Kurt Vile's 'Philadelphia's been good to me' illustrates his love for his home city, where he still resides and records most of his music. This album includes his distinct jangly guitars, soaring instrumental passages, and lyrics that are both cheeky and sentimental at the same time. 2-LP pressed on Schuylkill River blue vinyl.
‘The Boys of Dungeon Lane’ is a collection of rare and revealing glimpses into memories never-before shared, along with some newly inspired love songs, from one of the most culturally significant figures of our time. These extraordinary new songs find Paul writing with rare openness about his childhood in post-war Liverpool, the resilience of his parents, and early adventures shared with George Harrison and John Lennon long before the world had ever heard of Beatlemania.
Experience one of rock’s most iconic bands in a breathtaking setting. In July 2023, The Who delivered a landmark performance at Cornwall’s world-renowned Eden Project, joined by the Heart of England Philharmonic Orchestra for a set list of their greatest and most loved songs.
Nestled in the Cornish countryside, the Eden Project’s striking biomes provided a stunning backdrop as Pete Townshend and Roger Daltrey blended classic rock power with orchestral grandeur. Live at Eden Project 25/07/2023 captures The Who at their most powerful and innovative—an extraordinary fusion of rock and orchestra.
Available formats:
2CD Digipak, Limited 3LP Gatefold Edition (pressed on recycled vinyl, eco-friendly packaging), Standard 3LP Gatefold.
A must-have for fans and collectors, this release is a testament to The Who’s enduring relevance and evolution. Add it to your collection today.
Triple-Gatefold trans. Milky clear 2LP & LP-Booklet (US version) The Moth is Devin Townsend's most ambitious work to date, a project that has existed in his mind as his life's work - an immersive orchestral, choral, and theatrical project over a decade in the making. What began as a distant vision became reality when Townsend was invited to collaborate with the North Netherlands' Orchestra and Choir. Unlike his previous genre-hopping worlds, The Moth was conceived from the ground up as a fully orchestrated narrative. Townsend spent years relearning musical fundamentals to write the score himself: harmony, counterpoint, and orchestration rebuilt from scratch, expertly assisted by Joseph Stevenson. The result is a meticulously crafted, emotionally driven piece where every instrument and voice has space to speak. Recorded across more than ten countries, the album brings together an extraordinary global cast: the aforementioned North Netherlands Orchestra and Choir, long-time collaborators Darby Todd, Mike Keneally, James Leach, and guests including Steve Vai, Anneke Van Giersbergen & Lynn Wu (Ou). Hundreds of musicians, engineers, mixers and artists contributed to the project's massive creative ecosystem. At it's core, The Moth is about transformation. Through it's soaring arrangements and intimate moments, the work explores self-acceptance, surrender, and the courage to face discomfort without turning away. The Moth is about the journey-but it is also about arrival. The Moth will be available on several formats including Ltd Deluxe 3CD+Blu-ray Artbook that includes the album on CD1, 'The Moth - The Afterlife' on CD2 & 'The Moth - The War (Live)' on CD3. The Blu-ray includes the full 'The Moth - The War' live film, as well as Dolby Atmos & High Resolution Stereo Mixes of the 'The Moth' and 'The Moth - The Afterlife'. It will also be available as Limited 2CD Edition (including 'The Moth-The Afterlife' on CD2), Standard CD Jewelcase and as Gatefold Triple-Gatefold 180g 2LP & Fold-Out LP-booklet, as well as digitally.
Colored Vinyl, Half Yellow / Half Purple indie record store exclusive limited to 300 copies. Album features guest vocals by I Promised The World, Holder and Upon Stone. Scratching on "Ammonite" by DJ Punchdrunk from Empty Shell Casing
Equal Vision Records will release Sparta's upcoming full length album 'Cut A Silhouette' on Friday May 29th 2026. Produced by J. Robbins, the album channels the spirit of their early catalog.
Recorded in an intimate hometown setting in doylestown pa, 'Reconcile at the tile works, recorded live' captures Anthony Green in a rare, up-close performance that leans into the emotional core of his songwriting. With minimal, stripped-back arrangements, the focus stays on the songs themselves-highlighting the immediacy of Green's voice and the connection he's built with listeners over the years.The setlist draws from across his catalog, blending fan-favorite material from Circa Survive with selections from his solo work, alongside previously unreleased songs. These versions feel raw and present, giving familiar tracks a different kind of weight while introducing new material in it's earliest form.
Vinyl LP pressing. Recorded at the Camden Palace Theatre, London on 29th April 1985 featuring Jimmie Vaughan: guitar, Kim Wilson: vocals, harmonica, Preston Hubbard: double bass, electric bass, Fran Christina: drums. The Fabulous Thunderbirds were formed in 1974 by guitarist Jimmie Vaughan and vocalist Kim Wilson. Following the release of the band's fourth album, (T-Bird Rhythm) in 1982, they were without a record deal for the next four years and during this time Keith Ferguson left and was replaced by Preston Hubbard. The band signed to a new record deal with Epic and briefly moved to London to record their next album (Tuff Enuff) with Dave Edmunds producing, which is when this recording was made.
Orange County’s SOCIAL DISTORTION returns with its first album in 15 years with Born To Kill. Armed with 11 urgent songs, Mike Ness continues to build on the mystique that SOCIAL DISTORTION is more than just a punk band.
Throughout the collection, Ness revisits the sounds of the 1970s, his formative adolescent years. For many, Born To Kill is a return to form, but instead, it’s a continuation of the bar of excellence that SOCIAL DISTORTION and, in turn, Ness has long been praised for.
Born To Kill is a body of work that will live long in the SOCIAL DISTORTION catalog. Songs like the rowdy title track that serves as the album’s mission statement, along with the riff-laden “Partners in Crime,” the nostalgic “The Way Things Were,” and rollicking “Tonight” are songs that fit in across any of SOCIAL DISTORTION’s various eras. Now nearly five decades into its career and with a remarkable catalog spanning nearly three generations, SOCIAL DISTORTION has no intention of slowing down any time soon.
The 3rd collaborative album between Les Claypool & Sean Ono Lennon (the previous sold over 150,000 combined) is an elaborate concept record reflecting on morality, the warnings of A.I., and the slippery slope of optimization without empathy. Told across 14 songs - which ooze with classic psychedelic / progressive rock stylings - and the accompanying comic book by Rich Ragsdale, The Great Parrot-Ox and The Golden Egg of Empathy is a peak for both The Claypool-Lennon Delirium and rock music at large.
Neil Diamond is a legendary artist, songwriter and producer who has to date sold more than 130 million records worldwide, including more than 30 platinum or multi-platinum albums. His risk-taking career has delivered many surprises. Among them is an enormously popular collaboration with iconic producer Rick Rubin that delivered the stunning, stripped-down 12 Songs and the No. 1 album, Home Before Dark. And now from their creative partnership comes a new, never-before-heard album featuring 10 tracks written solely by Neil. Drawn from the Home Before Dark sessions, featuring such musical luminaries as Mike Campbell and Benmont Tench of the Heartbreakers, Wild At Heart is the culmination of the unexpected, deeply felt, Neil Diamond x Rick Rubin trilogy.
Doll Domination is The Pussycat Dolls' high-energy sophomore album.
Listen to hits "When I Grow Up" and "I Hate This Part"
On vinyl for the first time ever.
PCD is the debut studio album by the iconic girl group the Pussycat Dolls, released on September 12, 2005. Featuring executive production by Ron Fair and contributions from producers like Kwamé, Polow da Don and Rich Harrison, and boasting guest vocals from rappers Busta Rhymes, Timbaland and will.i.am.
PCD is the chart-topping album from The Pussycat Dolls, featuring iconic hits like “Don’t Cha”, “Buttons” and “Stickwitu”. The record was an instant smash hit.
Coming off the 20th anniversary of the RIAA 3x Certified Platinum album, the Pussycat Dolls will also embark on a 20th Anniversary Reunion Tour.
Listen to the album that defined 2000’s pop on black vinyl for the first time.
The World Is to Dig They Might Be Giants They Might Be Giants' album The World Is to Dig, released via Idlewild Recordings, features 18 tracks including "Back in Los Angeles," "Wu-Tang," and "Sleep's Older Sister".
Linda Perry’s “Let It Die Here” is a raw, spiritual reckoning, a journey through inherited pain, grief, and redemption. Across seventeen tracks that blend confessional poetry, cinematic rock, and vulnerable introspection, Perry confronts the ghosts of her past — mothers, lovers, and the darker corners of self.
The record moves from the streetlight confessions of “Balboa Park” to the searing surrender of “Let It Die Here,” culminating in “Albatross,” a release from the weight she has carried her whole life. It is an album about release, letting go of guilt, embracing imperfection, and finding beauty in survival.
The follow-up album to Stephen Sanchez's debut album ANGEL FACE with the global smash, “Until I Found You,” is finally here – LOVE, LOVE, LOVE! On the new record, Stephen muses about love in its many forms – partners, friends, neighbors, and even strangers – brought to life by rich vocals and a technicolor pop sound. The title track epitomizes the album’s themes, as Stephen proclaims the importance of showing love to others, even (and especially) when they may not be expressing the same.
How do we sit in the unrest of the world without jumping to conclusions on how to fix it?
That is one of the themes behind Amy Grant's new single and opening track, “The 6th Of January (Yasgur’s Farm)” from her upcoming album The Me That Remains.
