals.
Beastie Boys’ classic “SABOTAGE” has been starting parties and ending Beastie Boys shows since 1994. And now, to mark the 25th anniversary of ILL COMMUNICATION, the album that returned Beastie Boys to the #1 spot, Made to play on the RSD3 mini-turntable, the RSD3 “ SABOTAGE” single comes in an outer box that reproduces the original 7” single sleeve art, and includes a pull-out Ill Communication poster. This commemorative release is limited to 2500 copies.
Each track on Sleepwalkers' Ages feels like the title song to some lost Hollywood production of the late 70s to late 80s, those formative movies that shaped young imaginations, touchstones of humor, struggle, romance and adventure. Through fourteen electrifying tracks, Sleepwalkers absorb the symbologies of American pop production and the iconographies of American rock performance with tremendous depth and feeling. Ages is a bona fide party record that is able to convey a mood of bittersweet elation through a series of well-aimed emotional arcs. The follow-up to their ‘60s fanstasia, cult-favorite debut, Greenwood Shade (2014), it feels equally effortless, backed by the band’s facility with the structures and language of pop music.
Behind this maximalist pop masterpiece are two brothers, Michael and Austin York, and Alex DeJong. Sleepwalkers are an astonishing live band possessing a sound both stadium-filling and soul-nourishing, proven over tours supporting J. Roddy Walston & The Business, The Lumineers, and The Shins. Fantastic natural songwriting, personal experience amplified to a broad lyricism, uncompromising sincerity and uncompromising commitment to ‘having a fine evening,’ all of it steeped in the vernacular culture of Richmond, Virginia.
Hamell On Trial is set to reissue Choochtown (20th Anniversary Edition) Digitally and on CD with 11 bonus tracks from the original recording sessions with Billy Nicgorski. Choochtown will also see its first proper vinyl release worldwide. The vinyl version is a remastered version of the original album released in 1999. Ed Hamell on ChoochtownI was living in Brooklyn, constantly on the road, and been dropped from my major label deal on Mercury/Universal. I really had nothing to lose and I was very inspired, if I remember, by the movie Pulp Fiction and the Biggie Smalls record: Ready To Die. I recorded anywhere I could. My friend Billy Nicgorski had an analog one inch studio in his basement, his younger brother had a band and I would use them. I also did a bunch of it in my basement in Brooklyn which had a dirt floor and I set the recording gear up on plastic paint pails. Used them as drums sometimes too. I released it on my own label Such-A-Punch and it got licensed to Evangeline in the UK where it got rave reviews and established my career over there. After all the press I got for my first two albums on a major I couldn't get anything over here in the States, only that CMJ magazine which took their silliness pretty seriously who basically said, We don't know what it is but it's art. Duh. I'm pretty proud of all my records, I've been very lucky in that I've always been able to maintain complete creative control but this one I was particularly proud of because every inch of it, from the recording which one track as you'll see was recorded on my boom box, to the artwork, was all mine. ...amazing and entertaining and poignant... -- The Stereo Times Online Magazine, October 2000 ...high-spirited...manic energy..artful -- CMJ, April 2000 *****(5 stars--highest rating) Absolutely brilliant! -- UNCUT Magazine, April 2001
Ed Sheeran celebrates the announcement of his No.6 Collaborations Project – which arrives everywhere on July 12 – with the release of new song “Cross Me” featuring Chance the Rapper and PnB Rock. This new collaboration follows the release of “I Don’t Care” with Justin Bieber, which shot straight to #1 on the Billboard Digital Songs chart and #2 overall on the Hot 100. All 184 Top 40 radio stations added the track, making it only the fifth song in the modern era to win support from the full panel of Mediabase-monitored pop stations. Likewise, all 97 adult radio stations in the country added the song. An instant worldwide phenomenon, “I Don’t Care” hit #1 in the UK, Australia, Ireland, Italy, Netherlands, Switzerland, Finland, Sweden, and more.
