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Formats and Editions
1. 4 Preludes: Fete Donnee Par Des Chevaliers Normands En L'honneur D'une Jeune Demoiselle (Xie Siecle)
2. 4 Preludes: Prelude D'eginhardt
3. 4 Preludes: 1er Prelude De Nazareen
4. 4 Preludes: 2e Prelude Du Nazareen
5. Petite Ouverture A Danser: Petit Ouverture A Danser
6. Danses Gothiques: I. A L'occasion D'une Grande Peine
7. Danses Gothiques: II. Dans Laquelle Les Peres De La Tres Veritable Et Tres Sainte Eglise Sont Invoques
8. Danses Gothiques: III. En Faveur D'un Malheureux
9. Danses Gothiques: IV. A Propos De Saint Bernard Et De Sainte Lucie
10. Danses Gothiques: V. Pour Les Pauvres Trepasses
11. Danses Gothiques: VI. Ou Il Est Question Du Pardon Des Injures Recues
12. Danses Gothiques: VII. Par Pitie Pour Les Ivrognes, Honteux, Debauches, Imparfaits, Desagreables Et Faussaires En Tous Genres
13. Danses Gothiques: VIII. En Le Haut Honneur De Venere Saint Michel, Le Gracieux Archange
14. Danses Gothiques: IX. Apres Avoir Obtenu La Remise De Ses Fautes
More Info:
A jazz musician - pianist and composer - plays Erik Satie. His stations: SOK, Synopsis, the Ulrich Gumpert workshop band (celebrated on international Festivals), the duo with Günter Sommer; the trio with Radu Malfatti and Tony Oxley. Gumpert performing in a duo with Dietmar Diesner and Gumpertsolo, playing his own piano music - plain pieces of deep urge. It seems as if Gumpert inevitably had to come to Satie. It is not scores which are the essence of Satie's music but his attitudes. A pianist who feels strange with Satie's nature, can play the pieces key by key from the score and though disfigure them past recognition. l can't name any musician who is more able to play the early works of Erik Satie, than Ulrich Gumpert.