While the title could indicate a stance on the political spectrum, it is quite the opposite. The song asks the question, haven't we all lost our way? With references to the idealistic era of Woodstock and the hope for something better, the song is more of a question than a commentary. Says Amy, “We operate in the world around us and sometimes neglect the power of what we have in our choices and how those choices affect the world around us”.
Sonically, the song is reminiscent of Joni Mitchell, yet the lyric and message is timeless.
“I want to be present for what emerges in my time”, says Amy,“ and the song observes life and the unrest many of us feel yet knowing we are
shaping the world around us daily. Maybe life and problem solving is more of ‘we’ than ‘me’”.
The song’s lyrics point to the fact that all of us still have a ways to go in solving the unrest but you have to sit in it, see another’s lens of how they perceive the world, and know that we are stronger as ‘we’.
With references to Woodstock, Harper’s Ferry and John Lennon, the song invokes a conversation that all is not lost, but if we can choose to look through a lens other than just our own, maybe there is hope to come together and find the way forward through the unrest.
Is Quebec the best album from Ween? Opinions will vary, but it is certainly up there as one of the finest from the brothers Ween. A solemnly psychedelic album full of mournful laments, Quebec is the album that makes the most serious case for Dean and Gene Ween as two of the greatest living American songwriters. Long out of print, this new colored vinyl reissue of the originalalbum sees it spread across 2LPs and cut at 45rpm for maximum sound quality. Featuring "Transdermal Celebration", "Chocolate Town", "Tried and True" and more.
White Pepper is hands down Ween at their most accessible. The album's title combines the BeatlesWhite AlbumandSgt. Pepper'stitles, hinting at what lies within. It's a genius only Ween could conjure up acrossWhite Pepper's twelvetracks. Long out of print, this new colored vinyl reissue of the originalalbumis on greenpepper vinyl. Featuring "Bananas and Blow", "Even If You Don't", "Stay Forever" and more.
Phish New Year's Eve 1995, Live At MSG Fans consider it one of Phish's best shows and the band considers it one of their top five concerts. Following this 1995 show, Phish established a tradition of performing multi-night New Year's shows at Madison Square Garden. The concert includes versions of two songs from The Who's Quadrophenia album, which Phish had covered in it's entirety for their 1995 Halloween show, and songs from the band's Gamehendge song cycle.
MUNA’s journey has always been about holding space for the complex, messy, ecstatic realities of life, and with their fourth album, Dancing On The Wall, they’ve never been sharper, darker, or more exhilarating. Emerging from the sparkly, confetti-strewn heights of their 2022 self-titled record, MUNA now channel the anxious, uncertain energy of living in a Los Angeles defined by political tension, environmental decay, and the quiet pressures of millennial precarity. The result is a record that feels both intimate and spectacular, a pop world built with teeth, wit, and emotional resonance, a soundtrack for hearts simultaneously on fire and observing the chaos around them.
Across the record, MUNA explores desire, intimacy, and connection against a backdrop of a world in flux. There’s a quiet reckoning throughout the album with how to keep living, loving, and reaching for one another while bearing witness to political brutality and systemic violence and how joy survives without denial. Tracks like “Wannabeher” capture the dizzying thrill of stepping fully into someone else’s fantasy, while “Why Do I Get A Good Feeling” lingers long after the beat ends, a meditation on fleeting joy and suspended possibilities. The album closes with “Buzzkiller,” a stark reckoning with desire and its aftermath, the ache of achieving what you wanted only to realise new questions, doubts, and hungers remain.
Their previous work, including the viral hit “Silk Chiffon,” has earned hundreds of millions of streams and widespread acclaim, alongside TV appearances on The Tonight Show Starring Jimmy Fallon, The Late Late Show with James Corden, Jimmy Kimmel Live, The Ellen DeGeneres Show, and Good Morning America. The band also maintains a devoted following across TikTok, Instagram, and Spotify.
The record is produced by Naomi McPherson, with their trademark attention to detail blending effortlessly with bandmate Josette Maskin’s well-honed behind-the-scenes pop technique to create living, breathing worlds for lead singer Katie Gavin’s incisive lyricism and signature voice. Dancing On The Wall blends euphoric sonic landscapes with sharp, human storytelling. The album reflects a fiercely self-directed creative process, one shaped by instinct, trust, and total artistic control. It feels lived-in, urgent, and cinematic, a reflection of a generation navigating uncertainty while refusing to let go of joy. With this album, MUNA proves once again that pop can be daring, intimate, and socially conscious all at once: a record that doesn’t just capture the moment, but distills it into a world you want to inhabit.
Side A 1) It Gets So Hot 2) Dancing On The Wall 3) Eastside Girls 4) Wannabeher 5) On Call 6) So What
Side B 7) Party's Over 8) Big Stick 9) Mary Jane 10) Girl's Girl 11) ...Unless 12) Why Do I Get A Good Feeling 13) Buzzkiller
Broken Social Scene's 6th LP Remember The Humans, the iconic Toronto band's first album since '17, is a return to family. Producer Dave Newfeld creates this document of a sprawling collective timelessly in flux: a groove familiar and new, rhythm thundering with the melodic interjections of its many members.
Jesse Welles Patchwork Indie Exclusive LP (Sea Blue Vinyl) GRAMMYr-nominated singer-songwriter Jesse Welles gained recognition and fame through his witty and charming way of addressing political issues plaguing America. Patchwork is an acoustic collection of colorful, politically-focused songs that blend American scenes with earnest commentary. This indie exclusive is available on sea blue vinyl for the first time.
GRAMMYr-nominated Jesse Welles sings about the raw truth of the state of America with a twist of humor, folk, and urgency on Hells Welles. This indie exclusive is available on clear orange vinyl for the first time and is a double LP with a 16-page lyric booklet. Orange Vinyl
Jesse Welles Middle [Colored Vinyl] (Gate) (Wht) [Indie Exclusive] Nominated for a GRAMMYr for Best Americana Album, Middle is an introspective folk-rock album filled with abstract, surreal, and darkly funny reflections on power and culture. This indie exclusive is available on bone white vinyl for the first time, and features GRAMMYr nominated tracks "Horses" and "Middle."
Jesse Welles Pilgrim Indie Exclusive LP (Summer Peach Vinyl) Lauded by Rolling Stone as being "insanely prolific," Pilgrim is the second album released by GRAMMYr-nominated singer Jesse Welles in 2025 alone. Pilgrim shows Welles' influence in the Americana world and includes features from Sierra Ferrell and Billy Strings. This indie exclusive is available on summer peach vinyl for the first time.
Mutant, in partnership with Back Lot Music and Focus Features, is proud to present the physical media release of the soundtrack to Craig Brewer’s sensational new film Song Sung Blue - the heartfelt true story of legendary Milwaukee tribute artists Lightning and Thunder.
Academy Award® nominated actors Hugh Jackman and Kate Hudson are Lightning and Thunder (Mike and Claire Sardina), the tremendous Neil Diamond tribute at the centre of this showstopping new spin on a jukebox musical.
Featuring covers of songs by Neil Diamond, Patsy Cline, Buddy Holly and more!
Josiah and the Bonnevilles, is the moniker for singer-songwriter Josiah Leming, a powerful acoustic performer and prolific singer-songwriter amassing attention from millions across the globe. His new album As Is, produced by Konrad Snyder (Noah Kahan, Ben Rector) and Leming features co-writes with Marc Scibilia, Colin Pastore, Jake Finch, Natalie Hemby, Todd Clark and more. As Is central themes draw from hard-won experiences featuring songs full of reflection, resilience, heartbreak and love.
POMPEII // UTILITY unites two kindred spirit rappers from opposite coasts within SURF GANG's world-building genius. Structured as a true double album - MIKE on one side, Earl on the other - POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within it's shared creative ecosystem. Jadasea, Anysia Kym, Niontay, Na-Kel Smith, and Lerado Khalil all make appearances, passing through the album's vast terrain, while behind the scenes, SURF GANG producers Harrison, EvilGiane, Elipropperr, and Flea Diamonds (with input from additional producers) wield the gritty, raspy, animated beats that build it's container. SURF GANG's previous production credits include Baby Keem, Kendrick Lamar, A$AP Rocky & Playboi Carti. Arriving on the heels of 2025 albums from both rappers - MIKE's Showbiz! And Earl's Live, Laugh, Love - POMPEII // UTILITY plays like a victory lap that traces their friendship back over more than a decade. Where two rappers going head-to-head might otherwise incite rivalry or comparison, POMPEII // UTILITY offers something rooted and communal - a shared understanding of care, joy, grief, process, and responsibility to something larger than yourself. A joint release via all three artists' respective labels: 10k, Tan Cressida and Surf Gang Records.
Saosinas debut EP fuses razor-wire melodies, blistering drums, and Anthony Greenas unmistakably emotive vocals into a release that helped define early-2000s post-hardcore. Balancing chaos and catharsis, the EP pairs technical precision with raw feeling, delivering songs that feel both urgent and timeless.
SURFILMUSIC is an intimate look into Jack’s evolution from surfer to filmmaker to world-renowned musician. The documentary traces how his early years making surf films with close friends became a foundation for a much broader creative life, capturing moments in and out of the water that later surfaced in his songwriting. Blending rare footage from those formative surf films and Jack's personal and family archives with present-day reflections, the film weaves together how lived experience, friendship, and exploration shaped the sound and stories behind the music. Featuring Jack, Kelly Slater, Rob Machado, Gerry Lopez, Chris Malloy, G. Love, Ben Harper, John Florence, Tamayo Perry, Emmett Malloy, and Kim Johnson. Directed by Emmett Malloy. Score by Jack and Hermanos Gutiérrez. The film will premiere at SXSW and be released wide on May 15th with an accompanying digital + physical release of the soundtrack on the same day.
