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Formats and Editions
1. Concerto In D Minor For Organ, Oboes, Strings And Continuo, Bwv 1052, 146 & 188: I. Allegro
2. Concerto In D Minor For Organ, Oboes, Strings And Continuo, Bwv 1052, 146 & 188: II. Adagio
3. Concerto In D Minor For Organ, Oboes, Strings And Continuo, Bwv 1052, 146 & 188: III. Allegro
4. Concerto In D Minor For Harpsichord, Oboe, Strings And Continuo, Bwv 35 & 1059: I. (Without Tempo Indication)
5. Concerto In D Minor For Harpsichord, Oboe, Strings And Continuo, Bwv 35 & 1059: II. (Without Tempo Indication)
6. Concerto In D Minor For Harpsichord, Oboe, Strings And Continuo, Bwv 35 & 1059: III. Presto
7. Concerto In G For Viola Da Braccio, Strings And Continuo, Bwv1055: I. Allegro
8. Concerto In G For Viola Da Braccio, Strings And Continuo, Bwv1055: II. Larghetto
9. Concerto In G For Viola Da Braccio, Strings And Continuo, Bwv1055: III. Allegro Ma Non Tanto
10. Concerto In D For Three Violins, Two Oboes, Bassoon, Strings And Continuo, Bwv1064: I. Allegro
11. Concerto In D For Three Violins, Two Oboes, Bassoon, Strings And Continuo, Bwv1064: II. Adagio
12. Concerto In D For Three Violins, Two Oboes, Bassoon, Strings And Continuo, Bwv1064: III. Allegro
More Info:
Like many musicians of the era, Bach reused his own melodic and harmonic material in combination and recombination that suggest possible lost "alternative" versions of favorite works. Fascinated by that possibility, performers Giorgio Sasso and Salvatore Carchioli conducted extensive research into authentic source material and reconstructed several concertos which "could have existed." the artists' superlative understanding of Bach's instrumental oeuvre is apparent in the sensitive decision-making that ties the project together. A fascinating dive into the mind of a Bach whom, were it not for the ravages of time, we very well might have known.
