Legendary front man of The Who, Roger Daltrey, to release brand-new studio album, 'As Long As I Have You,' on 6/1. 'As Long As I Have You' is Roger’s first solo album since 1992. The album will feature 11 new studio recordings of new Roger Daltrey written tracks and covers of tracks from the likes of Steve Stills, Parliament, Nick Cave, Stevie Wonder & Dusty Springfield. Additionally, the album features guitar from Pete Townshend. 'As Long As I Have You' was produced by the iconic producer Dave Eringa.
11th studio album from D.C. based electronic duo featuring artists: Mr. Lif, Sitali, Racquel Jones, Notch, Natalia Clavier, and Lou Lou Ghelichkhani. The 12 track Treasures from the Temple is a continuation from their last album Temple of I & I, recorded in Port Antonio. Blending their signature sound with classic dub, dancehall, and roots vibes. Download Card
7 is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel. For 7, we built a "home" studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there, in the process shortening the amount of time between the original idea and the finished song (of the album’s 11 songs, 8 were finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los Angeles). 7 didn’t have a producer in the traditional sense. James Barone, who became our live drummer in 2016, played on the entire record. We also worked with Sonic Boom (Peter Kember), who became a great force on this record by shedding conventions and helping to keep the songs alive, fresh and protected from the destructive forces of recording-studio over-production/over-perfection. The societal insanity of 2016-17 was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source. In a more general sense, we are interested by the human mind's (and nature’s) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny. While the title is simply a number that represents our seventh record, the number 7 does represent some interesting connections in numerology. 1 and 7 have always shared a common look, so 7 feels like the perfect step in the sequence to act as a restart or “semi-first.” Most early religions also had a fascination with 7 as being the highest level of spirituality, as in "Seventh Heaven.” At our best creative moments, we felt we were channeling some kind of heavy truth, and we sincerely hope the listeners will feel that. Much Love, Beach House
Following the success of his multi-platinum, Grammy-nominated debut album, Chaos & The Calm, James Bay to release highly anticipated album, Electric Light, on 5/18 via Republic Records. Album includes current single “Wild Love,” which recently entered Top 20 at Hot AC radio & continues to gain traction. James will headline a SOLD-OUT US tour, which will launch on 3/25 in Seattle. Additionally, there will be multiple media appearances & performances to support the album, including a major look on SNL.
Lake Street Dive will release Free Yourself Up, its second album with Nonesuch Records, on May 4. The four-member band—drummer Michael Calabrese, bassist Bridget Kearney, singer Rachael Price, and guitarist/trumpeter Michael "McDuck" Olson—self-produced the album at Goosehead Palace Studios in Nashville with engineer Dan Knobler.
To Lake Street Dive, the title, Free Yourself Up, is both an exhortation to listeners and a statement of purpose for the band. In many ways, this is the band's most intimate and collaborative record, with the band working as a tightly knit unit to craft its ten songs. For this album, the quartet drafted touring keyboardist Akie Bermiss to join them in the studio as well as on stage. Adding another player to the process freed up the the band members to explore a wider range of instrumental textures, construct more full-bodied arrangements, and build on their well-known background harmonies.
Limited-edition, indie-only. Single LP on opaque red vinyl. Includes bonus 7” of “Baby’s Got It Bad” b/w “Can’t Get Over You” on black vinyl. Includes coupon for full download. Limited to 1,000 in the US.
Tracyanne & Danny is a new collaborative project between singer-songwriters Tracyanne Campbell (Camera Obscura) and Danny Coughlan (Crybaby). Tracyanne hails from Glasgow, Scotland. London-born Danny is based in Bristol, England. Their paths first crossed in 2013 when introduced by mutual music industry pals. Tracyanne dug Danny’s Crybaby album (released on Helium Records) and invited him to open some Camera Obscura shows in the UK. Mutual artistic respect led to the swapping of song ideas, but tentative plans to work together were set aside while Camera Obscura wrote, recorded, released, and promoted their fifth album Desire Lines. Following the death of Camera Obscura’s Carey Lander, all band activity stopped. Time passed. Tracyanne and Danny revisited the idea of collaborating. A pool of songs were honed and crafted. On the suggestion of their manager (and Teenage Fanclub drummer) Francis Macdonald, they recorded at Clashnarrow, a studio in Helmsdale in the highlands of Scotland owned by the esteemed Edwyn Collins.
'I feel like I'm in a totally new band right now,' says Dr. Dog guitarist/singer Scott McMicken. It's a bold declaration considering he's been co-fronting the beloved indie outfit for a decade-and-a-half, but it cuts straight to the heart of the intense and transformative experience behind the group's brilliant new album, 'Critical Equation.' Produced by Gus Seyffert (Bedouine, Michael Kiwanuka), 'Critical Equation' is the most infections and adventurous collection Dr. Dog has laid to tape yet. The record was born from a journey of doubt and discovery, a heavy, sometimes painful reckoning that ultimately brought the band closer together with more strength and clarity than ever before. Call it an existential awakening, call it a dark night of the soul, whatever it was, it fueled one of the most fertile creative periods in the group's history.
It has been two years since the release of his chart-topping, record breaking album RIPCORD, but on Friday, April 27th, Keith Urban returns with his ninth studio album, GRAFFITI U. The 13-track recording, which includes his current single “Coming Home,” featuring Julia Michaels. The intimate image on the GRAFFITI U album cover was taken by world-renowned photographer Mark Seliger.
Old Crow Medicine Show have announced the release of their new studio album, Volunteer, due out April 20th, 2018 on Columbia Records Nashville. The album was recorded at the historic RCA Studio A and produced by Dave Cobb (Chris Stapleton, Jason Isbell, Sturgill Simpson).
EMBER is Breaking Benjamin's 6th studio album and is the follow up 2015’s DARK BEFORE DAWN, which debuted #1 on Billboard's Top 200, spun off three No. 1 rock radio tracks, “Failure” and “Angels Fall,” as well as their latest hit single “Never Again.” Selling over 500K, DARK BEFORE DAWN was certified gold in early 2017.
John and TJ Osborne co-wrote every track on Port Saint Joe along with frequent collaborators Lee Thomas Miller, Kendall Marvel, Barry Dean, Shane McAnally, Troy Verges and more. The title, Port Saint Joe, reflects the small town on the Florida coast where the real-life siblings recorded the album.
“Port Saint Joe is a sonic representation of who we’ve become not only as a band but as people,” says John Osborne. “Every show we’ve ever played together is on this record. Every song we’ve ever written and every mile we’ve ever ridden has led to the making of this record. Imperfections and all.”
TJ adds, “we shacked up for two weeks to make an unabashed record that would reflect who we are in every way, and in the process we had the most enjoyable and memorable recording experience of our lives.”
New Vinyl: $15.98 Add to Cart
The Wait is over…Actually, it’s back! Nearly three decades after going out of print, Metallica will release a remastered version of The $5.98 EP - Garage Days Re-Revisited on April 13, 2018 as part of thir ongoing remasters series via their own Blackened Recordings label.
Originally released over 30 years ago on August 21, 1987, the collection features the band covering songs by early Metallica influencers such as Diamond Head, Holocaust, Killing Joke, Budgie, and The Misfits. The five songs from the EP were later included as a part of the 1998 multi-platinum release Garage, Inc., but the band felt it was time to bring it back in the original formats!
Garage Days Re-Revisited was remastered by Chris Bellman at Bernie Grundman Mastering in Hollywood, CA
With the release of his highly anticipated debut album Mr. Jukebox via Third Man Records, Joshua Hedley will embrace the role he was born to play: this generation’s classic country champion.
An accomplished fiddle player, Hedley felt inexplicably drawn toward the instrument as a child. He got his hands on his own fiddle at age 8, and by 12, he was playing with middle-aged pickers at the VFW. At 19, he moved from his native Florida to Nashville, where he became an in-demand sideman at Robert’s Western World and other bars, and ultimately, a well-respected frontman. Armed with an easy croon and prodigious fiddle playing, he became known as the Mayor of Lower Broad. He hit the road to perform with artists including Jonny Fritz, Justin Townes Earle, and more, while the 2015 documentary Heartworn Highways Revisited featured Hedley prominently.
Formed in the South Bay of Los Angeles, a neighborhood with a rich punk rock history, Pennywise began in 1988. The band would go on to amass an international following through relentless touring and a melodic high energy sound merging melodic surf punk, blistering hardcore and the classic punk of their youth. The group has solidified their place in punk history and are ready to continue their legacy with their long awaited new album, Never Gonna Die. A return to form for the band, Never Gonna Die contains 14 solid tracks that a punk fan can run in circles to.
Leading with his heart as much as with his head, AHI is an emotional yet discerning lyricist who would rather demonstrate love than use the word itself. He allows his light to shine inward but only to a degree, admitting to some autobiography on In Our Time but as glimpsed through an imaginative lens. While his music possesses a quality of timelessness, the sounds here reveal a broad spectrum of influence and also toe the line between retro and revelatory. None of that is by accident: the album, like its 2016 predecessor, We Made It Through the Wreckage, was recorded in Nashville -- a place AHI finds attractive for its sound and skilled studio hands rather than its glitzy polish -- and this time on analog-to-tape with flourishes of digital technology.
Ten years after Mamma Mia! The Movie grossed more than $600 million around the world, fans are invited to return to the magical Greek island of Kalokairi in an all-new original musical based on the songs of ABBA. With the film’s original cast returning and new additions including Lilly James and Academy Award® winner Cher, the musical comedy will open on July 20, 2018. Original ABBA member Benny Andersson produced and arranged the upcoming soundtrack.
The Gaslight Anthem and SideOneDummy celebrate 10 years of the seminal album, The '59 Sound. New compilation features rare, unreleased, and alternate takes recorded during the '59 Sound sessions. Launching a tour in celebration of the 10th anniversary of the album, kicking off May 27th in Washington D.C.