Celebrating the 60th anniversary of the Beach Boys' legendary masterpiece, The Pet Sounds Sessions Highlights 2LP (180g) features selections from the 1997 Grammy-nominated 4CD box set The Pet Sounds Sessions. The Pet Sounds Sessions Highlights 2CD features selections from the 1997 Grammy-nominated 4CD box set The Pet Sounds Sessions. 25 Pet Sounds a cappellas, alternate versions and tracking sessions, along with new liner notes. Audio is a mix of both mono and stereo sources. Released on May 16, 1966, Pet Sounds was produced and primarily composed by Brian Wilson and is considered a masterpiece of pop music and one of the most influential albums in history. It features the classic singles “God Only Knows,” “Sloop John B,” and “Wouldn't It Be Nice.” Note: “I'm Waiting For The Day (Vocals Only)” is included on both Disc 1 and Disc 2
Peter Frampton is a Rock & Roll Hall of Fame inductee, a guitar god, a hit songwriter, and a kind human being.
In 2014, Frampton was diagnosed with Inclusion Body Myositis (IBM), a rare, degenerative muscle disease.
He was ready to retire after a farewell tour in 2019. Then he realized he wants to keep going until he can’t.
At 75, 50 years removed from his #1 album Frampton Comes Alive, he delivers his first new album of original rock songs in 16 years.
Carry The Light is co-written with his son Julian.
The album is produced by Frampton, Julian Frampton, and Chuck Ainlay.
It is a 10-track journey through the magic of rock n’ roll featuring guests H.E.R., Benmont Tench, Sheryl Crow, Bill Evans, Tom Morello, and Graham Nash.
They Call Us The Lucky Ones is a road-worn portrait of modern Americana — songs about movement, memory, love, and survival, exploring the space between freedom and consequence where highways replace homes and connection becomes the true measure of success. The album tells stories of outsiders and drifters, chosen family and lost friends, broken systems and restless ambition — and the ghosts we carry no matter how far we run.
Yet for all its hard-earned perspective, the record carries an undeniable sense of hope: a clarity that comes from a life lived in motion, the humor found along the way, and the simple joy of playing music with people you trust. It’s a record that knows how to have a good time without losing its soul.
This collection of ten songs finds Ryan Bingham at his best — where life isn’t always about perfection or redemption, but about connection. Because no matter how far you go, how fast you run, or how loud the music gets, all that matters is the people and stories you carry with you along the way.
The 3rd collaborative album between Les Claypool & Sean Ono Lennon (the previous sold over 150,000 combined) is an elaborate concept record reflecting on morality, the warnings of A.I., and the slippery slope of optimization without empathy. Told across 14 songs - which ooze with classic psychedelic / progressive rock stylings - and the accompanying comic book by Rich Ragsdale, The Great Parrot-Ox and The Golden Egg of Empathy is a peak for both The Claypool-Lennon Delirium and rock music at large.
A Beautiful Lie, the multiplatinum, era-defining album from Thirty Seconds to Mars, marks its 20th anniversary with a refreshed, upgraded LP pressing on 180g red vinyl with striking new cover design and CD edition featuring 4 previously unreleased tracks from the original sessions. Packaged in
a sleek red cover featuring the iconic red rose along the binding with exclusive 12-panel poster showcasing the new anniversary artwork.
Safe Harbor / Bone White Vinyl. Petra's first studio album in 20 years and guitar solos are back. Petra is, without question, the world's most beloved Christian rock band. Over the course of five decades, they accomplished what every band sets out to do but few achieve. With millions of records sold, Grammy Awards, Dove Awards, international recognition, and sold-out shows around the globe, Petra didn't just create great music, they defined what we know today as Christian rock. Now after more than 20 years since their last studio album, Petra has returned with HOPE, their newest album containing 10 new songs. This album was not built from ideas "left in the tank." HOPE is a focused, intentional statement-and further proof that Petra remains one of the greatest Christian rock bands on the planet. Crafted quietly behind the scenes while on tour, the album was driven by founding member Bob Hartman, whose unmistakable guitar work anchors every song. John Schlitt delivers vocals that are as powerful, polished, and commanding as ever, supported by the masterful keyboard work of John Lawry, the rock-solid bass of Greg Bailey, and the precision drumming of Cristian Bornero. These are seasoned professionals at the top of their craft-and it shows in every note.
Rediscover the legendary world of The Witcher through this exclusive vinyl edition featuring music from all three iconic video games - The Witcher, The Witcher 2: Assassins of Kings, and The Witcher 3: Wild Hunt.Reimagined and performed by London Music Works, one of the UK's leading orchestral ensembles, this collection brings new life and depth to the saga's most unforgettable themes. From epic battles to haunting folk melodies, every note carries the spirit, mystery, and emotion of Geralt's journey across the Continent.Expertly mastered for vinyl, this edition delivers a warm, powerful sound experience, housed in a deluxe sleeve with artwork inspired by the dark beauty of The Witcher universe.
Green Vinyl. Nathaniel "Nate" Rathbun-better known by his stage name Audien-is an American DJ, producer, and melodic powerhouse in the world of electronic music. First Love is his sophmore album, released October 3rd 2025.
Orange & Cream Smash Vinyl. Boldy James and producer Your Boy Posca join forces to create a new sound within Boldy's world of countless, yet quality, projects. With a classy, laid back approach of grimey soul samples and spooky 1980's aesthetic, the tape flows flawlessly top to bottom as Boldy paints a unique portrait of a Midwest drug dealer.
Evolution can be ugly and beautiful, painful and euphoric. An Undying Love For A Burning World is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth-one that marks the first new steps of resolve and resilience. An Undying Love For A Burning World is an epic album of colossal hypnotism-beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band's own and a true kindred spirit. Neurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis' cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression. The album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland. Neurosis will play their first show in seven years on the traditional lands of the Blackfeet Nation in Montana as part of the Fire In The Mountains festival by special invitation of Firekeeper Alliance, a non-profit dedicated to reducing youth suicide in Indian Country.
Game over have signed a deal with Scarlet Records for the release of their new album 'Burst Into The Quiet', following the critically acclaimed debut 'For Humanity'. Inspired by the classic Bay Area thrash metal scene, Game Over mix those influences with modern sounds and a very distinctive personality, which the new album displays in full force. These 9 brand-new tracks are made of sharp riffs, groovy rhythms and super-fast guitar solos, with lyrics ranging from the horror imaginary of the Eighties b-movies to social commentary and introspective thoughts. 'Burst Into The Quiet' has been produced, mixed and mastered by Simone Mularoni (DGM) at Domination Studios and features a beautiful cover by Mario Lopez.
In Dying Light: The Beast, you step back into Kyle Crane's skin, but he's no longer the man he once was. Years of experiments have left him torn between fragile humanity and a monstrous power that he can barely control. Every light, every shadow, every choice feels dangerous. The forests and ruins of Castor Woods don't just set the stage, they breathe, they watch, and they punish the reckless. This is survival stripped to the bone, where horror is not just outside, but inside you.Olivier Deriviere's powerful and capturing score for Dying Light: The Beast doesn't just accompany Crane's journey, it is his voice. Sometimes it whispers in empty rooms, fragile and broken, sometimes it roars with distorted rhythms and pounding drums when the Beast takes over. Between silence and sound, the music pulls you deeper into Kyle's fractured soul, making every step and every heartbeat part of the story. It's not just a soundtrack, it's the echo of a man losing, and maybe finding, himself.
Mia Wilson is the debut album from Southern California singer-songwriter Mia Wilson. Produced by Tim Ramsey (Vetiver, Little Wings, Kacey Johansing), the album blends piano and guitar based compositions with lush orchestral arrangements to create a backdrop for Wilson's introspective lyrics and captivating mezzo-soprano vocals.
The brand new one of TIMELESS LO-FI series is here! A beat-maker crew called "Grey October Sound" gained international recognition not only in Japan but also overseas through their covers of Studio Ghibli songs titled "Lo-Fi Ghibli" and City Pop covers titled Lo-Fi City Pop. Their original sound works called "Timeless Lo-Fi" series finally reached volume 3 without fading away the dope and chill-out feeling. In response to requests by our clients, vol.1 and vol.2 will finally be back in stock on limited colored vinyl, and also available on CD for the first time. Last time the stock of the series was frowning away so quickly, don't hesitate to order!
Materia Collective proudly presents the UNDERTALE Piano Collections Box Set, the definitive vinyl edition of David Peacock's celebrated arrangements of Toby Fox's iconic soundtrack.
Anime Limited are excited to present the Original Soundtrack to the season 1 of the smash hit "isekai" anime series MUSHOKU TENSEI: Jobless Reincarnation.
This album represents one ideal that Seiichi Nakamura ultimately arrived at. His saxophone, flying freely like a bird, liberates the listener and leads them into a new world.