Paul Is Live, recorded during the tour in support of Off The Ground, was Paul's fifth live album and is famous for its title s double meaning and the rumour-scotching cover art. Ever since the 1969 release of Abbey Road, there had been hoax-fuelled stories of Paul's untimely death. The new title was a way of saying that this was most definitely not the case. The artwork is a play on the famous Abbey Road cover, with Paul crossing that same street but wearing shoes and using his left hand this time. (Originally, his bare feet and the holding of a cigarette in his right hand had supposedly been clues that it wasn't him on the cover.) As well as a raft of solo, Wings and Beatles favourites, the album also offers an insight into the band's sound checks, the final three songs all being improvised during rehearsals in various locations on the tour. Performed by Paul McCartney: Vocals, Bass, Electric & Acoustic Guitars, Piano Linda McCartney: Vocals, Keyboards Hamish Stuart: Vocals, Electric & Acoustic Guitars, Bass Robbie McIntosh: Electric & Acoustic Guitars, Vocals Wix Wickens: Keyboards, Vocals Blair Cunningham: Drums, Percussion
Amoeba Gig is the first full length commercial release of Paul’s surprise free concert at Hollywood’s Amoeba Music on June 27, 2007. To date only four songs have seen wide release as the Amoeba’s Secret EP, two of which were nominated for Grammy Awards in 2008: "That Was Me" for Best Male Pop Vocal Performance and "I Saw Her Standing There" for Best Solo Rock Vocal Performance. A few years later in November 2012, an extended 12-song excerpt of the Amoeba show titled Live in Los Angeles – The Extended Set was made available free to PaulMcCartney.com premium members for a limited period. And come July 12, 2019, a full 21-song recording documenting possibly the most intimate L.A. show Paul has ever played will be made available to the public for the first time. The millions of people not among the luckier than lucky few hundred rubbing elbows with the likes of Ringo Starr and Woody Harrelson during that once in a lifetime in-store set will be able to experience those performances of Beatles classics “The Long And Winding Road,” “I’ll Follow The Sun” and “I’ve Got A Feeling,” Flaming Pie’s “Calico Skies,” plus Carl Perkins’ “Matchbox,” Jan Garber’s “Baby Face” and an emotional rendition of “Here Today.” Additionally, the LP will include an exclusive soundcheck recording of “Coming Up."
Amoeba Gig has been newly remixed by Paul’s engineer Steve Orchard and will be available in configurations including CD, Digital, 2 x 180g black vinyl, and limited-edition color vinyl (LP1 - clear, LP2 - hazy amber transparent).
The live-in-studio Choba B CCCP (Russian for “Back In The USSR”) was released in the Soviet Union in 1988, making Paul the first Western artist to issue an album exclusively for that market. In a conscious decision to get back to his roots, Paul spontaneously spent two days covering his favorite hits from the 1950s. The sessions produced 22 songs in total (and one of the outtakes being a version of The Beatles' "I Saw Her Standing There”). Choba B CCCP was a deeply personal album and a way to acknowledge fans who had supported him and The Beatles since the start. “When I was very young I asked my dad if people wanted peace,” Paul explained at the time. “He said to me, ‘Yes, people everywhere want peace – it’s usually politicians that cause trouble.’ It always seemed to me that the way The Beatles’ music was admired in the USSR tended to prove his point, that people the world over have a great deal in common. In releasing this record exclusively in the Soviet Union, I extend the hand of peace and friendship to the people of Russia.” Choba B CCCP was released in the rest of the world following the 1991 collapse of the Soviet Union.
Choba B CCCP has been newly remastered at Abbey Road Studios and will be reissued as the original 11-track Russian release. It will be available in configurations including CD, 180g black vinyl, and limited- edition opaque yellow vinyl.
Selected from 90 hours of recordings, Wings over America is a faithful account of the 1975-76 world tour that captures the band at its peak. It was taped at several of the US shows, but mixed as if it were a single performance. Paul combined old Beatle favourites with highlights from a solo catalogue that was now achieving real stature. Though an expensive triple disc on vinyl (it had been planned as a double, but a rival bootleg version encouraged Paul to expand it) sales were remarkable and it remains one of very few live albums to make Number 1 in America incidentally becoming the band's fifth Number 1 album in a row. Performed by Paul McCartney: Vocals, bass guitar, piano, acoustic guitar Linda McCartney: Vocals, keyboards Denny Laine: Vocals, electric guitar, acoustic guitar, piano gass, gob iron Jimmy McCulloch: Vocals, electric guitar, acoustic guitar, bass Joe English: Drums, vocals Tony Dorsey: Trombone Howie Casey: Saxophone Steve Howard: Trumpet, Flugelhorn Thadeus Richard: Saxophone, clarinet, flute Produced by Paul McCartney
With a hugely impressive over a million combined album sales and over a billion streams under their belt, Tycho are the Grammy-nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada, Ulrich Schnauss and Jon Hopkins. The highly anticipated release of Tycho’s fifth studio album Weather is an exciting progression from his previous output, with most of the new tracks being vocal lead, while still retaining the signature Tycho sound. The sonic shift is enhanced by a collaboration with a young exciting new voice - vocalist Saint Sinner who will be joining the live band following her time in the studio. The release will see Mom + Pop partner for this exciting new chapter in the artist’s career.