Underworld and Iggy Pop announce Teatime Dub Encounters due for release on July 27th via Caroline. The 4 track EP is the result of a few clandestine hotel room recording sessions that began a few weeks after Underworld and Iggy Pop each released their last albums on the same day (3/18/16). It is neither historical nor a tribute to past work; it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.
The band's ninth-studio album, Among the Ghosts, is their first for noted Nashville indie label Thirty Tigers. It was recorded and co-produced with Grammy-winning engineer/producer and Memphis native Matt ross-Spang (Jason Isbell, Margo Price, Drive by Truckers) at the historic Sam Phillips Recording Service/Sun Studio. Recorded primarily as a five-piece, Among the Ghosts eschews the Stax-inspired horns and Jerry Lee Lewis-style boogie piano featured in some of the band's past recordings for a streamlined rock & roll sound that pays homage to their seminal influences as it seeks to push that legacy into the future. For a band who carried the torch of the alt-country movement back in the 90's and helped pave the way for what is now called Americana, Lucero have re-discovered what inspired them in the first place. The sound is more their own and at the same time not exactly like anything they've done before. This is a band settling into their craft. The 10-song disc's title is both a tribute to the spirits which road the streets of their fabled city, as well as the hard road the determinedly independent band set out on 20 years ago.
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Limited-edition, indie-only. Single LP on pink + yellow marble vinyl in same packaging as standard LP. Includes coupon for full download + 2 extra digital tracks. Limited to 2,500 worldwide.
You may not be able to see the gorgeous landscapes behind Baby Grand, Stuart McLamb’s fourth record as The Love Language, but they’re so essential to the picture you’ll feel them in every note. Started in, of all places, a cavernous Virginia hammock factory, fragmentary demos came alive when splashed by sunshine during a move across the country to California, where the album was completed. “It was something just about being in a new city, and a new light,” McLamb says, “and reopening the sessions, and this demo that I thought was a throwaway, suddenly I’m really feeling it….” You can hear the freedom kick in when the backwoods country shuffle of “Castle in the Sky” explodes into a full-on aughts anthem, equal parts outstretched arms and pumped fists.
Out August 3rd
Limited-edition, indie-only. Single LP on “bruiser” vinyl (purple, blue, and black marble). Includes coupon for full download
Four years after releasing their Merge debut, Frozen Letter, Spider Bags return with an LP that ascends to new levels of aural punch and perspective. The years that elapsed between records were crucial in enabling that progress to take place.
Recorded in Memphis at Bunker Audio by Andrew McCalla (who also engineered 2012’s Shake My Head), Someday Everything Will Be Fine leverages the limitations and glory of the Tascam 388, a vintage recording/mixing device that’s acquired a mythos via its association with legendary records by Dinosaur Jr. and others. Unlike the error-erasing editing software Spider Bags frontman Dan McGee has favored in the past, the Tascam’s charms are more immediate, and it has a visceral resonance all its own.
Someday Everything Will Be Fine, which is about the importance of saying f**k it and dancing to a rock and roll record, is an album only Spider Bags could make.
'It's all rock & roll -- no golf!' is how acclaimed singer/songwriter/violinist Amanda Shires describes her electrifying firth album, To The Sunset. She's borrowed a lyric from the effervescent track 'Break Out the Champagne,' one of ten deftly crafted songs that comprise her powerful new recording. The Texas-born road warrior, new mom, and recently minted MFA in creative writing has mined a range of musical influences to revel an Amanda Shires many didn't know existed. 'Isn't it refreshing?' Shires asks. Indeed. Distorted electric guitars, effects pedals, swirling keys and synths, and rockin' rhythms certainly suit Shire's visceral songcraft and lilting soprano.
Nicki Minaj to release her fourth studio album, 'Queen,' on 8/17 via Cash Money Records / Republic Records. The album will include previously released tracks, 'Chun-Li,' 'Rich Sex,' and new track 'Bed (feat. Ariana Grande).' Her current single 'Chun-Li' is quickly approaching Top 5 airplay at Urban radio and recently broke into Top 10 airplay at Rhythmic radio. Nicki will support her album with a 28-date North American headlining tour with Future, which commences 9/21 in Baltimore and concludes 11/24 in Las Vegas.
Alina Baraz surprises fans with a new 9-song album prelude, The Color of You, that includes 8 new songs and "Electric" feat. Khalid. The prelude is her first extended release since the chart-topping Urban Flora EP and 2017's viral hit, "Electric" featuring Khalid. Using color as a metaphor and a means of describing the discovery of new emotions, the project sees Alina thrive with her trademark vocal effervescence while exploring new sensual and striking production directions. The Color of You thematically explores young love and musically captivates with an allover bigger sound, reflective of today's updated pop genre, a mix of R&B and electronic styles.
Unfortunately there were some manufacturing delays on the Alina Baraz The Color of You merchandise. All CD and LP's will now street on September 7th. Thank you for your patience.
Sweetener is the fourth album from Ariana Grande, the Grammy Award-nominated, multi platinum, record-breaking superstar that has emerged as one of the most magnetic and massively successful performers in pop music today. The album features the number 1 smash 'no tears left to cry,' as well as 'the light is coming (feat. Nicki Minaj)' and 'God is a woman.' With the release of 'no tears left to cry,' she became the first artist in music history to see the lead single from her first four albums debut in the Top 10 on Billboard Hot 100. By the age of 24, Ariana Grande delivered three platinum-selling albums in addition to nabbing four Grammy Award nominations and landing eight hits in the Top 10 on the Billboard Hot 100 chart. Since making her full-length debut with 2013's Yours Truly (featuring the game-changing, triple-platinum smash 'The Way'), Grande has brought her striking vocal presence to a genre-blurring breed of pop, taking on soul, and electronic music with equal nuance and assurance. Her 2014 sophomore effort My Everything garnered a Grammy Award nomination for Best Pop Vocal Album and spawned the 6x-platinum hits 'Problem' and 'Bang Bang' (a Grammy nominee for Best Pop Duo/Group Performance). Grande embraced a more uncompromising vision than ever before in the making of 2016's Dangerous Woman and wrapped up her widely lauded 'Dangerous Woman Tour' in support of the album in 2017, performing 85 arena shows worldwide. Through the years, the longtime actress and former Broadway star has proven the scope of her talent by appearing on Scream Queens and Hairspray Live! and showcased her comedic chops by hosting Saturday Night Live. Grande has also earned numerous accolades from the MTV Video Music Awards, iHeartRadio Music Awards, and American Music Awards (including the highly coveted Artist of the Year prize). She has also graced the prestigious magazine covers of TIME s Next Generation Leaders, FADER, and British Vogue.
Thank You for Today, Death Cab for Cutie's ninth studio album, was produced and mixed by Rich Costey (Fiona Apple, Franz Ferdinand, Muse), who also produced the band's last album the GRAMMY® nominated Kintsugi. Thank You for Today marks the first Death Cab for Cutie release to see long time bandmates Gibbard, Nick Harmer, and Jason McGerr joined in the studio by new members Dave Depper (Menomena, Fruit Bats, Corin Tucker, Ray Lamontagne) and Zac Rae (My Brightest Diamond, Fiona Apple, Lana Del Rey, Gnarls Barkley). Depper and Rae have both been part of Death Cab's touring band since 2015. Death Cab for Cutie will celebrate their new album with a much anticipated fall tour. Check out the single "Gold Rush"
The power of words isn’t lost on longstanding Americana triumvirate The Devil Makes Three—Pete Bernhard, Lucia Turino, and Cooper McBean. For as much as they remain rooted in troubadour traditions of wandering folk, Delta blues, whiskey-soaked ragtime, and reckless rock ‘n’ roll, the band nods to the revolutionary unrest of author James Baldwin, the no-holds barred disillusionment of Ernest Hemingway, and Southern Gothic malaise of Flannery O’Connor.
In that respect, their sixth full-length and first of original material since 2013, Chains Are Broken, resembles a dusty leather-bound book of short stories from some bygone era. As the band began writing ideas for Chains Are Broken, they veered off the proverbial path creatively. Instead of their typical revolving cast of collaborators, The Devil Makes Three stuck to its signature power trio, with one addition. This time, they invited touring drummer Stefan Amidon to power the bulk of the percussion.
Another first, they retreated to Sonic Ranch Studios in El Paso, TX a stone’s throw from the Mexican border to record with producer Ted Hutt [Dropkick Murphys].
The incorporation of new sounds as well as the experimentation in space finds the Devil Makes Three crafting a new yet still familiar sound. Coupled with a continued focus on in-depth lyricism that tells a story in every song, Chains Are Broken is a liberating, rump-shaking collection of past, present and future.
The brainchild of Matthew Logan Vasquez (Delta Spirit), Glorietta was born of a desire to collaborate with friends that Vasquez has collected over the years. Those friends; Noah Gundersen, Kelsey Wilson (Wild Child), David Ramirez, Grammy-winner Adrian Quesada, and Jason Robert Blum came together over the course of a week in a rented house in Glorieta, NM. "We chose Glorieta because it was isolated enough to feel like we were at camp" said Vasquez, "the only requirements were vaulted ceilings and a jacuzzi. The days were long with the tape running constantly as the players bought songs in various stages of completion to their new family of collaborators. Midway through the sessions the group was joined by a guest appearance from Nathaniel Ratliff, who drove straight through the night to join the party. The result is their self-titled debut record; a beautiful mix of voices from six band leaders, that fit perfectly together.