This duet date from 1990 demonstrates the deep blues feeling and technical mastery Archie Shepp has on the tenor saxophone. Comprised of four standards - 'Things Ain't What They Used to Be,' 'Body and Soul,' 'Pannonica,' and 'Round Midnight' - this set is one of Shepp's most enjoyable ever. The reasons are myriad, but it is in large part due to the fluid, loping bass of Richard Davis. Recorded in a club in front of a live audience, Shepp digs deep into his own history of influential tenor players and comes out not wanting, but on par with them, from Eddie 'Lockjaw' Davis to Sonny Rollins to John Coltrane. His playing here is big, meaty, and warm, full of subtle emotions as well as bleating cries. Davis' sense of time and melody is nearly incredible on the title track and on 'Round Midnight.' The interplay Shepp shares with him is tasty, coming from fragmentary elements in Monk's changes; Shepp and Davis move around the lyric and cut to the heart of the tune's color and ambiguity. It's a haunting version and one that offers a completely different reading of the tune over 17 minutes. On 'Pannonica,' Shepp's blues feeling comes out of Ben Webster as well as Eddie 'Lockjaw' Davis and his soloing is full of warmth, humor, and a ragged sort of elegance. This - like Shepp's date with Horace Parlan, Goin' Home - is a major addition to the saxophonist's catalog.
Since first bursting onto the scene with her classic Number One hit singles 'Can The Can' and 'Devil Gate Drive', Suzi Quatro has sold over 55 million records worldwide and is recognised as a true rock 'n' roll legend and pioneering icon who never did 'gender'. Across a career spanning more than five decades, Suzi has inspired generations of artists including Debbie Harry, Chrissie Hynde, Joan Jett, KT Tunstall, and many more. She is also renowned for her acclaimed acting career, including theatre and T.V. series, most notably her three-season iconic role as Leather Tuscadero in Happy Days (for which she received more fan mail than The Fonz). Her extraordinary catalogue of hits includes '48 Crash', 'Can The Can', 'Devil Gate Drive', 'Daytona Demon', 'The Wild One', 'If You Can't Give Me Love', 'She's In Love With You', 'Rock Hard', and the US million-seller 'Stumblin' In', her duet with Chris Norman, which became a worldwide million seller again in 2024. In 2019, she began collaborating with her son, Richard Tuckey (producer, co-writer, guitarist) and their creative partnership now reaches it's third chapter with the release of FREEDOM, their third album together. "It's all about getting back to who you are, and it applies universally. We all wear masks to get by in this world. For me it's all about being comfortable in your own skin, having nothing to prove to anyone, and not accepting any BS! This is the journey this album takes you on. Here I am, warts and all. Take it or leave it. Choose yourself... and finally FREEDOM. Which also applies to the world we live in today. A very important word, a very important attitude and very important reality... 'FREEDOM'!" - Suzi Quatro - Along with the single "Freedom', the new album also includes a duet with fellow Detroit native, Alice Cooper, on a rockling duet of the MC5's classic 'Kick Out The Jams'. The album release coincides with Suzi's 2026 tour - at the age of 75, the Queen of Rock 'n' Roll shows absolutely no signs of slowing down - if anything, she is busier, bolder and more driven than ever. Produced by Richard Tuckey, and mastered by Christian Wright at Abbey Road Studios. Pressed on 140g vinyl, with a printed-inner bag featuring the lyrics and a sleeve note from Suzi.
Mal Waldron's first tribute to Billie Holiday, titled Left Alone, was recorded in 1959, mere months before the singer's death. He returned to salute the legendary vocalist on several occasions since then, with this recording likely being his final tribute, recorded less than a year before his own death. Waldron, who worked with Holiday during her last years, is intimately familiar with her takes of the six standards heard on this disc, along with her own 'Lady Sings the Blues.' Archie Shepp's often gritty tenor sax is reminiscent of the texture of Holiday's voice, yet he perfectly complements Waldron's lush piano. They also pack a punch with their stark performance of 'Left Alone' (Shepp's occasional reed squeaks seem deliberate, as if to imitate breaks in her voice). Waldron also recites Holiday's lyrics set to his composition at the conclusion of the LP. Shepp switches to soprano sax for an emotional take of 'Everything Happens to Me' and 'I Only Have Eyes for You,' with the latter song sounding as if the unheard singer is being ignored by her love interest. Shepp's 'Blues for 52nd Street' is both sassy and swinging. This instrumental salute to Billie Holiday is one of the best albums ever to honour her memory.
Celebrating the landmark debut album from Ireland's favorite alternative band, The Cranberries
CD Deluxe features newly remastered audio from the album's original producer Stepher Street, all done at Abbey Road Studios in London
2 CD Deluxe features newly remastered audio from the album's original producer Stepher Street,as well as a complete new mix of the album, all done at Abbey Road Studios in London
This edition includes tracks recorded during the original sessions, unreleased live tracks from their Lodon Astoria II show in 1994, and the acclaimed Iain Cook remix of "Linger"
Noah Gundersen has been writing and recording music since he was 13, working his way from teenage hardcore to indie rock to the creation of his own distinctive strain of bold, genre-busting songcraft. Noah takes vulnerability to a new level on his album 'Rites of Spring,' produced by Andy D. Park (Medium Build, Joseph, Pedro the Lion, Death Cab For Cutie.)
Ben Chapman is a road warrior who has spent the previous three years in a whirlwind of activity — writing songs for friends like Hayes Carll, Brent Cobb, and Marcus King; making his Grand Ole Opry debut; and releasing three acclaimed albums of country-fried funky-tonk, but nothing could have prepared him for what 2025 would bring him. His new record 'Feet on Fire' captures that period of wild transition, with songs inspired by Chapman's marriage to fellow songwriter Meg McRee and the arrival of the couple's first child. On songs like the guitar-driven title track, Chapman mixes Pink Floyd atmosphere with Crazy Horse crunch, showcasing the full spread of his musical influences. Elsewhere, he tips his hat to his southern roots with the laidback, loping "Out in the Country" and the Stax-sized soul ballad "Missing You." Produced by Grammy-nominated songwriter and producer Anderson East, Feet on Fire captures Ben Chapman as we've never heard him before: his back against the wall and his heart full, determined not only to meet the challenges up ahead, but to write about the process, too.
Future Islands are an emotionally charged synth pop group, known for their dexterous melodic touch, stately momentum and impassioned delivery. Over the past twenty years they have travelled a rare arc, from promising newcomers to best-kept secret, from cult favourites to heroes of the genre. As they reach this remarkable milestone, they resist the obvious move. Instead of a 'best-of' compilation victory lap, Future Islands present From a Hole in the Floor to a Fountain of Youth - an immediate and accessible collection - half of which have never appeared on streaming services - comprising alternate hits, rarities, and fan favourites that showcases the band's palette and bringing further colour to their uniquely universal appeal. Twenty songs for twenty years, four members of the band, four sides of vinyl."The best synth-pop band of the 21st century [...] a band of renaissance men who can make a sublime and meticulous genre like synth-pop feel grandiose and loose" - Paste
Angry Apple joins the Cold Busted family with the release of Crispin. This debut marks a bold new chapter-raw beats, refined moods, and Cold Busted's signature aesthetic wrapped in premium physical formats.
Supergrass - I SHOULD COCO / Their classic 1995 #1 debut album. Features the singles 'Alright', 'Caught By The Fuzz' & 'Strange Ones'. REMASTERED AUDIO.
Charley Crockett, the two-time GRAMMY-nominated artist is back with Age of the Ram, the third and final installment of the Sagebrush Trilogy, co-produced by Shooter Jennings. Featuring 20 new recordings, Age of the Ram is the culmination of Charley’s incredible sonic exploration, spanning three albums, resulting in Charley’s most realized and compelling work to date.
Twice Grammy-nominated, Mercury Prize and BRIT Award-winning artist Arlo Parks announces her new album, Ambiguous Desire, due April 3rd via Transgressive Records. Ambiguous Desire is Parks at her most confident and experimental, supplanting live band sessions for modular synths, Ableton plugins and samplers that channel the frenetic, vibrant spaces she was immersed in, all while spotlighting the acclaimed poetry and lyricism she’s beloved for. Reflecting on the making of the record, Parks shares, "I danced more than ever as I made this record, I made more friends than ever too, found myself in the weird underbelly of New York juke nights, unleashed, laughed and laughed and laughed. This record has desire at its centre. Desire is a life force, it’s a wanting, a yearning, a momentum - we are all alive because there is something or someone we want - desire is an engine. But it is also mysterious, tangled, random, enlightening and HUMAN." Parks crafted the album with producer Baird (Brockhampton, Kevin Abstract). Their process unfolded between NYC’s vibrant, community-rooted nightlife and long, introspective days spent in Baird’s downtown loft. The result is Parks’ most vulnerable, self-affirming, and euphoric work to date.
Whether he knows it or not, every man lives by a code. And for country provocateur Paul Cauthen, that code is simple. Always bet on yourself. A singer-songwriter with a well-documented distaste for playing by anyone else’s rules, the East Texas native spent two decades clawing his way through the country underground, embodying the independent spirit with a monolithic Big Velvet vocal. Fusing classic-country grit, gospel power, and a rhinestoned rock edge, four previous albums proclaimed his singular style with a booming baritone and near-biblical swagger. Taught to sing by his grandfather in a Church of Christ, Cauthen hit the scene with the duo Sons of Fathers in 2009, before My Gospel, Room 41, Country Coming Down, and Black on Black unveiled a vulnerable, fire-and-brimstone songwriter with brazen Texas attitude – craving deliverance, yet possessed by a “bird dog” instinct for theatrical rapture. Cauthen has toured the world, collaborating with Margo Price, Orville Peck, Cody Jinks, and Lana Del Rey. And with favorites like “Cocaine Country Dancing,” “Fuck You Money,” and his GOLD-certified collab with Shaboozey on “Last Of My Kind,” he counts 416 million global streams. Cauthen’s fifth album, Book of Paul, takes him further down his path of utterly authentic country music; fearless, proud, and with two middle fingers in the air. Co-writing 12 of 13 tracks, the troubadour confesses to his wild side and wrestles with the sin. He spares no detail – and makes no compromise.