Looking Through The Shades, is Glitterer’s debut full-length album, featuring Ned Russin, bassist/vocalist of Title Fight. This is Glitterer all glown up. Now there are live drums (twin brother Ben did the honours) and dopamine-releasing fuzzy guitars to go with the synths, the bass, and the voice. Now there’s a full 14-song tracklist to luxuriate in. Produced by Alex Giannascoli and Arthur Rizk (Code Orange, Power Trip, Sumerlands) the album delivers Glitterer’s best-yet sonics and songs. The lyrics are still insouciantly tortured, in a reluctant-college-boy kind of way, the choruses are still obscenely catchy, and the arrangements still carry not so much as an ounce of excess fat. From the saturated distortion of the opener, “The Race” (“I wish I could look at your life and know it’s mine”), through the road-weary “1001” (“I sang 1,000 songs / didn’t want to sing again”) and the vox-and-bass-only Side B outlier “The News” (“I used to be original”), the listener is simultaneously satiated and left wanting more.
There's a timeless groove to the R&B of Yuna on her fourth forthcoming album Rouge, one that s been two years in the making. It s the most ambitious project the songwriter has ever taken on, and the first album she's putting out as a fully realized woman. It's also an LP that she worked harder than ever on, re-visiting songs, editing them down, adding new layers, enriching every single moment to make it the most luscious musical experience for her audience. Yuna makes soulful pop that contains the sultriness of Sade, the flair of Aaliyah, and the sweetness of Brandy. Via her three pre-existing albums, Yuna has built her palette of melodic, uplifting soul. Her third album Chapters in 2016 was something of a breakthrough, featuring production from Fisticuffs and features with Usher ("Crush") and Jhene Aiko. Her new album s list of features is mouth-wateringly impressive. It includes: Little Simz, Kyle, G-Eazy, Jay Park and Masego. Together with executive producer Robin Hannibal and a team of producers (Jason "J. Lbs" Pounds, Fisticuffs, Cardiak, Jordan Reyes) she explored sampling culture for the first time. The title Rouge is for the color red, which has been calling to her at this moment. "It's a feeling I'm having right now. I just got married. I've become the woman I've always wanted to be. The whole album is about how I am with myself: I'm comfortable with my relationship, with my focus on my career. It s the color of becoming this woman that I am."
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Stranger Things: Soundtrack from the Netflix Original Series, Season 3 will feature 15 classic tracks and the debut of an original cast recording.
Indie Exclusive is a limited run of 3,500 total that will be made up of a red vinyl version, a white vinyl version and a blue vinyl version.
The Black Keys’ ninth studio album “Let’s Rock” will be released June 28, 2019 via Easy Eye Sound/Nonesuch Records. The long-awaited album, their first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. “Let’s Rock” was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson.
Wilderness is a powerhouse of a record by Jade Jackson, a follow-up to her 2017 debut, Gilded. Her new work deals heavily with the in-betweens and stepping stones we dwell in and leap across while coming to terms with our sense of self, and how melancholy can be a powerful weapon to wield, especially in the form of a roots-rock or country song. Wilderness, like Gilded, was produced by Mike Ness, the SoCal punk rock legend who essentially plucked Jackson from obscurity several years ago and helped hone her craft and sound. Jackson calls Ness “a master of feel and rhythm” and credits him with showing her how to invoke more of those calling cards in her new work, in addition to those countless tools now in her arsenal that they developed together over time. As the pair’s master-pupil relationship continues to evolve, Jackson recognizes that Ness has become more open to her input while she herself has gotten more hands-on in the studio, a process that ultimately resulted in delivering the sound for which both parties were striving. “The message of ‘Wilderness’ is in how to get through tough situations—if you visualize yourself somewhere, all that good energy and intention can get you where you want to go.” – Jade Jackson
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Following 2015's beautifully written introspective album 'Golden Age', singer-songwriter Chris Staples is back with his upcoming full length release, 'Holy Moly'. While maintaining the authentic reflection Staples is known for in his songwriting, he has embraced a cautiously optimistic outlook for his future. Staples finds gentle melodies with his trademark stripped-back guitar, and also introduces new sounds by integrating keyboards for sonically lush arrangements. Staples' previous releases were met with praise from NPR's All Songs Considered, American Songwriter, Paste, The AV Club, and more.