On August 24th Interpol will release their sixth studio album Marauder on Matador Records worldwide, available on CD and vinyl. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless others. In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself, and the answer is in the striding gallop of opener “If You Really Love Nothing,” the embellished skip ‘n’ bounce of “Stay in Touch” and the R&B swagger of closer “It Probably Matters.” Interpol have always been world-beaters at creating a feeling, but Marauder is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist, but he’s stepping into an even brighter light as a songwriter. During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters, and observations, often phrased in abstract. But more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.” “A swift and searing song centered around a blown-out drum stomp and a prickly lead guitar riff. Singer Paul Banks’ vocals drift above the mix with a slight sneer soaked in echo.” - Rolling Stone “[The Rover] is Interpol as shit, which means ricocheting guitars and an unstoppable rhythm section.” - Noisey “Interpol are back with ignited energy.” - Stereogum “A driving and relentless bit of post-punk revivalism” - Cons. of Sound
White Denim's new album 'Performance' collects nine expertly crafted songs that twist and turn, bending genres in the band's unique style. Students of rock music, White Denim has clearly listened to and learned from the best albums ever made from T. Rex to XTC to Little Feat to Jim O'Rourke...but they write songs just dumb enough to drink, dance, and fight to. Rock and roll music that aims for the whole body. Recorded in hometown Austin, Texas in their new Radio Milk studio, Performance displays a band of extraordinary musicians at their creative peak.
TASH SULTANA is a dynamic young artist who has commanded world attention since homemade videos of Tash jamming went viral. A true virtuoso, Tash was soon selling out massive theaters globally and playing at the world's biggest festivals - no mean feat for an artist who just a year before was recording songs on a go pro in a bedroom. The virtuosic playing of over 18 instruments, vocals that shine with a magical quality and the natural gift for melody that Tash possesses needs to be seen to be believed. Tash has sold over 200K tickets globally with 50K in the US, is selling out theaters and clubs around the world, played major festivals including Coachella, Lollapalooza, Bonnaroo, ACL and more, and amassed hundreds of millions of streams globally on her Notion EP. Tash has received 4x Aria award nominations and multiple APRA nominations.
Although civilization’s transition into a cyborg world seems inevitable, there are still those who recognize the beauty and power of a human touch to complement the circumvention. Jack Tatum understands this balance, and through a decade making music as Wild Nothing he has learned to embrace both sides of that dynamic—but perhaps never as distinctly as on Indigo, the fourth Wild Nothing album. On one hand, it is a return to the fresh, transcendent sweep of his debut, 2010’s Gemini, and on the other, a culmination of heights reached, paths traveled, and lessons learned while creating the follow-ups, Nocturne and Life of Pause. Indigo finds Tatum at his most efficient, calculated, and confident—resulting in an artful blend of hi-fi humanity and technology that fires on all circuits and synapses.
To make Indigo, Tatum confronted the Man vs. Machine dichotomy by seizing on the surrounding synergy. Finding the right people to work on the album was integral, as was the proper place to record it. So, Tatum booked four days at legendary Sunset Sound’s Studio. Afterwards, producer Jorge Elbrecht (Ariel Pink, Gang Gang Dance, Japanese Breakfast) and Tatum built out the rest of the album’s sound by adding new parts and repurposing sounds from Tatum’s demos. The resulting Indigo is its own cyborg world, utilizing the artful mechanisms of human touch with the precision of technology to create the classic, pristine sound Tatum had been seeking his entire career. From the opening drum beat, chiming guitar, and sweeping synth of “Letting Go” to Tatum’s Bryan Ferry vocal turn on “Oscillation” to the ’80s-heavy blips, clicks, and strut of “Partners in Motion,” it’s clear that Indigo is at once vintage Wild Nothing and a bold, new leap into a bigger arena.
Most people know Aaron Lee Tasjan as one of the wittiest, most offbeat, brilliant, weed-smokin’ & LSD microdosin’ Americana troubadours writing and singing songs today. And the New York Times, NPR and Rolling Stone will all gladly corroborate. But steel yourselves, folk fans, because he’s about to follow his restless muse straight out from under the weight of everyone’s expectations into the kind of glammy, jingle-jangle power-pop- and- psych-tinged sounds he hasn’t dabbled in since his younger days playing lead guitar for a late-period incarnation of The New York Dolls.
Karma for Cheap is Tasjan’s third LP and second for his label New West Records, based in his current hometown of Nashville. The record was co-produced by ALT and his friends Jeff Trott (Stevie Nicks, Liz Phair, Meiko, Joshua Radin) and Gregory Lattimer (Albert Hammond Jr.) and features Aaron Lee’s road band—guitarist Brian Wright, bassist Tommy Scifres and drummer Seth Earnest—with whom he’s been touring heavily for the last two years.
While the stylistic shift from Tasjan’s palpably stoned ‘70s-country-channeling 2015 debut, In the Blazes, to his more sophisticated, introspective and lushly produced 2016 follow-up, Silver Tears, was relatively incremental, Karma’s rocked-up Brit-pop-influenced Beatles-Bowie-Badfinger vibes underscore a significant departure. The album boldly reminagines these vintage sounds, pushing the boundary of what can be considered Americana.
The roots of Tasjan’s Karma for Cheap, stretch deep, drinking up the sounds of a Southern California childhood spent listening to The Beatles while riding around with his mom at the wheel of their navy blue Volvo station wagon—back to the very first pre-teen year he picked up a six-string and started figuring out all the pretty little chords in those Lennon-McCartney tunes. Back to the pure, blissful unfiltered innocence of falling in love with music for the first time. A huge sonic touchstone for ALT’s new record is The Beatles Anthology, one of his childhood favorites. In songs like “If Not Now When,” “Song Bird” and “The Rest Is Yet to Come,” you can hear echoes of George Harrison’s vibrant guitar riffs and Jeff Lynne’s lavish production on those lo-fi John Lennon demos the surviving Beatles dug up and polished off in the mid ‘90s.
Perhaps the most poignant moment on Karma for Cheap is the anthemic, hypnotic “Heart Slows Down,” a tune rife with musical and lyrical references to the Beatles and Tom Petty, anchored by an unforgettable chorus with a Traveling Wilburys vibe that finds the sweet spot between Tasjan’s two earliest musical heroes. “When I was a kid, my favorite CD to fall asleep to was Tom Petty & the Heartbreakers’ Greatest Hits, and the last song is a cover of that Thunderclap Newman song ‘Something in the Air.’ From the time I was a little kid to when I was teenager, I used to listen to that song on headphones almost every night—I heard it in that space between wake and sleep so many times. And Tom’s passing—he was a really big hero of mine, so it hit me pretty hard. We were in Seattle playing a show when I heard, and it was a heavy thing to process. But all of those elements are there in ‘Heart Slows Down.’ The chorus, ‘I will always be around,’ is a reminder that all the good you ever got out of listening to this music is still around you. You’ll always have that.”
Aaron Lee Tasjan says he aims to use his music for good, but he’s no protest singer. And Karma for Cheap isn’t some heavy-handed, didactic political record cramming a set of talking points down anyone’s throat. It’s a finely tuned rock & roll seismograph measuring the dark and uncertain vibrations of the time in which it was created. A cracked mirror reflecting back the American zeitgeist in this foul year of Our Lord, Two Thousand and Eighteen. With Karma, Tasjan establishes himself as an artist who not only evolves over time, but isn’t afraid to risk reinventing himself completely from one record to the next.
Passenger is Mike Rosenberg, the Brighton-born singer/songwriter known for busking his way to the global hit “Let Her Go” which topped the charts in 19 countries. Produced by Rosenberg, along with longtime collaborator Chris Vallejo, the new album is largely inspired by the North American landscape and geography, both musically and lyrically, and taps into Rosenberg’s family roots in New Jersey. This brings a fresh new approach and sound, and speaks to the road going traveler in all of us.
140g Double Vinyl, single jacket with 16 tracks (14 songs + 2 instrumentals).
Paul McCartney invites you on a musical journey to Egypt Station, estimated time of arrival September 7, 2018 by way of Capitol Records. Sharing a title with one of Paul’s own paintings, Egypt Station is the first full album of all-new McCartney music since 2013’s international chart-topping NEW. Preceded by two of its tracks just released as double A-sides--plaintive ballad “I Don’t Know” and raucous stomper “Come On To Me”—Egypt Station was recorded between Los Angeles, London and Sussex, and produced (with the exception of one Ryan Tedder track) by Greg Kurstin (Adele, Beck, Foo Fighters).
Of the forthcoming album’s enigmatic title, Paul says, “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make.., Egypt Station starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”
True to the inspiration behind its title, Egypt Station’s 14 songs combine to convey a unique travelogue vibe. Between the opening and closing instrumentals “Station I” and “Station II,” each song finds Paul capturing a place or moment before transporting the listener seamlessly to the next destination. Stops along the way include an acoustic meditation on present day contentedness (“Happy With You”), a timeless anthem that would fit on virtually any album of any McCartney era (“People Want Peace”), and an epic multi-movement closer clocking in at seven minutes with a song suite structure harkening back to the days of Paul’s previous combos (“Despite Repeated Warnings”). The result is a kaleidoscopic journey through myriad musical locales and eras, yet firmly rooted in the here and now--with Paul’s singular unmistakable melodic and lyrical sensibility serving as a guide.
A previously unheard home studio cassette recording of Prince performing at his piano in 1983 will be released as Piano & A Microphone on Sept. 21. The nine-track, 35-minute project from the Prince Estate in coordination with Warner Bros. Records is planned for what would have been the rock icon's 60th birthday.
This rare, intimate glimpse finds Prince working through songs including "17 Days" and "Purple Rain" (which would both be released the following year), a cover of Joni Mitchell's "A Case of You," "Strange Relationship" (issued in 1987 on the Sign O' The Times album) and "International Lover," as well as a rare recording of the pre-Civil War spiritual "Mary Don't You Weep," which will be heard on the end credits of Spike Lee's upcoming film BlacKkKlansman, due out in August.
4-track 12" Vinyl EP. Recoded live at Copenhagen's Royal Arena in October 2017, Performing new album Skeleton Tree's beautiful compositions alongside songs from their essential catalogue, Distant Sky captured an extraordinary and triumphant live concert from Nick Cave & the Bad Seeds from their celebrated 2017 world tour.