Experience “drivers license” for the first time all over again – this time through the voice of the legendary David Byrne. Celebrating five years since Olivia’s breakout single, this limited first pressing vinyl features Byrne’s cover of “drivers license” on Side A, and Olivia and David’s live performance of “burning down the house” from Governor’s Ball on Side B. Pressed on red translucent 7-inch vinyl.
The Weight of the Woods marks a defining evolution for Dermot Kennedy, grounding his global success in the spirit and emotional honesty of his Irish roots. A gifted singer, songwriter, and storyteller, Dermot sharpens his craft across Ireland and Nashville with producer Gabe Simon. In summer 2026, he embarks on a major global tour, including London’s O2 and two nights at Dublin’s Aviva Stadium, with night one selling out in minutes. He has amassed over 4.5 billion streams worldwide.
VOLUMES: ONE, the first non-studio release from Bon Iver, captures 10 distinctive live performances, recorded between 2019 and 2023, showcasing Justin Vernon and his band at their most whole. There’s a warmth and exuberance across the album, as well as the sort of muscular sound you can really only get at a live show. For the uninitiated and die-hards alike, these recordings could well be the defining versions of the tracks, no doubt made possible through the essential live engineering of Xandy Whitesel and performances from bandmates Jenn Wasner, Sean Carey, Michael Lewis, Matthew McCaughan, and Andrew Fitzpatrick.
Vernon began working on VOLUMES: ONE in 2020, and he spent a considerable amount of time combing through concerts to pull out the right songs to define Bon Iver. “This is what we became,” Vernon comments. “This is really us at our best. This is it.” VOLUMES: ONE, as a result, is something greater than a compilation or live album. It’s entirely new but still familiar, offering a prismatic look at an old friend, seeing them for who they were and who they are, all the goodness of which they’re capable but maybe too shy to show at times.
With VOLUMES: ONE, Vernon begins a new Bon Iver archival series that he’s modeled after Bob Dylan’s iconic Bootleg Series and the ever-delivering Neil Young Archives. The series will present the many eras and facets of Bon Iver, spanning live shows, demos, unreleased recordings, and more. “This particular 10 songs is like, here, if you’ve never heard Bon Iver, or you have and you didn’t like it, this might be for you,” he says.
–Matthew Strauss
Deep Turquoise in Pastel Pink Vinyl. With four popular EPs under their belt, Good Kid's debut full-length, Can We Hang Out Sometime?, delivers the high-energy hooks and inventive riffs that have become a hallmark of their sound. Recorded in Los Angeles under the guidance of Grammy-winning producer John Congleton (known for working with the likes of St. Vincent, Wallows, and Lana Del Rey), the record expands Good Kid's sonic landscape into more playful and unfiltered places than ever before.
As part of the kick-off of their 3-Decades campaign and the excitement surrounding their upcoming tour,O.A.R.celebrates the 25th Anniversary of their 3rd album, RISEN, featuring "Hey Girl"!
This special anniversary edition comes in a gold foil cover, emerald green vinyl with printed lyric insert.
London-based, Wrexham-raised artist and producer Art School Girlfriend announces her third studio album Lean In, due March 13th via Fiction Records. She also shares new track ‘The Peaks’, and announces a 2026 run of headline dates.
Armed with the freedom and space to experiment, Lean In was self-produced in her own East London studio and sees Art School Girlfriend set to move from cult bedroom artist to one of the UK’s most vital artist/producers operating at the moment, tackling alternative rock, electronic pop & experimental ambient sounds in her most cohesive work to date.
Lean In arrives at a time where her audience has grown exponentially, partly due to her diverse involvement across the music scene at large – contributions to the work of Daniel Avery, Lane 8, Jasper Tygner and Ghostpoet; being chosen by Bonobo to DJ at his Outliers series at Drumsheds; touring the US with both The Japanese House and Marika Hackman; a notable DJ set for HOR; producing and engineering for up-and-coming post-rock band Pencil; the tastemaker curation of her 5-years-in-the-running monthly radio show on Foundation FM.
Self-producing, writing and recording Lean In, Mackey invites the listener to quite literally lean into the world she has built around her. With every detail intentional, this new record is less of a honing of her trademark sound of emotional blend of electronic sounds and shoegaze - and more of an expansion of it. At the top of next year, she will perform these new tracks for the first time on a UK headline tour.
For nearly 30 years, SUNN O))) - Stephen O'Malley and Greg Anderson - have pushed the boundaries of heavy music, straddling the worlds of the avant-garde and rock to forge a style instantly recognisable as their own. Now, SUNN O))) return with their first album of new material since 2019's acclaimed Pyroclasts. Their tenth album - their debut for Sub Pop - demonstrates the duo's mastery of time and space, light and dark, and their willingness to evolve their unmistakable sound into bold new forms.The eponymously titled SUNN O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood (HuM, Tar, Sunny Day Real Estate, Liz Phair). This location proved crucial to the recording process. "The vast tracking room had big windows looking out on trees," says O'Malley. "We could go hiking and be out in the woods, spend time outdoors. That became a big part of it." SUNN O))) have long welcomed collaborators into their self-contained world: past work has featured, Attila Csihar (Mayhem), composer Hildur Gudnadóttir, multi-instrumentalist Steve Moore, polymath Mark Deutrom, Silkworm's Tim Midyett and legendary singer-songwriter Scott Walker. But on this album O'Malley and Anderson found fresh possibilities in the primal territory of the duo format, performing all the instrumentation themselves. "What's been happening with our performances over the last couple years with the two of us and no other collaborators has been really fresh and exciting," says Anderson. The compositions on SUNN O))) are expansive and panoramic yet finely detailed, reflecting the arboreal setting in which they were recorded. Amidst howling feedback and glacial crunch, one finds surprisingly delicate moments: a field recording of water trickles beneath, piano interludes lend a hushed, solemn feel. All while the duo attains fresh heights of telepathic intensity as they shape music that breathes the bracing, earthy air of the Pacific Northwest.Framing the album visually are two paintings by the late American artist Mark Rothko. Liner notes are by award-winning British writer Robert Macfarlane, famed for his works concerning landscape and the relationship between humanity and nature. Through the work of the band, Macfarlane, and Rothko, sound, word and visual combine into a fully immersive experience that is undeniably, completely SUNN O))).
Originally released in 1976, Robin Trower Live! Captures the raw power and expressive artistry of the former Procol Harum guitarist in his golden period as a solo artist. Now, for the first time ever, fans can experience the complete concert as it was performed - newly mixed and restored from the original multi-track tapes for this definitive 50th Anniversary Edition. Includes five previously unreleased tracks from the 1975 Stockholm performance, offering the complete setlist as it was originally performed for the very first time. The recording showcases the electrifying chemistry between Robin Trower (guitar), James Dewar (bass/vocals), and Bill Lordan (drums) - widely regarded as one of the finest live bands of the era. Includes searing live versions of fan favourites like "Too Rolling Stoned," "Bridge of Sighs," "Day of the Eagle," and many more, now sounding better than ever. Remixed by Richard Whittaker from the original multi-track recordings and fully approved by Robin Trower. Features brand-new liner notes by David Sinclair with interviews from Robin and Bill Lordan with previously unseen photos. "That night in '75... we were just flying" - Robin Trower. "These guys are shoulder to shoulder with the likes of Cream and the Hendrix Experience as one of the greatest power trios of all time" - Richard Whittaker. Robin Trower Live! [50thAnniversary Edition]: 2CD (DVD sized) Media Book: Complete Concert - 2026 Mix & Original 1975 Version, mastered at AIR Mastering. Housed in a hardback media book with extended liner notes by David Sinclair featuring interviews with Robin Trower and Bill Lordan and rare photographs.
The legendary debut studio album from Stevie Nicks & Lindsey Buckingham. Buckingham Nicks is the only studio album by Lindsey Buckingham and Stevie Nicks as a duo, prior to them joining Fleetwood Mac. Originally released in 1973 and unavailable for decades, the album has been sourced from the original analog master tapes and will be available for the first time on CD. Released on September 5, 1973, Buckingham Nicks quickly faded from commercial view but never disappeared from the cultural conversation. Recorded at Sound City Studios in Los Angeles and produced by Keith Olsen, the album introduced Nicks and Buckingham's tightly wound harmonies and sharply contrasting songwriting voices across 10 tracks-ranging from the folk-rock shimmer of "Crystal" to the sunbaked strut of "Don't Let Me Down Again. "
Bruce Hornsby’s newest album, Indigo Park, is a concept album of sorts, an extended multi-dimensional inquiry into the nature of aging and memory, often with a lightness of tone – the ways certain scenes linger placidly while others balloon into imagined catastrophe, the ways we remember and the ways we forget. Throughout, Hornsby contemplates moments from his deep past, sometimes trying to “resolve” them, other times looking for clues about his present-day outlook.
“It's just an old bastard looking back, while hopefully pushing forward to adventurous and new musical & lyrical areas,” Hornsby says of his new songs, with a smile of characteristic self-deprecation. “To be honest, I've found a way, a path to….grow old gracefully, with help from some newborn friends of mine.”