The Raconteurs – Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler – have announced the release of their long-awaited new album, HELP US STRANGER, which is the GRAMMY® Award-winning rock band’s third studio LP and first new album in more than a decade. Out on Friday, June 21, HELP US STRANGER sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock 'n' roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White’s uncompromising songcraft and the band’s steadfast musical muscle. With HELP US STRANGER, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together.
This June, The Prince Estate, in partnership with Warner Bros. Records and TIDAL, will release Originals, a 15-track album featuring 14 previously unreleased recordings that illuminate the vital, behind-the-scenes role Prince played in other artists' careers. The tracks were selected collaboratively by Troy Carter, on behalf of The Prince Estate, and JAY-Z.
By the mid-1980s, Prince was dominating the charts even as a writer/producer with songs he'd composed and recorded for others. In addition to releasing nine of his most commercially successful full-length albums, he also wrote and recorded endless reels of material for proteges The Time, Vanity 6, Sheila E., Apollonia 6, Jill Jones, the Family, and Mazarati. Occasionally, Prince's original demo recordings would be used as master takes on their albums, with only minor alterations to the instrumentation and a replacement of the vocal tracks. Other times, artists would rely on his demos to guide them through their own recording process, with Prince's initial take informing their final version of his song. The aggregate effect was a complete saturation and transformation of the pop music landscape, with Prince both leading and subverting mainstream culture.
The third full-length from Mannequin Pussy, Patience is an album fascinated with the physical experience of the body, its songs tracking the movements of mouths and hands and racing hearts, skin and spit and teeth and blood. Deeply attuned to the power of their own physicality, the Philadelphia-based band channels complex emotion in blistering riffs, thrashing rhythms, vocals that feel as immediate and untamed as a gut reaction. But throughout Patience, the Philadelphia-based band contrasts that raw vitality with intricate melodies and finely detailed arrangements, building a strange and potent tension that makes the album all the more cathartic. The follow-up to Romantic—a 2016 release praised by Pitchfork for “combin[ing] punk, shoegaze, death metal, and more, with the ferocious push-pull energy of a mosh pit”—Patience came to life at Studio 4 in Conshohocken, Pennsylvania. In creating the album, Mannequin Pussy worked with producer/engineer Will Yip (Quicksand, The Menzingers), shaping an explosive sound that never overshadows the subtlety of their songwriting. “In the past there’s been a chaotic feeling to the recording process, but working with Will put us in a different headspace,” says Dabice. “It helped us show our progression over the past few years and make a very crisp-sounding record, without losing the dirtiness of what Mannequin Pussy really is.”
For over 50 years, Earth Wind and Fire provided the soundtrack to the lives of many. With award winning albums and chart-topping hits such as “September”, “Devotion”, “Reasons” and “Keep Your Head to the Sky” EWF have stood the test of time and continue to be a force in music. Philp Bailey, one of the lead singers, also experienced solo success with “Easy Lover” and “Walking on the Chinese Wall.” This new album, Love Will Find A Way, has Philip teamed up with some of today’s hottest, progressive Jazz artists such as Robert Glasper, Christian McBride, Kamasi Washington, Casey Benjamin, Chick Corea, Steve Gadd and more. The single, “Billy Jack”, was written by the legendary Curtis Mayfield and produced by both Robert Glasper and Philip Bailey.