* Bonus tracks are exclusive to the first pressings of CDs and Vinyl
Featuring writing and lead vocal contributions from all four members, The Jayhawks’ extraordinary new album, XOXO, is the most diverse and wide-ranging in the group’s storied history. Rather than marking a sonic departure, though, the collection signals a sharpening of focus for the band, an elevation in understanding of who they are and what they do best. In classic Jayhawks fashion, the songs here mix the influence of American roots music with British invasion and jangly power-pop, but there’s a newfound vitality at play, as well, an invigoration of confidence and energy that could only come with the injection of fresh blood. The result is an album that, much like the band’s lush harmonies, brings multiple distinctive voices together into a singular whole, a collection that, ironically enough, finds unity in individuality and identity in reinvention.
“This album feels like a new lease on life for us,” explains Louris. “I don’t know what the future holds, but this band is full of great songwriters who deserve to be heard, and my only regret is that we didn’t do something like this sooner.”
The fourth album by Nashville-based Sunshine Pop band. This twelve-song-set is band’s boldest work to date, breaking sonic barriers while maintaining lush melodies and artistic influences. Key tracks include: “Ruby,” “Look To The Horizon,” “One Drop Of Rain,” “Somewhere Else”. Three previous albums: “Freedom Wind” (2008), “Grand Hotel” (2012) and “Together” (2016). Early critical acclaim led to placements in film, television and advertising, as well as favorable press in both print and online. Musically adjacent to successful pop artists from the 1960s, 70s like The Beach Boys, Turtles, Association, Grass Roots. Brainchild of Charleston, SC native Jason Brewer, the only constant “member” of The Explorers Club over the band’s lifespan. Brewer re-unites with Freedom Wind and Grand Hotel producer, Matt Goldman (Copeland, Underoath, Smalltown Poets, etc). New contributors to this incarnation of The Explorers Club include Shane Tutmarc (Dolour, Sean Nelson) and Austin, TX based songwriter, Will Courtney. Songwriting partnership
The Monkees first official live album, recorded live in March 2019. Features 25 hits and fan favorites spanning their entire 50+ year career. Spotlights many of Nesmith's finest compositions including several songs that were never performed live during the Monkees' heyday like "St. Matthew" and "Auntie's Municipal Court". - The Monkees are an American rock band that released music in their original incarnation between 1965 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees, which aired from 1966 to 1968.
THE HU "The Gereg" deluxe edition includes six additional tracks. Following the success of the 2019 debut release, The Gereg features viral rock hits "Wolf Totem" and "Yuve Yuve Yu", with additional features from Lzzy Hale of Halestorm, Jacoby Shaddix of Papa Roach and Danny Case of From Ashes To New, whose version of "Yuve Yuve Yu" reached top 10 at rock radio. Hailing from Mongolia, The HU are unlike any other rock band in the world, introducing their new style of music they call "hunnu rock" - from the Mongolian root word for human being, "hu". Since their release, the band has been #1 on the Billboard World Albums Chart, #1 on the Top New Artist Albums, and Top 5 Globally on Hard Rock Music Album Charts (US, Canada, UK, and more). They have toured the world extensively, with sold out shows in Europe, the UK, and the United States. The deluxe CD includes the full album, as well as 3 acoustic tracks and 3 featured versions.
2020 release. "Some of these songs stretch back ten years, and some of them are brand new. It wasn't something we consciously set out to do, but we ended up recording an album that spans our entire journey together: falling in love, breaking up, getting married, leaving home, coming back." - Aslyn Nash. It's hard to think of a more fitting introduction to that journey than Back Of Our Minds, Kalen & Aslyn's gorgeous debut. Written over the course of a decade in which the Athens, Georgia-based duo was primarily known for their own respective projects, the songs here represent something of a look behind the curtain, a captivating series of musical journal entries that reveal the evolution of a relationship in all it's messy, honest, imperfect beauty. Kalen & Aslyn produced the album themselves, and their subtle touch is a perfect match for the record's intimate, understated performances.
The members of the original Joshua Redman Quartet—Redman(saxophone), Brad Mehldau(piano), Christian McBride(bass), and Brian Blade (drums)—reunite with the July 10, 2020 release of RoundAgain,the group’s first recording since 1994’s MoodSwing.The album features seven newly composed songs: three from Redman, two from Mehldau, and one each from McBride and Blade.
Paul Weller’s 15th solo album, On Sunset, is a soul album. At the same time it’s an electronic album, an orchestral album, an album packed with classic pop songs and heart-tugging ballads, and an album filled with touches of experimentalism. It’s also an album that sees Weller taking a rare glance into the rear-view mirror as he speeds into the 2020s.
Stu Larsen has no fixed residence...all he owns is a suitcase. You can find him in his native Australia, in Spain, Japan or South America before he picks up and leaves for his next destination. The Queensland, Australia-born singer-songwriter, and narrator packed up his life in a suitcase and has circled the globe on a near twelve-year and five-continent international trip. He has chronicled this journey through his music, including his newest full-length album Marigold.
New Vinyl: $20.98 Add to Cart
Holy Wave is a band of multi-instrumentalists from Austin, TX. Originally from El Paso, the band’s sound has evolved into a unique blend of sun baked surf-psychedelia. Holy Wave creates a brand of psych that brings to mind fellow Texans like The 13th Floor Elevators and modern contemporaries like The Black Angels and Night Beats, dyed in carefully constructed noise with an attention to detail echoing the work of influences like My Bloody Valentine and Spectrum.
LP is 150 Gram and includes a download insert
A new studio album from the time-defying legend who has won Grammys for his last two albums (2019’s Ride Me Back Home just won Best Solo Country Performance and 2018’s My Way won Best Traditional Pop Album). While his last few albums have focused on facing the reality of mortality and crying or laughing in its face, this one is focused much more on celebrating the now and embracing life, love and friends & family. The album includes new songs written by Willie and long time producer Buddy Cannon combined with new songs written by Chris Stapleton and Toby Keith plus a handful of classic songs that Willie interprets his way, all performed with an amazing band of Nashville gunslingers.
Sports Team a band of six singular characters who have been variously described as one of the most raucous, electrifying and chaotic acts in the UK release their debut album Deep Down Happy. The highly anticipated record, is their first release on the legendary Island Records label. Sports Team came up on the back of word of mouth live hype, drawing round the block queues to chaotic early gigs at The Five Bells and Moth Club before releasing any music. Recording their first EP (Winter Nets) in a converted Timberyard in Hammersmith, the band have consistently set themselves apart from the acts they came up playing with, showing an intoxicating ambition, and their debut album Deep Down Happy, delivers on all bold claims, and confirm their place at the head of a group of young guitar acts.They've been defined though by an increasingly cultish fanbase spawned from online community pages, making 1000s of memes, pieces of artwork and crucially turning up wherever Sports Team play - from the bands annual Margate trip (where many of the songs were written) to the living room of the group's shared house, first in Harlesden, now Camberwell. Sessions for Deep Down Happy have been snuck in between huge tours at various London studios, including Konk and Livingston, with long-time collaborator Burke Reid (Courtney Barnett, Rolling Blackouts Coastal Fever) once again at the production desk. Having first worked together on the anthemic Kutcher in 2018, the debut features Reid-produced singles Here It Comes Again, The Races and Fishing while also featuring a re-recording of early single and live favourite Camel Crew - until now, only available on 2018's Winter Nets.
Wavves will be celebrating the 10th anniversary of their album "King Of The Beach" this year with a reissue on "Purple kush vinyl" with alternate art that was originally slated to be the cover but was eventually scrapped. It will come with a bonus 7" featuring two songs from the "KIng Of The Beach" era called "Mutant" and "Stained Glass (Won't You Let Me Into Yr Heart)".
Double vinyl LP pressing. 2020 release. Women in Music Pt. III is the third studio album by American band HAIM. Released through Columbia Records. It was produced by Danielle HAIM, Rostam Batmanglij and Ariel Rechtshaid, and was preceded by the singles 'Summer Girl', 'Now I'm in It' and 'Hallelujah'.
Limited orange colored ten-inch vinyl pressing. Following the band's Global Citizen performance, The Rolling Stones have released a new song, "Living In A Ghost Town". This is the band's first new material in eight years. The track was written by Mick and Keith which was created/recorded in Los Angeles and London while in isolation. An official music video showcasing empty cities around the world premiered recently.
Corb Lund embraces his rich and rustic western heritage with a style that’s unique, honest and resolute, while touching on a range of cowboy themes — from rough-and-tumble tales of lawless frontier saloons, to the sombre realities of running a modern family ranch. As a descendant of many generations of rodeo contestants and ranchers, he sings about a life that he and his ancestors have lived themselves, paired with his quick-witted, wry observations of today’s world. As a result of his heritage and the ten years he spent touring the world with his indie rock band, Corb’s writing resonates emphatically with rural and urban audiences alike. It’s a classic sound with a twist, something of a rarity these days, but one that evokes the spirit of the American West, past and present.
Corb Lund’s 11th studio album, Agricultural Tragic, finally puts a name to the genre he’s been embodying all of these years.
Enhanced with PlayARt - Augmented Reality
Prior to his untimely passing, Chester personally announced a 2017 Grey Daze reunion on social media. As he never got the chance to launch the reunion himself, his bandmates, friends, family, and various collaborators stepped up to give the music the second chance it deserved, finishing what the late singer started. The musicians—longtime members Sean Dowdell [drums, backing vocals] and Mace Beyers [bass] as well as Cristin Davis [guitar] recruited in 2017—curated eleven tracks from their catalog and rerecorded the music in 2019 to accompany Chester’s original vocals, which comprised many unheard takes from the vault. Released by Tom Whalley’s Loma Vista Recordings and produced by Jay Baumgardner, the result illuminates the prophetic power of an icon on the cusp of one of rock ‘n’ roll’s most significant revolutions and deepens his already venerable legacy in the process.