The album is produced by Tony Berg, Will Maclellan and Bruce Hornsby with contributions from friends including Bob Weir, Ezra Koenig of Vampire Weekend, Bonnie Raitt, Blake Mills & more. Two of the albums ten songs were co-written with the late Grateful Dead lyricist Robert Hunter.
The highly anticipated collaborative album, GOLDFISH, sees two of contemporary hip-hop's most revered and distinct production minds, Hit-Boy and The Alchemist, finally join forces for a full-length statement. Far from a simple beat-swap, this project is a masterclass in sonic cohesion, blurring the lines between their signature sounds to forge a new, golden-hued identity. Beyond production, the duo step from behind the boards to behind the mic to trade verses throughout the project, adding a personal layer to their creative vision. GOLDFISH is a deeply immersive listen, perfectly balancing the West Coast muscle and polished, anthemic quality of Hit-Boy's work with the dusty, abstract texture and cinematic suspense that defines The Alchemist's aesthetic.The result is a sound that feels both street-tested and museum-worthy. A collaborative manifesto, showcasing the infinite possibilities when two generational talents decide to link up, creating an instant classic in the canon of producer/MC albums.1xLP, Gatefold Jacket, Printed Inner Sleeves, Pressed On Clear Vinyl
Sourced from electrifying live performances across October 10-12, 1968, this collection showcases Hendrix at peak creativity, delivering towering versions of his most iconic songs alongside extended improvisations that reveal new dimensions of his musicianship. From the blistering intensity of "Fire" to the soulful sweep of "Little Wing" and the psychedelic charge of "Are You Experienced?", this curated single LP set offers a powerful snapshot of Hendrix in his prime.
Bill Withers was a modest, gentle, and yet towering musical figure responsible for some of the most important, universally known soul hits ever written. It's no wonder that "Just the Two of Us" and "Ain't No Sunshine" won him two Grammy awards and undoubtedly played a huge role in getting him inducted into both the Songwriters and Rock and Roll Hall of Fame. Still Bill is Withers' third studio album and continues to showcase his remarkable versatility, touching upon smooth Philly soul, funk, blues and 70s folk slash singer/songwriter. Upon release the record was both a commercial and critical success and is considered a landmark 1970s R&B record. It features the hit singles "Lean on Me" and "Use Me", as well as "Who Is He (And What Is He to You)?" appearing on the soundtrack of Quentin Tarantino's Jackie Brown. Unsurprisingly, next to Just As I Am, this record also made it into Rolling Stone's list of 500 Greatest Albums of All Time, coming in at #333. This edition includes booklet featuring a reflective essay on Bill Withers written by Grammy-nominated poet, journalist and humanitarian Kevin Powell. Still Bill is available as a limited edition of 7500 individually numbered copies on translucent green coloured vinyl.
This limited 7” vinyl pairs the new Guns N’ Roses singles “Nothin’” and “Atlas” in a clean, collectible format. Continuing the band’s ongoing series of new releases following Chinese Democracy, this edition is available through both the official GNR store and retail partners. Pressed on canary yellow vinyl, the single offers a distinctive physical presentation of the tracks, suited for collectors and fans alike.
Thelonious Alone In San Francisco is the third solo album from legendary jazz pianist Thelonious Monk, following Piano Solo and Thelonious Himself. Recorded at Fugazi Hall in October 1959 the album was recorded without an audience. This new edition of the album is released as part of the OJC Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
The Devil Wears Pradaas 2013 album 8:18 once again pulled off the neat trick of topping the Pop (#6), Metal (#2), and Christian (#1) charts (the title itself is a reference to the Bible verse Romans 8:18, which says that our present-day suffering pales next to the glory that is to come). Which kinda sums up TDWPas appeal: what other band can shift so seamlessly from moments of visceral madness to spells of spiritual grace? 8:18 marked the swan song for founding band members Chris Rubey and Daniel Williams, and they certainly went out in style; the addition of some hardcore punk (aoBlack & Blue, a? aoNumber Elevena?) and straight metal (aoRumorsa?) ingredients to TDWPas melodic metalcore cauldron makes for a heady brew indeed. This sea blue pressing comes inside a gatefold with beautifully austere artwork plus an insert. A real artistic statement on every level.
POISON RUIN return with their highly anticipated sophomore LP, Hymns From the Hills. Building off the strengths of their existing oeuvre, the band has developed their signature approach to grim mythmaking and scythe-swinging aggression in bold new directions, offering up a new body of songs that strike one as equal parts natural, undeniably of this world, and phantasmal.
The band's vision has grown substantially, pushing well past the tales of peasants and serfs that stood as allegories for contemporary alienation in their previous work: on this newest offering, Their previous stories of toil and dispossession are revealed to be but one chapter etched upon a bleaker tapestry, one populated by spirits traversing sunless deserts and wilted hillsides, demonic torture objects limning the edges of the psyche, bodies transfigured into Luciferian snakes, Sadean prisoners bound to the screaming silence of abandoned castle towers. The record is at once a forceful restatement of POISON RUIN's trademark sound and a departure from it, the crackling, cassette-dubbed darkness and crushing rhythms listeners have become accustomed to buttressed by a carefully sculpted mosaic of new textures, from flourishes of Killing Joke hacksaw primitivism and blast-beats worthy of the Relapse catalogue number to crisp analog synth lines and ambient serenades reminiscent of Scott Walker and The Durutti Column. Like a serpent moving ever outward with spiraling circularity, Hymns From the Hills expands POISON RUIN's sonic landscape in imaginative new directions while maintaining its center of gravity firmly in the band’s already established mythos.
Hymns From the Hills is meticulously composed. Much like the rest of POISON RUIN's body of work, this LP was self-recorded without the use of professional studio equipment. To meet the greater sonic demands of Hymns From the Hills, however, mastermind Mac Kennedy relocated to a private practice space, retiring from his previous routine of squeezing in tracking sessions around the rare moments that the band’s shared practice space happened to be vacant. “Having added time to breathe and really get things right felt crucial this time,†he remarks. “The stress of having to work quickly and at chaotic intervals used to feel productive in a lot of ways, in that it instilled a sort of rough, energetic ethos into the recordings, but I also started to realize that those working habits were becoming an easy way to let myself off the hook from pursuing certain ideas that required a more measured, methodical approach.†To best serve the record’s grander ambitions, the band enlisted the mixing prowess of Jonah Falco (Fucked Up, Career Suicide) and the mastering of Arthur Rizk (Power Trip, Trapped Under Ice, Cavalera, Integrity), who helped to elevate the record’s teeming variety of sounds to new heights of self-assured fidelity. Kennedy lent a second hand to the mixing process, splicing in grittier tape recorded segments in order to maintain a certain tonal continuity with the band’s previous work, creating a rich structure of unconventional frictions, crystalline flashes of polish ripping through abysses of hissing low end only to shatter against the whipping sting of rusted chains moments later.
Lyrically, Hymns From The Hills extends both the cynicism and the defiant bravado of POISON RUIN's established fantasy aesthetics. While the record continues POISON RUIN'S tradition of employing medieval-inflected fantasy imagery, Kennedy does not intend for these figures to be read as historically accurate: “I’m not interested in the actual facts of medieval culture, and I’m not trying to draw a sort of literal comparison between peasant life and the political realities of today. Rather, I think in order to really make sense of the present you have to get outside of history altogether, in a certain way—you have to find some sort of mythic language for talking about the spiritual damage that surrounds us, a mythology that can somehow escape the limits on imagination that are imposed upon us. For me, medieval imagery and fantasy aesthetics have always felt like a powerful starting point for creating that sort of mythology. If one is forced to be in Babylon, how can you find a way to live both through it and beyond it?â€
With Hymns From The Hills, POISON RUIN have accomplished a feat of creative labor which few have the courage to entertain, much less the capacity to execute so effectively. They have upped the ante: they have set out to make "The Record". Hymns From The Hills ambitiously rewrites the very rules of what punk is capable of achieving, pushing POISON RUIN's sound into expansive new terrains without sacrificing an ounce of the bleak symbolism and uncompromising aggression that first established them as an urgent new voice in the world of extreme music.
Blue Note Tone Poet - The final Blue Note album by organist Larry Young, 1969's Mother Ship, bristled with unbridled kinetic energy while delivering soulful grooves. First released in 1980 in the LT Series, the set of Young originals featured Lee Morgan on trumpet, Herbert Morgan on tenor saxophone, and Eddie Gladden on drums. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket. Mother Ship Blue Note Tone Poet Edition.
On The Beths' new album Expert In A Dying Field, Elizabeth Stokes' songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they're also character sketches of relationships and more importantly, their aftermaths. The third LP from the New Zealand quartet houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz.
Acclaimed songwriter Maria Taylor, best known for her work with Azure Ray, returns with her forthcoming album Story’s End, a hushed, cinematic collection that unfolds like an intimate narrative of loss, healing, and quiet transformation. Featuring contributions from Mike Mogis, Conor Oberst, Nate Walcott, and Ben Brodin, the album pairs Taylor’s intimate vocals with widescreen strings, bell-like piano, and atmospheric arrangements.
Laufey’s deluxe album, A Matter of Time: The Final Hour, is the closing chapter of her beautiful, critically acclaimed, and GRAMMY® Award-winning third album, A Matter of Time. With four new songs, this 19-track deluxe album is an introspection about learning to live with one’s anxieties - embracing uncertainty, accepting the passage of time, and finding calm after the storm.
