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Formats and Editions
1. I Lombardi Alla Prima Crociata: I Lombardi Alla Prima Crociata, Act III: Preludio (Arr. B. Loeb For Violin And Piano)
2. Eugene Onegin, Op. 24: Eugene Onegin, Op. 24, Act II: Wohin Seid Ihr Entschwunden, "Lensky's Aria" (Arr. L. Auer F
3. Valse Blanche, "How Love Comes, Tangiers, October 1958"
4. Nouvelle Fantaisie Sur Faust De Gounod, Op. 13 (Version For Violin And Piano)
5. Orfeo Ed Euridice: Orfeo Ed Euridice, Act II: Dance Of The Blessed Spirits, "Melodie" (Arr. F. Kreisler For Violin And
6. A Cremonai Hegedűs, Op. 40: A Cremonai Hegedus (Le Luthier De Cremone, The Violin Maker Of Cremona), Op. 40
7. Variations On A Theme Of Rossini, H. 290 (Arr. B. Loeb For Violin And Piano)
8. Serse, Hwv 40: Serse (Xerxes), Hwv 40, Act I: Aria: Ombra Mai Fu, "Largo" (Arr. A. Wilhelmj For Violin And Piano)
9. Fantasy On Themes From The War Reporter
10. La Forza Del Destino: La Forza Del Destino, Act III: Solenne In Quest'ora (Arr. B. Loeb For Violin, Viola And Piano)
More Info:
At a time when there were limited opportunities to attend the opera house, and before the existence of recordings, the operatic fantasy proved a popular and ingenious way to spend great melodies to a wider audience. Some classics of this genre are heard in this second volume - not least Wilhelmj's arrangement of Handel and Kreisler's beautifully tranquil arrangement of Gluck - but there are also memorable examples from Verdi and Hubay's piquant opera Le Luthier de Cremone, as well as two vivid contemporary examples that continue the genre into the twenty-first century.