2020 release. Like a House on Fire is the sixth studio album by British rock band Asking Alexandria. The album was produced by Matt Good. Like a House on Fire shows the group's continuity of a more straight forward and melodic hard rock sound, as established on their previous self-titled fifth album, while also shifting into different genres.
Frank Zappa And The Mothers -"The Mothers 1970" - A 4-CD collection commemorating the 50th anniversary of the 1970 Mothers with 70 unreleased tracks. Personnel includes Mark Volman & Howard Kaylan (Flo & Eddie), George Duke, Ian Underwood, Jeff Simmons and Aynsley Dunbar. Featuring unheard studio sessions from Trident Studios in London England with engineer Roy Thomas Baker, and historical live performances mostly captured by Zappa's own tape recorder. Clam Shell Box with 4 discs, booklet and a button.
Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it’s finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.
Amy Ray and Emily Saliers are Indigo Girls. Together they write, arrange, record and perform music which and have become a vital part of the lives of their worldwide devoted fanbase. Their first new studio album in 5 years, Look Long is a testament to their storied 40-year career. Produced by John Reynolds at Peter Gabriel's Real World Studio in England. Features 11 brand new tracks, all written by the pair. 2-LP in double-pocket gatefold packaging with poster.
Derrick Hodge is a celebrated composer and bassist who is equally adept on both electric and upright instruments. He is an accomplished session musician who has worked extensively across jazz, cinematic and R&B. New album, Color Of Noize, available on June 26th.
Vinyl LP pressing. Includes digital download. 2020 release, the 10th studio album by heavy metal band Lamb of God. Tis self-titled release is the first studio album of all-new material by the band since 2015's VII: Sturm und Drang and the first to feature Art Cruz as the replacement for original drummer Chris Adler, who left Lamb of God in July 2019. The album features guest appearances by Jamey Jasta of Hatebreed and Chuck Billy of Testament.
‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”
Phoebe Bridgers doesn’t write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. Punisher, her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. The arrival of Punisher cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era.
Bridgers is the rare artist with enough humor to deconstruct her own meteoric rise. Repeatedly praised by publications like The New Yorker, The New York Times, GQ, Pitchfork, The Fader, The Los Angeles Times and countless others, Bridgers herself is more interested in discussing topics on Twitter, deadpanning meditations on the humiliating process of being a person, she presents a sweetly funny flipside to the strikingly sad songs she writes. Fittingly, Punisher is fascinated with, and driven by, that kind of impossible tension. Whether it’s writing tweets or songs, Bridgers’s singular talent lies in bringing fierce curiosity to slimy and painful things, interrogating them until they yield up answers that are beautiful and absurd, or faithfully reporting the reality that, sometimes, they are neither.
Bridgers pulls together a formidable crew of guests, including the Julien Baker, Lucy Dacus, Christian Lee Hutson and Conor Oberst as well as Nathaniel Walcott (of Bright Eyes), Nick Zinner (of the Yeah Yeah Yeahs), Jenny Lee Lindberg (of Warpaint), Blake Mills and Jim Keltner as well as her longtime bandmates Marshall Vore (drums), Harrison Whitford (guitar), Emily Retsas (bass) and Nick White (keys). The album was mixed by Mike Mogis, who also mixed Stranger In The Alps.
On the album’s epic, freewheeling closer, “I Know The End,” Bridgers orchestrates wails and horns, drums and electric guitar into a sumptuous doomsday swirl, culminating in her own final whispered roar. This is Punisher in a nutshell: devastating elegance punctuated by a moment of deeply campy self-awareness.
As a salute to the music legend, and celebrating Peggy's landmark 100th birthday, comes a brand new career-spanning collection, Ultimate Peggy Lee. The 22-track album features hits and signature songs including "Fever", "It's a Good Day", "He's A Tramp", "Big Spender", "I'm A Woman" and the previously unreleased "Try A Little Tenderness." Double LP set.
Monovision is the new album from Grammy Award winning artist Ray LaMontagne. This 10 track collection is Ray’s his 8th studio album, and finds the artist in the multiple roles of songwriter, singer, producer, engineer, as well as performing all the instruments on every track. The first songs to be released as singles from Monovision are “We’ll Make It Through,” and “Strong Enough.”
All of Ray LaMontagne’s albums, including Monovision – show a vast catalog of music where the artist continues to push himself in different directions, yet with a uniquely signature sound that could only be his. Monovision is available on CD, VINYL, and digitally.
Unlike previous albums, Braids decided to stay close to home for the recording of Shadow Offering. Taking over a spacious sound recording studio tucked in an old warehouse, the band were able to slow down and creatively rediscover themselves. 'With this album, we wanted to give ourselves time to achieve a higher caliber of artistry and collaboration,' Tufts says. No longer riding the novelty of youth, the band deliberately took time to recommit to themselves and their craft, and channel new energy into their music. They wrote 40 songs. They went through their Saturn Returns. They learnt how to support one another better. They drank a lot of La Croix. The band sketched and re-sketched new material for eighteen months before lucky circumstance found Chris Walla (Death Cab For Cutie) renting out space in their studio. The four began wandering into each others' rooms, curious about each others' projects. Typically opting for a private and insular creation process, the friendship between the four saw the band sharing their songs with Walla, and naturally resulted in Walla co-producing and engineering Shadow Offering. Pushing the band out of their comfort zone, he at once broke and unified the band's dynamic, unearthing individual creative energy long buried over the years. With a new sense of confidence, listeners will find Braids at their most personal, unabashedly flexing through their new music. A luscious and expansive release, Shadow Offering leads us through a sonic tapestry of narrative. With heart-breaking honesty and precision, listeners traverse a nuanced and complicated world: one full of beautiful contradiction. Although the album directs itself at the failures of people to love and be loved, it also seeks to restore justice and attain blissful union. Its arc crests through the dark towards the light and learns how to dance with the dizzying rhythms of the heart. The songs bubble, sustain, dissolve, expand, retract.
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Double LP on red and blue marble (limited to 500 worldwide) in a gatefold with a fold-out poster and free exclusive patch inside.
New CD: $25.99 Add to Cart
NCT 127’s 2nd full-length album has been repackaged for ‘Neo Zone: The Final Round’, available on June 12th. Features 17 songs, with the 13 tracks from the original album plus four brand-new tracks. ‘The Final Round’ delivers NCT 127’s ambitious message and music color while bringing high expectations. Both repackaged versions include unique components – one photobook, one folded poster, a postcard (random 1 of 9), a circle card (random 1 of 9) and a photocard (random 1 of 9).
Notes On A Conditional Form is The 1975's highly anticipated fourth studio album. Available May 22nd, the 22-track epic includes hit singles "People" and "Me & You Together Song". The band worked to use as little plastic as possible in the manufacturing of the product. Double LP pressed on clear-colored vinyl, housed in a 100% recycled and recyclable sleeve.
Norah Jones’ seventh solo studio album Pick Me Up Off The Floor features collaborators from Brian Blade to Jeff Tweedy, and grew out of her acclaimed singles series of the past 2 years as the songs she hadn’t yet released unexpectedly congealed into an album of tremendous depth and beauty connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.
Recorded in Hull, UK in August of last year, MTV Unplugged showcases Liam Gallagher’s solo career highlights alongside Oasis classics in new arrangements featuring backing choir, a string section and more. The MTV special aired globally in September in celebration of the release of his second solo album WHY ME? WHY NOT and includes the solo hits “Wall of Glass” and “One of Us” as well as Oasis’ global smash single “Champagne Supernova”.
Best known as the charismatic lead singer and co-writer of UK band Savages, who received Mercury Prize nominations for both of their now-classic two albums Silence Yourself (2013) and Adore Life (2016), Jehnny Beth's voice, lyrical perspective, and incredible live performances have captivated audiences since the early Aughts. But it's in To Love Is To Live that Jehnny Beth truly steps into - and claims - the spotlight. The album is a sonic tour de force, a dark cinematic meditation on the strange business of being alive. Throughout the record, she explores the deepest reaches of her creative consciousness... wrapped in a whirlwind of sounds. Indeed, in accessing those darkest and least comfortable parts of herself, Jehnny Beth has created a piece of work that is stunningly cathartic, fiercely abrasive, delicately exposed, and rich for discourse.
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made "old school" style in just one day in New York in March 2019. "I love these songs", says Scofield of the selection of Swallow compositions explored here. The rapport between Scofield and Swallow is evident in every moment. Behind the drum kit, Bill Stewart, a close associate of Scofield's since the early 90s, is alert to all the implications of the interaction.
“Music has just been a part of my life since I was very young—it's been like my football or my soccer,” says Sammy Brue. “I stopped going to school to do it. Because I thought, If I could put seven hours a day into music, imagine where it's going to take me…”
Imagine, indeed. Since writing his first song at the age of 11, Brue has released three homespun EPs, his New West full-length debut, I Am Nice and a 2018 EP, Down with Desperation. In the process, the Ogden, Utah native has been hailed as an “Americana prodigy” by Rolling Stone and one of the “teenagers shaping pop” by The New Yorker.
But these myriad accomplishments may have just been the setup for what is arguably his finest work to date, Crash Test Kid. Brue has always been an artist seemingly wise beyond his years, but on Crash Test Kid he often gets at the heart of a matter or melody with just a simple but insightful turn of phrase or cleverly-picked guitar.
