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Formats and Editions
1. 12 Préludes, Op. 63: I. No. 1 In A Minor
2. 12 Préludes, Op. 63: II. No. 2 In A Major
3. 12 Préludes, Op. 63: III. No. 3 In G Sharp Minor
4. 12 Préludes, Op. 63: IV. No. 4 In A Flat Major
5. 12 Préludes, Op. 63: V. No. 5 In G Minor
6. 12 Préludes, Op. 63: VI. No. 6 In G Major
7. 12 Préludes, Op. 63: VII. No. 7 In E Major
8. 12 Préludes, Op. 63: VIII. No. 8 In E Flat Minor
9. 12 Préludes, Op. 63: IX. No. 9 In E Flat Major
10. 12 Préludes, Op. 63: X. No. 10 In D Minor
11. 12 Préludes, Op. 63: XI. No. 11 In D Major
12. 12 Préludes, Op. 63: XII. No. 12 In D Flat Major
13. Essais Sur Des Rythmes Oubliés, Op. 28: I. No. 1 Logaédes
14. Essais Sur Des Rythmes Oubliés, Op. 28: II. No. 2 Péons
15. Essais Sur Des Rythmes Oubliés, Op. 28: III. No. 3 Ioniques
16. Essais Sur Des Rythmes Oubliés, Op. 28: IV. No. 4 Sari
17. Essais Sur Des Rythmes Oubliés, Op. 28: V. No. 5 Strophe Alcéenne
18. Essais Sur Des Rythmes Oubliés, Op. 28: VI. No. 6 Strophe Sapphique
19. Études, Op. 74: I. No. 1 In C Major
20. Études, Op. 74: II. No. 2 In C Minor
21. Études, Op. 74: III. No. 3 In D Flat Major
22. Études, Op. 74: IV. No. 4 In C Sharp Minor
23. Études, Op. 74: V. No. 5 In D Major
24. Études, Op. 74: VI. No. 6 In D Minor
25. Études, Op. 74: VII. No. 7 In E Flat Major
26. Études, Op. 74: VIII. No. 8 In E Flat Minor
27. Études, Op. 74: IX. No. 9 In E Minor
28. Études, Op. 74: X. No. 10 In F Sharp Major
29. Études, Op. 74: XI. No. 11 In A Flat Major
30. Études, Op. 74: XII. No. 12 In G Sharp Minor
31. Arabesques (Suite), Op. 67: I. No. 1 Allegro Moderato
32. Arabesques (Suite), Op. 67: II. No. 2 Vivace
33. Arabesques (Suite), Op. 67: III. No. 3 Tempo di Valse
34. Arabesques (Suite), Op. 67: IV. No. 4 Andantino
35. Arabesques (Suite), Op. 67: V. No. 5 Allegro Molto
36. Arabesques (Suite), Op. 67: VI. Allegro Risoluto
37. 3 Morceaux, Op. 42: I. No.1 Prélude
38. 3 Morceaux, Op. 42: II. No. 2 Romance
39. 3 Morceaux, Op. 42: III. No. 3 Étude
Details:
Goldstone (pno)More Info:
Arensky was a fine pianist who actually made several recordings in the 1890s; his pianism is evident in his compositions for the instrument and he could easily be thought of as the Russian Chopin - brilliantly conceived works in the high Romantic tradition which deserve to be highly popular. "Many of the 38 pieces on this fine CD acquire the status of gems. Salon music in the best sense, such writing is raised by Anthony Goldstone to a still higher level. Short in length but often sizeable in virtuoso demands, all this music is played by Goldstone with unflagging musical energy and brio. Admirably recorded and presented." - Bryce Morrison (Gramophone)