Their first album together in nearly 10 years, Breakdown On 20th Ave. South is an album of Julie Miller songs produced by Buddy Miller. As a couple and individually, Buddy and Julie have been nominated and received multiple awards including Grammys, Americana Awards, Dove Awards among others. Julie Millers songs have been recorded by a diverse range of artists including Emmylou Harris, Lee Ann Womack, Levon Helm, Solomon Burke, and Miranda Lambert. Buddy Miller is known for his work as a guitarist, performing live and in the studio with artists such as Robert Plant, Alison Krauss, Steve Earle and Emmylou Harris. Buddys production credits include albums with Plant, Harris, Earle, Patty Griffin, Shawn Colvin and many more.Breakdown On 20th Ave. South is a first rate showcase for Julies finely crafted lyrics. There is a line from the track Spittin' on Fire that best illustrates Julies sharp edged word play: You're a dangerous little storm, one part cold and one part warm. The song War Child is a cry for help that usually goes unheard. A cry for for help from thousands and thousands of children stolen from their families, forced to carry a gun at ages as young as 7 or 8. Never to see home again. Tracks like, Im Gonna Make You Love Me and Everything Is Your Fault hint at the ups and downs of love. The entire album is tied together by Buddys unfussy production style. Breakdown On 20th Ave. South is a treat for long time fans of Buddy & Julie and a delightful discovery for new listeners.
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Single LP on half opaque gray / half black vinyl in same packaging as standard LP. Includes coupon for full download
An Obelisk is the sixth album from Titus Andronicus, which finds the noted rock band under the stewardship of producer and legendary rocker Bob Mould (Hüsker Dü, Sugar, et al.). This trans-generational meeting of the minds has yielded the most immediate, intense, and unadorned Titus Andronicus record to date. Clocking in it a brisk 38 minutes and change, it is also the shortest. Recorded over six breathless days at Steve Albini's world-renowned Electrical Audio studio in Chicago, An Obelisk presents the sound of Titus Andronicus, rock band, at it's most irreducible, as monolithic as the album's titular monument.
The idea for Layers began to percolate a couple years ago, as Marshall was finding success with his joyous pop-band Walk off the Earth, the YouTube overachievers–turned–Juno winners. Still, he’d always envisioned himself falling somewhere between the musically transcendent Bob Dylan and Bon Iver. An emotionally tumultuous album, Layers is the sound of Marshall evincing everything from toxic relationships past to present insecurities and is the next-level output of an artist without boundaries.
Atlantic Oscillations marks the return of world-renowned British producer Quantic with his most cohesive and intricate album to date. Bringing together new players and concepts with a dance orientated sound that has enchanted fans and tastemakers across the world for nearly two decades, it showcases Will Quantic Hollands artistry and rare ability to intertwine the electronic with the orchestral. Embracing his own love of albums that travel, taking the listener on twists and turns, with the loss of the album narrative that has occurred in this day of streaming, Holland utilises the space created to explore more creativity as a producer. As he admits, on the whole, the common theme on this record is that it is probably more intricate and arranged than previous records. I spent three times as long as any other Quantic record and spent a lot of time in the detail. This meticulous attitude is apparent throughout; each track has been crafted to draw the listeners attention, with elements of both musical originality and a sense of modernity.
Honouring the 35th Anniversary of the extraordinary LEGEND: a 2-LP, 180-gram release of the original ‘BMW1’ version, adding the two original U.K.-only cassette bonus tracks to the vinyl.
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The fifth studio album from Baroness, Gold & Grey, is out on June 14th via the band's own label, Abraxan Hymns.
Full Length Vinyl 2
On June 14, Bastille will release their new album Doom Days on Virgin Records. Made by Dan Smith with bandmates Kyle Simmons, Will Farquarson and Chris ‘Woody’ Wood, and producer Mark Crew, it sees the GRAMMY®-nominated, Brit-winning band stretch out and open up like never before. The new album consists of 11 tracks and features previously released Quarter Past Midnight with the euphoric new single Joy out May 2. Doom Days marks something of a shift in perception from its widely acclaimed predecessor, the new album captures the need to temporarily switch off and escape. It celebrates real human connections and urges us to keep searching for those moments of elation. Hailed by Rolling Stone as “Britpop’s new crown princes,” Bastille has sold over eight million adjusted albums and amassed more than 6.5 billion cumulative streams globally.