Rated PG is a collection of Peter Gabriel songs from the movies. Having always loved the combination of film and music (aged 17 he gave up a place at film school to pursue a career in music) Peter Gabriel’s first opportunity to really marry these twin interests came when he was asked to create the music for Alan Parker’s film Birdy in 1985. Further film work, including his music for Martin Scorsese’s The Last Temptation of Christ (that became the album Passion) and the soundtrack to Philip Noyce’s film Rabbit-Proof Fence (released as the album Long Walk Home), has continued to feed that interest. “I have always loved film and any chance I have been offered to work with good film projects and good directors I have jumped at. This is a mixture of songs that have been written for specific films, and existing songs that found an appropriate place in a story. Consequently, there is a mix of different styles and moods.” – Peter Gabriel Alongside those longer soundtrack commissions Peter Gabriel has also regularly contributed songs to a diverse range of movies and Rated PG explores this other connection forged by Peter between his music and film. Rated PG is an opportunity to bring together in one place, for the first time, a selection of songs written especially for, or used to notable effect in, movies and includes new and previously unreleased versions, otherwise unavailable songs and a brand new track. Originally released for Records Store Day in April 2019, where the album was a single LP picture disc in a die-cut sleeve the album is now being released as a CD and standard black vinyl LP. The LP has been half-speed mastered by Matt Colton at Metropolis Mastering and comes as 180g vinyl and a hi-res download code.
Go, Just Do It!, Kenny ''Blues Boss'' Wayne's newest album (June 12 on Stony Plain Records), finds the Boogie Woogie Hall of Famer applying his tremendous talent to an energetic recording of top-shelf good time blues. The album is 13 tracks of originals which include Kenny's arrangement of two Percy Mayfield songs and one by JJ Cale.
Showcasing the magnificent horns of Jerry Cook and Vince Mai, harmonica player Sherman Doucette and Grammy-winning vocalist Diane Schuur, the album will also feature Maple Blues winning vocalist Dawn Tyler Watson, Julie Masi of Juno Award-winning group The Parachute Club and Cory Spruell (aka SeQuaL) rappin' on ''I don't want to be the President.''
Legendary blues piano master Kenny ''Blues Boss'' Wayne was inducted on August 9, 2017 into the Boogie Woogie Piano Hall of Fame in Cincinnati, Ohio. He is hailed by Living Blues Magazine for his six-decade career of bringing the piano back to the front ranks of contemporary blues. This Juno Award winner and multi-Maple Blues Award winner is at the forefront of modern day blues piano.
Love, Death & Dancing is British artist Jack Garratt’s highly anticipated upcoming new album. The album contains 12 tracks produced by Jack with additional production on several tracks by Jacknife Lee, long-time friend James Flannigan, and Brett Cox. The album compiles all four individual volumes of Love, Death & Dancing and kicks off with the lead single “Time.” Garratt showcased many of the new songs earlier this year at two special underplays in the US before a UK and European tour in February and March 2020. He’ll also appear at Splendour in the Grass in Australia in July.
Ambrose Akinmusire follows his acclaimed, genre-busting 2018 manifesto, Origami Harvest, with another visionary statement on his new album `on the tender spot of every calloused moment'. The trumpeter examines blackness on an uncompromising set of modern jazz laced with a heavy blues feeling. The album presents 11 new compositions by Akinmusire, featuring his quartet - pianist Sam Harris, bassist Harish Raghavan, drummer Justin Brown - with guest vocals from Genevieve Artadi and Jesus Diaz.
After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy. Led by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney, the guitar-pop five-piece returned home to Australia after the relentless touring schedule that came following their critically regarded 2018 debut Hope Downs. Feeling the literal and metaphorical ground under their feet had shifted, the band began grasping for something reliable. For Keaney, that translated into writing "pure romantic fiction" and consciously avoiding the temptation of angsty break-up songs, while Russo looked north to a "bizarre place" that captured the feeling of manufacturing a sense of home when his own had disappeared. The New Italy of the new album’s title is a village near New South Wales’ Northern Rivers – the area drummer Marcel Tussie is from. A blink-and-you'll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians' contribution to Australia, with replica Roman statues dotted like alien souvenirs on the otherwise rural landscape. The parallels to the way the band attempted to maintain connections and create familiarity during their disorienting time on the road was apparent to Russo. "These are the expressions of people trying to find a home somewhere alien: trying to create a utopia in a turbulent and imperfect world." The record's geographic identity emerged from the band losing their grip on their own, whether that was through the pressure of touring, the dissolution of relationships, a frustrating distance from their daily lives – or some combination of all three – that came from being slingshotted all over the world, playing sold-out headline tours and festivals including Coachella, Governors Ball, Primavera Sound, All Points East, and Pitchfork Music Festival. The notion of crafting, in Russo’s words, “a utopia of where your heart’s from,” permeates Sideways to New Italy, in which early attempts at writing big, high-concept songs about The State of the World were abandoned in favor of love songs, and familiar voices and characters filter in and out, grounding the band's stories in their personal histories. There’s something comforting, too, in knowing the next time they’re buffeted from stage to stage around the world, they’ll be taking the voices of their loved ones with them, building a new totem of home no matter where they end up.
Each time they take the stage, Madrid-bred rock band Hinds create a kind of wild magic, a feel-good free-for-all often complete with synchronized dancing and giddy crowd-surfing from the members themselves. While the band s first two albums channeled the euphoric energy of their live show in their gorgeously punchy take on garage-rock, their latest full-length adds entirely new texture to their sound. Produced by Jenn Decilveo (The Wombats, Ben Platt and Anne-Marie), The Prettiest Curse finds the band letting their imaginations run more freely than ever, even as they share some of their most emotionally heavy material to date. The Prettiest Curse takes its title from the sometimes-daunting experience of giving your soul to rock-and-roll. In the making of The Prettiest Curse, Hinds devised a brilliantly unpredictable vocabulary for communicating their most painful feelings. Unfolding in frenetic guitar riffs and buzzing basslines, powerful drumming and delicate piano work, the album endlessly delivers massively catchy melodies and vocals that growl and sigh with equal ferocity. The effect of all that unrestrained expression is fantastically dizzying, made even more so by Hinds constant back-and-forth between their native tongue and English.
Vinyl LP pressing. Digitally remastered and expanded edition, released in celebration of the 60th Anniversary of Frank Sinatra's Nice 'n' Easy. Features the original 12 tracks like "The Nearness of You", as well as full sessions of "I've Got A Crush on You" and "Nice 'n' Easy" that include previously unreleased alternate takes and reveals Sinatra studio chatter.
Vinyl LP pressing. 2020 release. The Ghost Inside is a Los Angeles-based hardcore band. They began as a group of friends in El Segundo, CA united by their shared passion for bands in the hardcore scene. The group stands for authenticity, dedication, perseverance and the most literal adherence to the core values behind their craft. Sonically, the group places equal emphasis on deeply personal vocals, urgent riffing and pile-driving breakdowns within the framework of their heavily melodic modern hardcore.
For years, Singer/Songwriter Trixie Mattel has broken boundaries not only for drag performers in the music world but also for LGBTQ+ artists in the genres of country, folk and Americana. ‘Barbara’ is laid out to reflect a vintage double-sided album. Side A features a plugged-in late 60s/early 70s vibe. Side B hearkens back to the introspective folk that took Trixie to the top of Billboard Heatseekers and iTunes genre charts. Pressed on yellow vinyl; packaging includes foil-stamped poster.
After The Rainbow Children release and before the release of the One Nite Alone… studio album, Prince embarked on a tour of the same name. However, as opposed to the intimacy of the largely solo One Nite Alone… album, this upbeat trek through theaters in North America featured the full talents of Prince’s ever-expanding New Power Generation band. Members at the time included drummer John Blackwell, keyboardist Renato Neto and longtime collaborators like bassist Rhonda Smith and a horn section that included saxophonists Eric Leeds, Candy Dulfer and Maceo Parker. Taken from the highlights of 9 different shows in March and April of 2002 and clocking in at over 2 hours, the resulting 4 LP collection One Nite Alone…Live! was the first official live album of Prince’s career and the 27 tracks included feature selections from The Rainbow Children as well as Prince’s extensive back catalog, played with the full NPG as well as several solo piano excursions (“When U Were Mine,” “Raspberry Beret,” “Adore,” “The Beautiful Ones,” “Nothing Compares 2 U”). This release marks the first time that it’s available on vinyl.
New Vinyl: $32.98 Add to Cart
This 2 LP release documents Prince’s mythic late-night after show performances. Never available as physical stand-alone release and only available originally on CD as part of the One Nite Alone box set exclusive to NPG Music Club members, the album features an hour of amazing jams and includes guest appearances by George Clinton and Musiq Soulchild.
The buzz around CHRISTIAN LEE HUTSON started in earnest in 2018 after he began his collaborative friendship with singer Phoebe Bridgers. Hutson co-wrote songs with Bridgers for both the EP of supergroup boygenius (ft. Julien Baker, Phoebe Bridgers, and Lucy Dacus) and her 2019 release with Conor Oberst, Better Oblivion Community Center. The emerging folk artist received further critical attention after Bridgers invited him to Eaux Claires Festival last July, where he performed a solo set and earned praise from festival host Bon Iver. Eventually, Bridgers asked if she could produce an album for him. Engineered and mixed by Joseph Lorge (Blake Mills, Perfume Genius), the forthcoming release also features contributions from Bright Eyes pianist Nathaniel Walcott. To merely call Christian Lee Hutson an old soul would be to deny the vibrancy of his sound. Hutson writes songs that the SF Bay Guardian describes as, "... Foreboding, bluesy love ballads laden with longing nostalgia." Hutson is an avid touring artist and his touring will take him to Austin this Spring for SXSW. For Fans of Phoebe Bridgers, Elliott Smith and Bright Eyes.
As the world greeted the promise of a new millennium, even Prince was experiencing a great sense of transformation. In 2000, he announced the reclamation of his birth name after seven years as an unpronounceable symbol. In 2001, after a period of study and debate with his friend and mentor Larry Graham (former bassist for Sly and The Family Stone), Prince converted to the Jehovah’s Witness faith. These transformations bore fruit with the release of The Rainbow Children at the end of 2001. Billed as “controversial” in its press materials for its open spiritual message, the jazz-inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs, “The Work, Pt. 1,” was released by Prince as a free download on the file-sharing service Napster; this move, along with direct-to-consumer stream and download options on the NPG Music Club, made Prince a digital music visionary. The Rainbow Children is a continued favorite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums and a full horn section, and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl was incredibly limited and copies fetch hundreds of dollars. This new double LP vinyl edition comes on limited edition crystal clear vinyl packaged in gatefold packaging along with an exclusive Prince rainbow slipmat.