Hope and Fury is the new studio album by Grammy-winning artist Joe Jackson, written and recorded between Berlin and New York City.
The album features nine new songs performed with Jackson’s longtime band – Graham Maby (bass), Teddy Kumpel (guitar), Doug Yowell (drums) – and Peruvian percussionist Paulo Stagnaro.
Produced by Joe Jackson with Patrick Dillett, Hope and Fury marks a return to what Jackson calls his “own mainstream”: sophisticated pop songs drawing from rock, jazz, funk, and Latin influences – or, in his words, “Bicoastal LatinJazzFunkRock.”
Opening track “Welcome to Burning-By-Sea” describes a fictional seaside town inspired Jackson’s hometown Portsmouth – a sharp portrait that becomes a microcosm of an entire country. “End of the Pier” contrasts British life in 1922 with its post-pandemic reflection a century later, while “I’m Not Sorry,” “Fabulous People,” and “Do Do Do” showcase Jackson’s trademark humour, from biting sarcasm to playful mockery. Other highlights include the bittersweet “Made God Laugh” and the tender closing ballad “See You In September.”
Musically, Hope and Fury recalls the spirit of 1982’s Night and Day, 1991’s Laughter and Lust, and 2019’s Fool. Like those albums, it overflows with great tunes, clever lyrics, and groove – with Jackson’s vocals and keyboard playing as strong as ever.
Celebrating 20 years of Frank Turner’s solo debut EP ‘Campfire Punkrock’, Xtra Mile Recordings are excited to release a special anniversary extended edition of the seminal release. Featuring the original EP with two added songs (The Real Damage and The Ballad Of Me & My Friends, both of which were included on the US version in 2007), plus 7 further live tracks recorded from Frank’s 50th solo gig in London 2006 - taking listeners right back to where it all began at the very early days of Frank’s incredible solo career. The 12” LP features new reworked artwork with shiny gold campfire on matt black cover plus coloured vinyl. The original EP was recorded by Frank's guitarist Ben Lloyd at the Oxford home of Turner's bass player Tarrant Anderson and mixed by Tristan Ivemy. If features fan favourites ‘Nashville Tennessee’, ‘The Real Damage’ and ‘Ballad Of Me And My Friends’. Throughout April, Frank will tour UK performing tracks from Campfire Punkrock and the early years of his solo career. All dates are sold out including two nights at London’s Scala.
The Maine - John O'Callaghan, Kennedy Brock, Jared Monaco, Garrett Nickelsen, and Pat Kirch - have announced their anticipated 10th studio album, Joy Next Door, set for an April 10th release via 8123/Photo Finish Records.Green and White Split Vinyl with 12-Page Booklet
In 2005, Andrew Bird was a previously unimaginable combination of virtuoso violinist, singer-songwriter, guitarist, and whistler. With that year's album The Mysterious Production of Eggs, his second on Righteous Babe Records, Bird minted a new sound that continues to be imitated and set down classic songs that still anchor many a live performance. The recording sessions lived up to the name when he recorded and scrapped the album three times, traveling between studios in Chicago, Los Angeles and his own home studio on a farm in Northern Illinois. The mystery was solved with the aid of David Boucher, whose studio credits at the time included Paul Westerberg, Lisa Loeb, and Randy Newman. Bird played most of the instruments on Mysterious Production of Eggs, joined by a handful of special guests complimenting his already lush sonic palette. The result was a powerhouse of a record dealing with nothing less than the mysteries of childhood, creativity and modern science-epic in scope and minute in detail.
"Tongue Tied" marks the first single from Wong's eagerly awaited new studio album, Lost In The Wonder, arriving everywhere on Tuesday, February 3, 2026. The collection spotlights Wong's remarkable gifts as a producer, writer, arranger, band leader, and master of modern pop craftsmanship, while of course never losing sight of his trademark guitar virtuosity. Lost In The Wonder further affirms Wong's enduring love of musical collaboration, boasting a truly eclectic range of guest artists that includes Taylor Hanson, Devon Gilfillian, Stephen Day, Cody Fry, Yam Haus, Louis Cato, Ellis, Elysia Biro, Benny Sings, Theo Katzman, and Magic City Hippies.
Black Sabbath and Ozzy Osbourne are recognized as one of the most influential figures in rock music, known for the unique style and stage presence. This special collector's edition of a 7inch picture vinyl features 2 legendary songs.
Three Days Grace Alienation [Indie Exclusive] Rock Giants' 8th Studio Album on Vinyl LP! For the first time in over a decade, original frontman Adam Gontier is back joining Matt Walst on vocals along with Neil Sanderson (drums), Brad Walst (bass) and Barry Stock (guitars). The 12 tracks on Alienation all play a pivotal role in defining this significantly new, but nostalgic, chapter of the band.
David Bowie Narrates Prokofiev's Peter And The Wolf (1978) is a classical music album containing David Bowie's narration of Sergei Prokofiev's 1936 composition Peter And The Wolf. The music is performed by the Philadelphia Orchestra conducted by Eugene Ormandy. The album reached number 136 on the US Pop Albums chart.Side One contains the narration by David Bowie of public domain material originally written by Prokofiev. The second side of this LP features Eugene Ormandy conducting Benjamin Britten's Young Person's Guide To The Orchestra with the Philadelphia Orchestra. Ormandy and the aforementioned musicians from Philly also back up Bowie on side one.Critics lauded the album, saying Bowie 'found his most charming guise since Hunky Dory.' He tells the well-known fable with his usual eloquence and style, and gives instructions at the beginning for kids to understand how the music corresponds to characters in the story. The accompaniment from the Philadelphia Orchestra is first rate.The Music On Vinyl re-release includes detailed liner notes on the project by Mary Campbell, specifically geared to 'introduce children to the sounds of the individual instruments in the symphony orchestra.' Both Prokofiev and Britten wrote their respective pieces with this aim in mind.David Bowie Narrates Prokofiev's Peter And The Wolf is available as a limited edition of 2000 individually numbered copies on yellow colored vinyl. The record comes in a deluxe sleeve finished with linen laminate and includes an insert with liner notes.LISTEN: *180 GRAM AUDIOPHILE VINYL*DELUXE SLEEVE FINISHED WITH LINEN LAMINATE*INCLUDES INSERT WITH LINER NOTES*SERGEI PROKOFIEV'S CLASSIC PETER AND THE WOLF NARRATED BY DAVID BOWIE*PERFORMED BY THE PHILADELPHIA ORCHESTRA UNDER EUGENE ORMANDY*GRAMMY-NOMINATED ALBUM*LIMITED EDITION OF 2000 INDIVIDUALLY NUMBERED COPIES ON YELLOW COLORED VINYLTrack listing: Side A1. Peter and the Wolf, Op. 65 (A Musical Tale for Children) Side B1. Young Person's Guide to the Orchestra, Op. 3
Promised Heights solidified Cymande's place in music history, and contains some of their most-beloved and often-sampled tracks such as "Brothers On The Slide" & "Promised Heights." They were part of the first wave of innovators and originators of the fledgling Black British music scene. Promised Heights was recorded following the band's legendary US tour with Al Green. 2026 repress on black vinyl.
Vinyl LP pressing. Doo-Bop was a 1992 studio album by American jazz trumpeter Miles Davis. It was recorded with hip hop producer Easy Mo Bee and released posthumously. The album won a Grammy Award for Best R&B Instrumental Performance the following year.
Double vinyl LP pressing. Following in 1995, "Thank You" was an album of covers featuring songs written by Led Zeppelin, Bob Dylan, The Doors, Lou Reed and Elvis Costello. The album charted in the top20 of both UK and US charts. Originally squeezed onto 1LP, "Thank You" is highly sought after as neither have been re-pressed on vinyl since it's original release. It is now spread across 140g 2LPs for the best sound.
Polylined inner sleeve in gatefold outer sleeve. Tom Jenkinson, aka Squarepusher, presents Kammerkonzert, a riot of onyx-hard, hyperfast riffs, fiendish orchestral themes, and handbrake turns through varieties of progressive, ambient, electronic andexperimental music. The singular producer, experimental musician and creator of futuristic forms of fusion, has a three-decade-long back catalogue studded with a variety of jewel-like records. From the furious breakbeat acid and pulverising live bass guitar attack of Feed Me Weird Things (1996) to the literal and self-explanatory Music For Robots (2014) via the virtuosic live showcase of Solo Electric Bass 1 (2009) and the otherworldly concrète jazz of Ultravisitor (2004) few contemporary musicians have covered as much ground in as sure-footed a manner. But despite this reach, his three decade output is only typified by two things: unpredictability and rule breaking. Given that his new album on Warp, Kammerkonzert, is essentially a chamber concerto with Jenkinson himself playing all of the parts it's safe to say he has come a long way since his crystalline drum & bass debut for the label in 1996, Port Rhombus EP. Twenty-one albums in, Kammerkonzert is the start of a new era for Squarepusher as a composer.
Celebrating the 10th anniversary of the breakout EP originally released on her own label, Mom + Pop are pleased to offer this collectible metallic silver vinyl version. Tash Sultana exploded on the scene, a young dynamic Melbourne artist. At just 21 years of age, her unique sound created waves with her magical vocals, natural gift for melody and virtuosic guitar playing. Tashas carefully crafted, edgy, multi-instrumental pieces feature beatboxing, unique guitar work and percussion-styled finger tapping that continue to leave fans and critics in awe. The release features the breakout singles aoJunglea? and aoNotiona? and comes in the original packaging including fold out poster. Now, the one-woman powerhouseas Notion EP is again available.
