Mills Record Company

Mills Record Company

Very much in line with his 'Jazz at the Philharmonic' concerts, which were intended to recreate the magic of a spontaneous jam session in front of a massive audience, producer Norman Granz also brought together several first-rate jazz soloists in the studio in order create 'Jam Session' albums. This 1952 date is the only one of the series featuring Charlie Parker. It was originally divided onto two LPs, the first volume bearing a yellow cover, and the second one with the same David Stone Martin illustration but with a red cover. Jam Session marks Charlie Parker's only recorded encounter with Charlie Shavers, Ben Webster or Johnny Hodges. He had participated with Benny Carter (and also with a third alto saxophonist, Willie Smith) on a taped 1946 AFRS radio show that constitutes their only other conjunct recording. Bird and Flip Phillips had a long history of recording together, beginning with a Sarah Vaughan session for the Continental label in 1945 and a Red Norvo date for the Comet label that same year, as well as further studio dates and JATP live performances organized by Granz. Barney Kessel had recorded with Parker in 1947 during the Dial session that produced among other titles the celebrated 'Relaxin' at Camarillo'. Bird and Oscar Peterson only recorded together on one other occasion, a March 25, 1952 big band session that was also made for Norman Granz. During the time Jam Session was recorded, Parker was trying to stay away from heroin, but that accentuated his alcohol consumption, as shown in the photographs taken at the date, where he looked tired and had gained much weight. His playing, however, was truly exceptional. For the ballad medley Bird chose 'Dearly Beloved'. This is the only reading of the tune in the entire Parker discography, either live or in the studio.
Very much in line with his 'Jazz at the Philharmonic' concerts, which were intended to recreate the magic of a spontaneous jam session in front of a massive audience, producer Norman Granz also brought together several first-rate jazz soloists in the studio in order create 'Jam Session' albums. This 1952 date is the only one of the series featuring Charlie Parker. It was originally divided onto two LPs, the first volume bearing a yellow cover, and the second one with the same David Stone Martin illustration but with a red cover. Jam Session marks Charlie Parker's only recorded encounter with Charlie Shavers, Ben Webster or Johnny Hodges. He had participated with Benny Carter (and also with a third alto saxophonist, Willie Smith) on a taped 1946 AFRS radio show that constitutes their only other conjunct recording. Bird and Flip Phillips had a long history of recording together, beginning with a Sarah Vaughan session for the Continental label in 1945 and a Red Norvo date for the Comet label that same year, as well as further studio dates and JATP live performances organized by Granz. Barney Kessel had recorded with Parker in 1947 during the Dial session that produced among other titles the celebrated 'Relaxin' at Camarillo'. Bird and Oscar Peterson only recorded together on one other occasion, a March 25, 1952 big band session that was also made for Norman Granz. During the time Jam Session was recorded, Parker was trying to stay away from heroin, but that accentuated his alcohol consumption, as shown in the photographs taken at the date, where he looked tired and had gained much weight. His playing, however, was truly exceptional. For the ballad medley Bird chose 'Dearly Beloved'. This is the only reading of the tune in the entire Parker discography, either live or in the studio.
8436563183065
Charlie Parker - Jam Session [180-Gram Blue Colored Vinyl]

Details

Format: Vinyl
Label: IMT
Rel. Date: 10/30/2020
UPC: 8436563183065

Jam Session [180-Gram Blue Colored Vinyl]
Artist: Charlie Parker
Format: Vinyl
New: Available $21.12
Wish

Formats and Editions

DISC: 1

1. Jam Blues
2. Ballad Medley
3. All the Things You Are
4. Dearly Beloved
5. The Nearness of You
6. I'll Get By
7. Everything Happens to Me
8. The Man I Love
9. What's New?
10. Someone to Watch Over Me
11. Isn't It Romantic?
12. What Is This Thing Called Love?
13. Funky Blues

More Info:

Very much in line with his 'Jazz at the Philharmonic' concerts, which were intended to recreate the magic of a spontaneous jam session in front of a massive audience, producer Norman Granz also brought together several first-rate jazz soloists in the studio in order create 'Jam Session' albums. This 1952 date is the only one of the series featuring Charlie Parker. It was originally divided onto two LPs, the first volume bearing a yellow cover, and the second one with the same David Stone Martin illustration but with a red cover. Jam Session marks Charlie Parker's only recorded encounter with Charlie Shavers, Ben Webster or Johnny Hodges. He had participated with Benny Carter (and also with a third alto saxophonist, Willie Smith) on a taped 1946 AFRS radio show that constitutes their only other conjunct recording. Bird and Flip Phillips had a long history of recording together, beginning with a Sarah Vaughan session for the Continental label in 1945 and a Red Norvo date for the Comet label that same year, as well as further studio dates and JATP live performances organized by Granz. Barney Kessel had recorded with Parker in 1947 during the Dial session that produced among other titles the celebrated 'Relaxin' at Camarillo'. Bird and Oscar Peterson only recorded together on one other occasion, a March 25, 1952 big band session that was also made for Norman Granz. During the time Jam Session was recorded, Parker was trying to stay away from heroin, but that accentuated his alcohol consumption, as shown in the photographs taken at the date, where he looked tired and had gained much weight. His playing, however, was truly exceptional. For the ballad medley Bird chose 'Dearly Beloved'. This is the only reading of the tune in the entire Parker discography, either live or in the studio.
        
back to top