Calexico and Iron & Wine first made an artistic connection with In the Reins, the 2005 EP that brought Sam Beam, Joey Burns and John Convertino together. The acclaimed collaboration introduced both acts to wider audiences and broadened Beam’s artistic horizons, but it was the shared experience of touring together in the tradition of Bob Dylan’s “Rolling Thunder Revue” that cemented their bond. Their roads diverged in the years that followed, but they kept in touch and cross-pollinated where they could. Although they often talked about rekindling their collaboration in the studio and on the stage, it wasn’t until last year that their schedules aligned. Years to Burn can’t help but be different from In the Reins. Back then, Calexico entered the studio with a long list of previous collaborations (first in Giant Sand, then backing the likes of Victoria Williams and Richard Buckner), but wondering if Beam’s material was so complete and self-contained that it lacked a way in. Beam had been intimidated by Calexico’s virtuosic playing and their deep comfort in an encyclopedic array of styles. Those fears were dispelled quickly. Calexico was bowled over by Beam’s many talents: “The arranging, the writing, his sense of rhythm, the quality of his vocals—and then there’s the experimental side of Sam,” Joey says. “They were the perfect band at the perfect time for me,” Sam adds. “I loved all their different sounds. They’re musical anthropologists, not regurgitating but absorbing what they discover.” Beam, Burns and Convertino reconvened in Nashville for four days of recording in December 2018. Nobody was keen to retread old ground. The change of venue—In the Reins was tracked in Tucson—was one part of the effort. Together with steel guitarist Paul Niehaus, Calexico trumpet player Jacob Valenzuela and frequent Beam cohorts Rob Burger (Tin Hat Trio) on piano and Sebastian Steinberg (Soul Coughing, Fiona Apple) on bass, they settled in at the Sound Emporium, a fabled studio founded in the sixties by Cowboy Jack Clement. An added ingredient was Grammy-winning engineer/co-producer Matt Ross-Spang (Margo Price’s Midwest Farmer’s Daughter, Al Green, Jason Isbell’s Something More Than Free). As on In the Reins, Beam took the lead on songwriting for Years to Burn, but Burns added one of his own in the end. They took differing approaches: Sam shared meticulous demos ahead of time and was ready with arrangement ideas and instrumental parts, while Joey came in with concepts and an eagerness to improvise. “Life is hard. Awesome. And scary as shit. But it can lift you up if you let it,” Sam offers. “These are the things Joey and I write about now. And the title can encapsulate a lot of things. ‘Years to Burn’ could mean you’re cocky, you’ve got it made. Or, our life is ours to burn, to be inspired. Or you’re burned by life, brutalized. It’s an ambiguous title, because life is complicated.”
Servants of the Sun bursts into the clear blue air with the funky upper atmosphere bubbling of vintage keyboards and driving rhythm. A gateway swings wide open to a universe that the Chris Robinson Brotherhood has been tirelessly constructing for eight years through extraordinary musicianship, endless touring and a roving, seemingly bottomless wizard’s chest of sonic delights. The band’s 8th studio effort since forming in 2011—spread out over six full length albums and two EPs—sets aside the studio explorations of their more recent work and turns inward to the heart of the Brotherhood’s universe. Of the origin concept for Servants, bandleader Chris Robinson explains: “I let my head go to a Saturday night at the Fillmore, and said, what’s the best set we could play?” And in following that guiding principle the CRB bottled their pure essence into 10 new songs, a distillation of their journey so far. In many ways they have come full circle in delivering their most direct, bare bones, rock n’ roll record since debut companion albums ‘Big Moon Ritual’ and ‘The Magic Door.’
Celebrating 50 Years Of The Who’s Tommy.
The Who’s Tommy Orchestral. Performed by Roger Daltrey, with members of The Who band and the orchestra conducted by Keith Levenson with orchestration from David Campbell.
Double Gatefold Heavyweight Black Vinyl recorded in Budapest and Bethel in upstate New York, the scene of the first Woodstock festival 50 years ago, was produced by Roger and Keith Levenson and features the core band of Simon Townshend – Vocals / Guitar, Frank Simes – Guitar, Scott Devours – Drums, Jon Button – Bass, and Loren Gold – keyboards, all of whom have played with The Who live. Keith Levenson conducted The Budapest Scoring Orchestra from new orchestrations by David Campbell.