That’s My Story is the 1960 album from the blues icon, John Lee Hooker, originally released on Riverside Records. The album features a raw, stripped-down approach for a country blues sound. Hooker plays acoustic guitar on tracks like “I Need Some Money” and “No More Doggin’” to create a compelling collection that expertly showcases his mastery. This edition is pressed on 180-gram vinyl at QRP and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.
Vinyl LP pressing. As a musician, Ice-Tplayed a major role in the creation of the gangsta incarnation of hip-hop music and was a colossus of the West Coast hip-hop scene, despite his East Coast, greater New York, origins. Though his music displays a political consciousness, like the indictments of racism that were a hallmark of seminal hip-hop groupPublic Enemy, it also is nihilistic as befits a chronicler of street life. The charismatic Ice-T has also achieved success as an actor in movies and on TV. He plays Detective Odafin Tutuola on the TV seriesLaw & Order: Special Victims Unit.
Custard 2xLP Vinyl. Shadow of Intent is an American metal band based in New England originally formed by Ben Duerr and Chris Wiseman in 2014. Their fourth album Elegy, charted on Billboard at #4 Top New Artist Albums, #6 Current Hard Music Albums, and #16 on Current Rock Albums and Current Digital Albums.
Bullet for My Valentine's debut era began with the explosive Hand Of Blood EP in 2004, setting the stage for their breakthrough album The Poison, which quickly established the band as leaders of modern British metal. Now, the Hand Of Blood EP returns as a standalone release, giving both longtime fans and new collectors the chance to own the recording that sparked BULLET FOR MY VALENTINE's legacy.TRACK LISTSIDE A1. 4 Words (To Choke Upon)2. Hand Of Blood3. Cries In VainSIDE B1. Curses2. No Control3. Just Another Star
The first official vinyl repressing from American Recordings of Danzig's third album since it's initial release in 1992. Tracks include "Dirty Black Summer" and "Left Hand Black." Pressed on standard weight vinyl in gatefold jacket with printed inner sleeve.
Genre-blurring alt disruptor Bilmuri is set to release his new album KINDA HARD on Friday April 10th. The Columbus, OH singer, songwriter, multi-instrumentalist, and producer a.k.a. Johnny Franck stirs up the musical equivalent of a protein shake, blending a hearty helping of alternative rock, the right amount of metal, a dash of country twang, and whatever-else-is-in-the fridge at high speed. This 13-track album executive produced by John Franck and Jameson Roper features previously released singles “MORE THAN HATE” and “HARD2TELL.” Without any surprise, the HOGMAN’s new album serves up yet another sonic buffet that’s meant to be devoured.
Released in 1990, Hindu Love Gods is a collaboration between Warren Zevon and R.E.M. members, featuring blues and rock covers. Their version of Prince's "Raspberry Beret" reached the Billboard Hot 100. The album earned a cult following for it's unpolished, spontaneous feel, blending Zevon's style with R.E.M.'s sound. The album hasn't been reissued on vinyl since 1990 and is pressed on 180g black vinyl.
Bullet For My Valentine’s debut era began with the explosive Hand of Blood EP, setting the stage for their breakthrough album The Poison, which quickly established the band as leaders of modern British metal. In 2024, to celebrate the release's 20th anniversary, the album was remastered and released in an expansive boxset featuring 4LPs, new artwork, collectibles, and the first-ever vinyl pressing of Live at Brixton. Now, the Hand of Blood EP returns as a standalone release, giving both longtime fans and new collectors the chance to own the recording that sparked Bullet For My Valentine’s legacy. Now available as an Oxblood Colored Vinyl.
JEFF IS BACK!! And as ever, he's bringing even more friends along for the ride! Night Blooms follows the 2025 album, Still Blooming, and contains 6 new tracks with features from Charlie Puth, Melody Gardot, Cynthia Erivo and Dodie. The album also contains new ‘Late Night Sessions’ of tracks from Still Blooming alongside “Tattoo” and “Lover” previously released with Haley Reinhart.
King Gizzard & The Lizard Wizard’s 2014 fifth studio album ‘I'm In Your Mind Fuzz' – arguably Gizz at their garage-psych best – gets the Fuzz Club Bootleg treatment with this new live version pieced together from over a decade of live shows recordings. From their first time playing the classic Mind Fuzz suite on US soil in Austin, Texas in 2014, through to later 2023-2025 evolutions of the songs performed n New York, Los Angeles, Chicago, Atlanta and the band's own Field Of Vision festival this year. All recorded the straight the sound-desk, the Austin '14 portion was mixed by King Gizz's own Stu Mackenzie and the later 2023-2025 cuts are exclusively mixed from the soundboard stems by James Plotkin, who also helms mastering duties. The resulting double LP bootleg is pressed up on limited edition 180g coloured 'splattered brain' vinyl in a heavy gatefold jacket with artwork by Olya Dyer.
Dirty Heads have built a career out of soundtracking the best moments of people's lives, and with 7 Seas, they're not slowing down. The RIAA Platinum Certified Southern California outfit returns with their much-anticipated ninth full-length album, building on their signature balance of carefree energy and reflective songwriting while inviting fans into their next chapter of freedom, positivity, and forward motion. From sun-soaked, laid-back anthems made for a day at the beach to hard-hitting late-night bangers, the album moves fluidly across moods without ever losing the infectious Dirty Heads energy fans have come to love. With over 3 billion career streams worldwide and multiple #1 singles on alternative and rock radio, Dirty Heads have built a dedicated global following by seamlessly fusing reggae, hip-hop, alternative rock, and pop. 7 Seas Indie exclusive vinyl has 10 tracks, sleeve packaging with a lyric insert, and algae splatter vinyl.
Olivia Rodrigo’s highly anticipated third studio album, you seem pretty sad for a girl so in love, follows her critically acclaimed LPs GUTS and SOUR. The three-time Grammy Award winner releases the album on June 12, 2026.
'Mission Of Mercy,' produced by George Drakoulias, Martin Pradler and Mike Campbell, is the band's fourth studio record. The album features 12 new songs penned by Campbell, showcasing his unique perspective through his song-writing, while also tapping into his signature, iconic guitar playing that changed rock music forever. The album features collaborations from Morgane Stapleton and Kate Pierson (B-52s) and was recorded at Hocus Pocus Studios in California.
Grand Ole Opry members, Grammy nominees, and multi-award awards, Dailey & Vincent will be releasing their brand new album- A Beautiful Life on Pillar Stone Records. This new album will feature twelve new tracks including the #1 Bluegrass Radio song- “Ruby” as well as “Longer Than That” which was written by Tenille Townes & Park Chisolm. Dailey & Vincent are among the most acclaimed duos in modern American roots music. With unmatched harmonies and musicianship, Jamie Dailey and Darrin Vincent have built a career that bridges bluegrass, country, and gospel with heart, humor, and faith. The album will be available on CD and available on limited edition vinyl.
With their fourth full-length album Signal Fire, GENGHIS TRON awaken us from the post-apocalyptic daydreams of their previous work with a violent—and most welcome—shove. This time, the distant-future reveries we first heard on Board Up The House give way to an unsettling awareness of the present we’re actually living, as our circumstances grow too pressing to try and escape.
“Signal Fire envisions a Kojima-esque dystopia of endless proxy warfare,” says vocalist and lyricist Tony Wolski (The Armed), “where the deluge of available information has outmoded the human ability to parse it. A world where those amoral, shameless and cunning enough can literally reshape reality at their whim through sheer insistence."
Having roared onto the scene in 2004 with a uniquely demented blend of extreme metal, synthesizer textures, and drum-machine madness, GENGHIS TRON are no strangers to making a forceful impression. But Signal Fire marks the first time bandleaders Michael Sochynsky and Hamilton Jordan –joined again by Wolski and Nick Yacyshyn (SUMAC) on drums, plus newcomer Kenny Szymanski (The Armed) on bass–has captured this level of urgency with such visceral precision. “This album is very much rooted in the now,” confirms Jordan.
Album opener “I Am All” sets the table with a chest-throbbing synth pulse as Wolski declares “I’m on a tear, I’m on a tear,” over swirling industrial rhythms and creeping synthlines. “Nothing Blooms in the Hollow” grafts desert-rock swagger onto interlocking layers of dizzying riffs and chants before Wolski steers the band into full-on sonic burnout, like a spaceship careening into the sun. “Born Prey” navigates deftly through Genghis Tron’s classic sonic touchpoints: furious blastbeats, electronic breaks, haunting vocal earworms, and a towering synth-pop crescendo. Meditative interludes like “Like Fotocrom” and “Without Form” deliver shimmering, ominous beauty. And “New Gods” invokes Rabies-era Skinny Puppy to bring the album to a bludgeoning, anthemic finale, as Wolski screams on repeat: “New gods to bleed me out / No new peace / Bleed me out / I love it.”
Twenty years into their career, having proven their ability to forge common ground between Ministry and Aphex Twin, between Brutal Truth and Boards Of Canada, between Cluster and Converge, ugly-beautiful new genre hybrids from GENGHIS TRON no longer come as a surprise. What’s remarkable, however, is how Sochynsky and Jordan have taken a project that started in 2004 as a dorm-room genre-pastiche experiment —”a chaotic, wild amalgamation of all our favorite stuff, literally slammed together,” says Jordan—and refined their songwriting craft to deliver a sound that is unmistakably their own.