New Vinyl: $26.98 Add to Cart
Prince would follow The Rainbow Children with the stunning One Nite Alone… in May 2002. Featuring almost nothing but Prince’s acoustic piano and vocals (save for occasional rhythm from drummer John Blackwell and the ambient cooing of Divinity and Majesty, Prince’s pet doves), this intimate album offers favorites like “U’re Gonna C Me” and a cover of “A Case Of U,” written by one of Prince’s idols, Joni Mitchell. The original album never had a wide physical release as the CD was an exclusive to Prince’s NPG Music Club members and this marks it’s first time on vinyl.
New Vinyl: $69.98 Add to Cart
Celebrating 40 years of Rush's Permanent Waves, deemed the poignant moment the band reinvented themselves and their sound. The 3LP Deluxe Edition features original vinyl packaging with a newly designed gatefold jacket for the two discs of live bonus tracks (from the 1980 World Tour). With a 20-page booklet of reimagined artwork by original designer Hugh Syme & unreleased band archive photos. Housed in a slipcase. Features hits like "The Spirit Of Radio" and the cinematic "Jacob's Ladder".
The White Buffalo is Jake Smith: singer, song-writer, guitarist, teller of stories; an artist whose voice – an emotive timber-shakin’ baritone – seems directly linked to a greater truth; an artist who will not be swayed by fashion or restricted by genre. And now, The White Buffalo releases the new studio album, ‘On The Widow’s Walk’ – an 11 song, loosely linked collection of dark thrills produced by Shooter Jennings, who also plays piano and keys. Standard black vinyl.
If there’s one lesson to be gleaned from Jamie Wyatts latest album, Neon Cross, it’s that life goes on. And through it all—good times and bad, dreaming and desperation, there is truth. When it came to capturing that truth on tape, Wyatt had some assistance from Shooter Jennings, who produced Neon Cross. Together, she and Jennings boldly color outside the country lines, taking a wide-lens sonic and stylistic approach to the songs on Neon Cross.
Multi-PLATINUM singer/songwriter Kip Moore’s highly anticipated fourth studio album WILD WORLD will be available May 29. Co-writing 12 of the album’s 13 insightful tracks, he navigates the search to find place and purpose. Throughout the album, that search is revealed in deeply personal terms, with Kip even co-producing the set. The weathered heartland-rock sound Moore has embraced pumps up its emotional volume, recorded live with a full band. CD includes free poster offer, valid thru 12/31/20.
Ghosts of West Virginia centers on the Upper Big Branch coal mine explosion that killed twenty-nine men in that state in 2010, making it one of the worst mining disasters in American history. In ten deftly drawn sonic portraits, Earle and his band the Dukes explore the historical role of coal in rural communities. More than merely a question of jobs and income, mining has provided a sense of unity and meaning, patriotic pride and purpose.
Merritt explains his thinking behind the Quickies concept: “I’ve been reading a lot of very short fiction, and I enjoyed writing 101 Two-Letter Words, the poetry book about the shortest words you can use in Scrabble. And I’ve been listening to a lot of French baroque harpsichord music. Harpsichord doesn’t lend itself to languor. So I’ve been thinking about one instrument at a time, playing for about a minute or so and then stopping, and I’ve been thinking of narratives that are only a few lines long.
Prolific singer-songwriter Ashe continues to build on her electrifying momentum in 2020, after her hit single, "Moral Of The Story” was featured in the Netflix hit sequel "To All The Boys...PS I Still Love You”. The track features contributions from grammy award winning producer FINNEAS and lyrical contribution from Billie Eilish. Since then, the track accumulated over 75 million streams (3.5 million per day) in less than a month, landed on 54 Spotify viral charts and 758K Shazams. The track was added to Spotify’s largest pop playlist Today’s Top Hits (25M followers) and Apple’s Today’s Hits. “Moral of the Story” is impacting pop and alternative radio now with early adds from iHeart USA, KYSR Los Angeles, Entercom USA, KITS San Francisco, National SiriusXM and Alt Nation. This summer Ashe will be performing in 20K capacity venues alongside AJR, Quinn XCII and Hobo Johnson. For the first time ever, the 2-part EP Moral of the Story: Chapters 1 & 2 will be pressed on exclusive yellow vinyl.
Produced by Mike Mogis (Bright Eyes, Conor Oberst, First Aid Kit) I’ll Get By, Avi Kaplan’s new 7-track EP firmly establishes the renowned bass vocalist as a generational songwriting talent in the mold of inspirations such as Fleet Foxes, Hozier and Iron and Wine. I’ll Get By is an absorbing introduction to an artist with a timeless voice, an independent spirit and a limitless future. Indie exclusive LP pressed on black ice-colored vinyl.
King Gizzard & The Lizard Wizard have announced Chunky Shrapnel, a new music documentary film and accompanying double-LP live album. The new album features 13 live performances hand-picked from the band’s 2019 UK and European tour, and includes three new musical scores written by Stu Mackenzie that add a magical touch of an alien melancholy throughout the record. Chunky Shrapnel is an experience geared towards not only recreating the energy of a live concert, but creating something tailored and unique to the King Gizzard & The Lizard Wizard.
Los Angeles-based guitarist, composer, and producer Blake Mills announces forthcoming album Mutable Set. Much of the material was co-written with acclaimed singer-songwriter Cass McCombs, and this is Mills' first album of solo music with lyrics since 2014's "Heigh Ho" and second release under New Deal Records / Verve Label Group.
Born in Cleveland, Ohio to Russian parents, Alina Baraz has been around music all her life. With both parents having classical training, she was destined to find her voice through music. Almost immediately after the release of her first single, “Roses Dipped in Gold” at age 19, Baraz and her family moved to Los Angeles to pursue her career as a singer/songwriter full time.
In 2015, Baraz released her debut project, Urban Flora. The acclaimed project was praised by the Guardian, NPR, Huffington Post, Harpers Bazaar and many more, and sat on Billboard’s Top Dance/Electronic Albums chart for over 125 weeks, peaking at #2.
In January of 2017, she released the viral single “Electric” ft. Khalid, which has been streamed over 190M times and counting. In 2018 she released The Color of You, enlisting Grammy-nominated producer Robin Hannibal (Kendrick Lamar, Calvin Harris, Cee Lo Green) to help produce the project.
Baraz has been in the works of a special project, coming in Spring of 2020.
Following up the Grammy nominated album "Run Home Slow", Australian soul band The Teskey Brothers are back with their new live album "Live at The Forum" out 5/22. The album was recorded on tape during their two day residency at the iconic Forum Melbourne in Australia this past November. Opaque Blue Vinyl. Polybag. Gatefold Sleeve.
Nonesuch Records releases I Still Play, an album comprising eleven new solo piano compositions written by artists who have recorded for the label. The pieces were written in honor of the label’s longtime President Bob Hurwitz on the occasion of his 2017 shift into the Chairman Emeritus role after running the label for thirty-two years. I Still Play features works by John Adams, Laurie Anderson, Timo Andres, Louis Andriessen, Donnacha Dennehy, Philip Glass, Nico Muhly, Brad Mehldau, Steve Reich, Pat Metheny, and Randy Newman. The pieces have been recorded by Andres and fellow Nonesuch artist Jeremy Denk, as well as by Mehldau and Newman themselves.
Sleaford Mods are set to continue their onslaught into 2020 with the release of All That Glue, a collection of songs spanning the last seven years of the bands career; an array of crowd pleasers, B sides, unheard tracks and rarities for fans and the curious, released via Rough Trade.
Following 2015’s In Colour and global touring with The xx, Idontknow is Jamie’s return to the club. It lived through late 2019 - everywhere from Jamie’s own low-key parties In London and LA to OIL Club in Shenzhen, Caribou’s BBC Essential Mix to Ben UFO on The Lot. Now in uncertain times, it remains a release of energy - to move to, let loose to and to look forward to parties again.
Hamilton Leithauser has proven himself as a master collaborator and solo artist throughout his nearly 20 year career. Following his time as the frontman of the Walkmen, Leithauser released the critically acclaimed collaboration with Rostam "I Had a Dream That You Were Mine" in 2016. The album debuted at #1 on Billboard's Heatseekers Chart, #1 New Artist Album, and was named one of the Year's Best by Pitchfork, Esquire, NPR, and more. His latest work and second solo record "The Loves of Your Life" is set to be released on April 10, 2020. It was written and produced by Hamilton in his home studio and is a collection of stories about real people he's met over his years living in New York City.
2020 release. Streamed over 1.5 billion times, and triumphant on stage everywhere from Governors Ball to Austin City Limits, Two Feet upholds a powerful connection to the crowd on his full-length debut, Pink. He initially made his mark on the 2016 viral, platinum-certified smash "Go F*** Yourself". Now, Two Feet sells out shows worldwide. Pink illuminates the full scope of his signature sound, hinting at more to come.
Set My Heart On Fire Immediately is the fifth studio album from Perfume Genius that will be released May 15th on Matador Records. It sees artist and musician Mike Hadreas re-teaming with GRAMMY-nominated producer Blake Mills and features contributions from musicians Jim Keltner, Pino Palladino and Matt Chamberlin. It was recorded in Los Angeles, where Perfume Genius settled in 2017 with longtime partner and musical collaborator Alan Wyffels. 'I wanted to feel more open, more free and spiritually wild,' says Hadreas, 'and I'm in a place now where those feelings are very close-- but it can border on being unhinged. I wrote these songs as a way to be more patient, more considered -- to pull at all these chaotic threads hovering around me and weave them in to something warm, thoughtful and comforting.'