Western Stars is the new album from Bruce Springsteen, and his first new studio album in five years. This collection of songs takes his music to a new place, drawing inspiration in part from the Southern California pop records of the late '60s and early '70s. The album was recorded primarily at Springsteen's home studio in New Jersey, with additional recording in California and New York. "This record is a return to my solo recordings featuring character driven songs and sweeping, cinematic orchestral arrangements," says Springsteen. "It's a jewel box of a record." The 13 tracks on Western Stars encompass a sweeping range of American themes, of highways and desert spaces, of isolation and community and the permanence of home and hope. Ron Aniello produced the album with Springsteen and plays bass, keyboard, and other instruments. Patti Scialfa provides vocals and contributes vocal arrangements on four tracks. The musical arrangements include strings, horns, pedal steel and contributions from more than 20 other players including Jon Brion (who plays celeste, Moog, and farfisa), as well as guest appearances by David Sancious, Charlie Giordano, and Soozie Tyrell. Bruce Springsteen's recording career spans over 40 years, beginning with 1973's Greetings from Asbury Park, NJ.' He has garnered 20 Grammys, won an Oscar and a Tony, been inducted into the Rock and Roll Hall of Fame, received a Kennedy Center Honor, and was MusiCares' 2013 Person of the Year. Springsteen's memoir 'Born to Run' (Simon & Schuster) and its companion album 'Chapter and Verse' were released in September 2016, and he was awarded the Presidential Medal of Freedom in November 2016. His historic 236-show run of 'Springsteen on Broadway' at Jujamcyn's Walter Kerr Theatre in NYC ran from October 2017 to December 2018, and also yielded an accompanying soundtrack album and Netflix special.
In two short years, music quite literally carried 22-year-old singer, songwriter and artist Noah Kahan around the world—a long way from his native Strafford, VT (pop. 1,045) and the 133-acre tree farm where he resides. On the trip, the alternative troubadour notched an international hit in the form of “Hurt Somebody,” which charted at #1 on Australian national radio for three weeks, while also charting in the Top 40 at Hot AC stateside.
Black 180g heavyweight vinyl LP
New Zealand-born, Brisbane-raised, and now London-based Jordan Rakei has stepped up to the plate since releasing Wallflower in 2017, stamping his authority as a talented songwriter, producer and live performer. Now, having undergone a process of evolution and re- evaluation, grappling with big picture questions – namely, technological growth, and how it affects our sense of humanity – and responding to the changes in his personal life, he is back with a new album: Origin.
On their eagerly awaited debut album Samsara, the visionary Austin, TX combo Los Coast delivers a fresh blast of punchy psychedelic-pop-soul that effortlessly incorporates a wide range of genres. The band's seamlessly soulful songcraft incorporates the band's distinctive grooves along with the inventive compositions and commanding vocals of principal members Trey Privott (lead vocals, guitar) and John Courtney (guitar, keyboards, vocals). Even before Samsara had been recorded, Los Coast had already earned a reputation as one of America's most exciting and inventive young bands. With its lineup rounded out by Megan Hartman on bass, Damien Llanes on drums and Natalie Wright on keys, plus a varied assortment of guest players, Los Coast was already renowned for its rousing, expansive live sets. That same mix of energy and expertise is reflected on Samsara, which features such memorable, no-nonsense tunes as 'Simplify,' 'Monsters,' 'Graves' and the frantic, tongue-twisting '(Everything But) The Kitchen Sink.' The album delivers infectious hooks, ironic lyrical twists and explosive funk grooves in equal measure, providing an irresistible frame for Privott's soulful vocals and the band's explosive grooves. Pressed on clear vinyl.
After meeting as teenagers in the small town of Magnolia, TX, Clay and Chance went on to self-release their debut album, Utah, in 2014 followed by their acclaimed 2016 album, The Education of a Wandering Man. Of the Austin-based pair, Consequence of Sound declares, "...one of the country's preeminent Americana duos," while CMT praises, "...an eclectic style of alt country for hearts who live to ramble." Building a fan base through grassroots support, Jamestown Revival has toured relentlessly over the past four years, performing at iconic venues from the Ryman Auditorium to Red Rocks Amphitheater as well as countless festivals such as Coachella, Austin City Limits, Stagecoach, and more.
“Getz At The Gate” is a previously unreleased 1961 live recording from the historic Village Gate in New York City. This release features an all-star, rarely heard quartet with pianist Steve Kuhn, bassist John Neves and drummer Roy Haynes (aka ‘The Boston Band’). Includes extensive liner notes by Boston jazz historian Bob Blumenthal.
Remo Drive, the indie rock band conceived in suburban Minnesota by brothers Erik and Stephen Paulson, are back with their 2nd studio album Natural, Everyday Degradation. On this follow-up to their highly acclaimed 2017 release Greatest Hits, the band continue to evolve their sound, drawing on influences from such artists as Pedro The Lion, Arctic Monkeys, and Queens of the Stone Age. The band’s signature sound which features high energy guitars and Erik’s unique vocal style, along with thoughtful and clever lyrics have helped Remo Drive grow an avid following. The band will be touring extensively in support of Natural, Everyday Degradation.
All Blues, the forthcoming covers album from the Peter Frampton Band, is set for release on June 7 via UMe. The album is a collection of Frampton’s favorite blues classics and was recorded with his longtime touring band, made up of Adam Lester (guitar/vocals), Rob Arthur (keyboards/guitar/vocals) and Dan Wojciechowski (drums). All Blues was recorded at Frampton’s home studio in Nashville, Studio Phenix, and was co-produced by Chuck Ainlay and Peter Frampton.
Also Available: Frampton Comes Alive
The preeminent male group of this century, Jonas Brothers opened the floodgates for a new era of titans in pop music. They earned three consecutive number one albums and sold out shows throughout three continents. Selling over 17 million-plus albums with over 1 billion streams worldwide, they've achieved dozens of platinum and gold certifications. The tremendous success of the band provided a launch pad for their storied solo careers who have kept loyal fans yearning for a reunion, until now.
Eagles Of Death Metal’s Jesse “Boots Electric” Hughes is tipping his hat to 13 of his favorite songs with his first covers album, titled Eagles Of Death Metal Presents Boots Electric Performing The Best Songs We Never Wrote. Hughes recorded and produced electrifying renditions of 13 songs he loves, including covers of KISS, Guns N’ Roses, AC/DC, Love & Rockets, Ramones, Steve Miller Band, George Michael/Wham, Mary J. Blige, Queens of the Stone Age, The Distillers, David Bowie & more!
From the filmmaking team behind the highly-acclaimed documentary The Beatles: Eight Days A Week - The Touring Years, PAVAROTTI is a riveting film that lifts the curtain on the icon who brought opera to the people. Academy Award winner Ron Howard puts audiences front row center for an exploration of The Voice...The Man...The Legend. Luciano Pavarotti gave his life to the music and a voice to the world. This cinematic event features history-making performances and intimate interviews, including never-before-seen footage and cutting-edge Dolby Atmos technology.
Also Available: Pavarotti - The Greatest Hits [3CD]
This release coincides with release of Pavarotti:Genius is Forever, documentary directed by Ron Howard (also directed Beatles Eight Days A Week.) Documentary soundtrack also released via Decca/Verve. 3CD Greatest Hits for fans who want a deeper dive at a great price. 3 CD Greatest Hits features 6 never before released duets. James Brown ( It s A Man s, Man s, Man s World.) Lou Reed ( Perfect Day ) Barry White ( You re My First, My Last, My Everything ) Sting ( A New Dance Queen (Brian May & Roger Taylor) ( Too Much Love Will Kill You ) Zucherro, Andrea Bocelli ( Miserere )
Also Available: Pavarotti (Music From The Motion Picture)
Ida Mae's magic lies in the sensuous dovetailing of two voices and the intimacy of their songs. Their chemistry on stage isn t just a dramatic pose and is a truly captivating sight to behold. Hailing from Norwich and born out of Kill It Kid who established their credentials in the British Music indie Rock world, Chris and Stephanie present themselves as a sensual version of White Stripes meets Civil Wars meets XX. Singing together, the couple have an unusual which-is- which dynamic.
Tuscaloosa is an 11-track live album from Neil Young and The Stray Gators, recorded at the University of Alabama, Tuscaloosa on February 5th 1973. The Stray Gators backed Neil occasionally in the ‘70’s and are Tim Drummond, Kenny Buttrey, Jack Nitzsche and Ben Keith. The album was produced by Neil Young and Elliot Mazer and mixed by John Hanlon. It is mastered by Chris Bellman at Bernie Grundman from the original analogue tapes
Tuscaloosa features live versions of songs from Neil’s debut albums (track 1), plus classic songs from two of his biggest selling albums: After The Goldrush and Harvest. The album also features the title track from the live album Time Fades Away that would be released later in 1973, and songs from Neil’s classic album Tonight’s The Night that would not be released until 1975.