This Indie exclusive LP of Ruston Kelly's Dirt Emo vol. 1 is pressed on opaque baby pink-colored vinyl and features a numbered poster inside. To quote Ruston: "I don't play country, this stuff is dirt emo it's like crying in a barn or anguishing in your room with a banjo." The project includes acclaimed renditions of Taylor Swift's "All Too Well" and the Carter Family's "Weeping Willow," showing the full spectrum of material, solidifying Ruston as the Father of Dirt Emo.
WILL THIS MAKE ME GOOD is a question Nick Hakim has asked himself since he was young and struggling in school; a reflection of what's happening in his head as he sorts through his life and the tumult around the globe. WILL THIS MAKE ME GOOD articulates a sense of confusion alongside a desire for hope and clarity. The album was produced by his longtime collaborator Andrew Sarlo (Big Thief, Bon Iver), who also produced Hakim's breakthrough debut "Green Twins". CD in 4-panel softpak with booklet.
Between The Buried And Me is the self-titled first studio album by the GRAMMY-nominated progressive metal five-piece. Formed in 2000, the band originally released this album with Lifeforce Records in 2002 and soon after gained the attention of iconic Chicago-based record label Victory Records. Victory signed the band and re-released the record as an enhanced CD in 2004. Described as “one of the fiercest albums in the hardcore community” by AllMusic, this formative album set the band up to be a key player in the evolving hardcore scene. While the album was praised for its brave blend of mathcore, grindcore and death metal elements into their already unique sound, the lyrics also set them apart from their peers. The band addressed their thoughts on controversial topics ranging from politics to organized religion – issues not often addressed in this music scene at this time. This pressing has been newly remixed and remastered to commemorate the band’s 20th anniversary.
2020 release. His last album - 2017's The Nashville Sound - a #1 album on the Billboard Folk, Independent, Country and Rock albums charts, also received Best Americana Album at the Grammys, Album Of The Year At The Americana Honors & Awards and was nominated at the CMA Awards for Album Of The Year. Since then, he has collaborated on the soundtrack for A Star Is Born, the debut album by the Highwomen, and Sheryl Crow's latest album Threads. He also released a live album, Live From the Ryman.
Lamentations is a 10-song rumination on the current state of the world around me. I was raised in the faith and the book of Lamentations was always one that caught my attention. A broken man crying out to the heavens, asking why God sat back and let his country fall apart. Questioning the sheer existence of a higher power in the lowest of times. How could an all loving God sit back and let an entire nation’s cry for help go unanswered? I saw many parallels in that story and the current climate of this country in 2020. There are a large group of people who were promised something in 2016. They are still waiting for those promises to be fulfilled. This is a record about the things that break people. Religion, politics, addiction, love, money, family, history. I believe it is an empathetic look at the other side. A group of stories about losing everything and still finding the will to stand back up and fight for the things that matter the most. - BJ Barham
Hayley Williams hugely anticipated debut solo album Petals For Armor arrives via Atlantic Records on Friday, May 8th. Produced by Taylor York – Williams’ lead collaborator in the GRAMMY® Award-winning Paramore – the album was heralded earlier this month by the acclaimed first single, “Simmer”. The smoldering track arrived alongside its own Warren Fu-directed video, providing a compelling first chapter to a continuing storyline.
Vinyl LP pressing. When considering any great work of art, be it a painting, a novel, or a piece of music, it's natural to wonder what might have inspired it. Mark Lanegan's 2020 album, Straight Songs Of Sorrow, features guest appearances from Greg Dulli, Warren Ellis, John Paul Jones, Ed Harcourt and more, These 15 songs are inspired his life story, as documented in his new memoir, Sing Backwards And Weep. The book is a brutal, nerve-shredding read, thanks to Lanegan's unsparing candor in recounting a journey from troubled youth in eastern Washington, through his drug-stained existence amid the '90s Seattle rock scene, to an unlikely salvation at the dawn of the 21st century. There's death and tragedy, yet also humor and hope, thanks to the tenacity which impels it's host, even at his lowest moments. Today, Lanegan is a renowned songwriter and a much-coveted collaborator, as adept at electronica as with rock, constantly honing his indomitable voice: an asphalt-laced linctus for the soul. While the memoir documents a struggle to find peace with himself, his album emphasizes the extent to which he came to realize that music is his life.
In early 2016, D.C. punk legends Brian Baker (Minor Threat, Dag Nasty, Bad Religion) and Michael Hampton (S.O.A., Embrace, One Last Wish) met up at Hampton's Brooklyn home to play music together. Friends since first grade, the two guitarists ended up writing a handful of songs that day, then closed out the session with a spur-of-the-moment decision to start a band. When it came to finding a bassist, Baker and Hampton looked to Johnny Temple of Girls Against Boys and Soulside (another fellow student at their elementary school), who equally shared their passion for what Temple refers to as "loud, angry, visceral music." By the end of the year, the band had enlisted Refused frontman Dennis Lyxzén as their singer, thus cementing the lineup to punk-rock supergroup Fake Names.Soon after dubbing themselves Fake Names-a moniker that's part Raising Arizona reference, part recognition of the "ubiquitous and demonic use of the term 'fake news,'" according to Baker-the band headed to Renegade Studios with the goal of creating a demo to present to record labels. But after playing those recordings for Baker's Bad Religion bandmate Brett Gurewitz, the Epitaph founder made an unexpected proposal. "Brett said to us, 'This isn't a demo, this is the album,'" Baker recalls. "He was pretty adamant about putting it out exactly as it was, so that's what we wound up doing."
Double vinyl LP pressing. 2020 release. Louis Prince is the moniker of Orange County, CA artist Jake McMullen, and serves as the new platform for his debut record, Thirteen. Pushing back against the modern convention of singles-based releases, Thirteen is an album in the classic sense, with a beginning, middle and end and a central theme. Exploring the human struggle of fear in the face failure and the role of friendship in maintaining sanity, Thirteen in a search for catharsis in the midst of the madness, the sadness and the hope of life.
Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016's Teens Of Denial, is set for release on May 1. The album will be available on vinyl and CD featuring distinct tracklists and mixes for each format. Created over the course of four years, Making a Door Less Open is the result of a fruitful 'collaboration' between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo's alternative persona, 'Trait.' To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs.
With a sound that recalls Country music's acid washed golden era, the '90s influenced band Hot Country Knights has finally revealed more details about their debut album THE K IS SILENT, from Capitol Nashville, available May 1st. Produced by Dierks Bentley, the multi-Platinum entertainer also serves as a co-writer on over half of the 10 brawny tracks, serving up one of the most musically satisfying debut albums since 1999. Standout track "You Make It Hard" best represents their High-T philosophy.
2020 release. They've been compared to tornadoes, firecrackers, and lightning storms, and described as genuine, unapologetic, and down-to-earth. And Alex Luciano and Noah Bowman of gutsy rock duo Diet Cig are excited to announce their sophomore full-length, Do You Wonder About Me? The album is the follow-up to 2017's Swear I'm Good At This. The album marks a more intentional, self-assured Diet Cig; not only in Luciano's radically intimate, acerbic lyrics, but in the duo's sound as well. Luciano and Bowman moved to Richmond, VA in the summer of 2017 as a place to "hide out and make music," and it was there that they wrote Do You Wonder About Me?, Diet Cig's ode to growing up.
The project was formed in early 2016, leading to their debut album later that year `Wisdom of Elders'; a document of sessions combining Hutchings with a group of South African jazz musicians he'd long admired.
Polish death metal legends Vader have returned with their 16th studio album, Solitude in Madness. Never one to rest or relax, Vader have done it all over the course of their 37-year history. From playing super-aggressive thrash under the watchful eye of Communist Poland, signing a worldwide deal with popular UK indie Earache Records to touring the globe-after the dissolution of the Warsaw Pact in 1991, of course-and enjoying a near-maniacal fanbase, there's no stopping the Piotr "Peter" Wiwczarek-led outfit. Proof of that lies in the exceptionally great Solitude in Madness, where speed and power are back as the driving factors in Vader's fiendish yet proficient death metal.
'The man singing these songs isn't exactly the same man who wrote them,' says Pokey LaFarge of Rock Bottom Rhapsody, his eighth and latest studio release. 'This album is about the story of who I used to be.' In early 2018, LaFarge ' searching for the sort of artistic freedom and inspiration he wasn't finding in the Midwest ' relocated from his longtime home base of St. Louis, Missouri, to Los Angeles, California. New songs came quickly to LaFarge in his new environment, but new temptations soon found him, as well. Though he declines to get into specifics, LaFarge admits that he experienced a significant 'fall from grace' during the last months of 2018. 'Things sort of started to unravel in my mind,' Shortly before the recording of Rock Bottom Rhapsody began, LaFarge experienced a spiritual awakening ' and the faith he re-embraced in his hour of darkness helped to buoy him through the making of the album. Though he was struggling for spiritual equilibrium at the time, LaFarge at least had some rock-solid musical support to lean on. Recorded primarily at Reliable Recorders on Chicago's Northwest side, Rock Bottom Rhapsody was produced by LaFarge's friend and collaborator Chris Seefried (who also co-wrote several of the album's tracks), and features the considerable talents of guitarist Joel Paterson, keyboardist Scott Ligon, upright/electric bassist Jimmy Sutton, and drummer Alex Hall. Musically, LaFarge continues to mix and match a wide variety of styles and traditions, while never losing track of his own vision This record is kind of like Roy Orbison and Bob Dylan hanging out with chanson singers and French jazz bands in like the forties, but I was never trying to make it sound like a particular person. Despite the trying period that preceded its recording, Rock Bottom Rhapsody is ultimately far more uplifting and life-affirming than its title would suggest. 'That desperation, that struggle,' LaFarge ponders, 'Did it add something to the record? It certainly did. I mean, I don't know if it made it better; it just is what it is. It's not up to me to decide if people are going to feel that'