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New Music Releases 10/5/18 at Mills Record Company

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Twenty One Pilots

Twenty One Pilots shook the world with the release of their 2015 LP BLURRYFACE, an album that would go on to sell over 7 million copies worldwide and earn the band their first ever GRAMMY® Award as they shattered longstanding chart records, and captivated audiences worldwide on sold-out arena runs and at international festivals. Now three years later, the duo of Tyler Joseph and Josh Dun have returned to write the next chapter of their story with TRENCH, the band's highly anticipated new studio album. TRENCH finds Twenty One Pilots fearlessly reimagining the possibilities of their music through the same candid expression and genuine identity that helped to cement their place as one of the largest bands in the world.

Twenty One Pilots
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AdriAnne Lenker

AdriAnne Lenker

Abysskiss [LP]

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Adrianne Lenker has been writing songs since she was 10 years old. Her "back story" has been well documented in various interviews and profiles for Big Thief over the last 3 years. Despite, or more likely because of the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells,gardens, and kitchens around the world. In the hands of Lenker songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following a 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss. "I want to archive the songs in their original forms every few years," explains Lenker. "My first solo record I made was Hours Were the Birds. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed." Following a two week road trip through the southwestern United States, Lenker headed into the studio with longtime friend Luke Temple. Temple put on his loosely fitting, bright orange, 100% wool producer hat and for one week they made music. The songs chosen for this collection were the songs that felt the most alive in the room. These are not castaways or B-sides. Some of these songs have been alive for years while some were written just days before the session. Some will appear in different future forms, some will not. The thread that connects these songs is notsomething that can easily be put down in words. Intuition connects these songs. They are a record of a time. With this collection, Lenker further illuminates to the listening public what those close to her already know; here we have a songwriter of the highest order, following her voice and the greater Voices that pass through her with an unflinching openness and clarity of translation.

AdriAnne Lenker
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Black Waltz

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Coheed & Cambria

Coheed and Cambria have distinguished themselves as among the most gifted storytellers in rock. While the most conceptually abstruse Coheed records have always had a foundation in reality,The Color Before the Sunmarks the first time Sanchez is exposing his raw feelings, narrated from his own perspective. His own story is told through big, bright, driving, colorful songs that beam like power-pop, crunch like vintage '90s emocore and float with the expansive feel of space-rock.

Coheed & Cambria
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Cursive

Cursive

Vitriola

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For the first time since Happy Hollow, the new Cursive album reunites Tim Kasher, guitarist/singer Ted Stevens and bassist Matt Maginn with founding drummer Clint Schnase, as well as co-producer Mike Mogis (Bright Eyes, M. Ward, Jenny Lewis) at ARC Studios in Omaha. They’re joined by Patrick Newbery on keys and touring mainstay Megan Siebe on cello. Press pickup from album announcement included Pitchfork, Brooklyn Vegan, NPR, SPIN, COS and more. US tour dates 10/18-11/18.

Cursive
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Echo & The Bunnymen

Bunnymen Classics Transformed & New Songs With Strings & Things Attached ‘I’m not doing this for anyone else. I’m doing it as it’s important to me to make the songs better. I have to do it.’ Ian McCulloch This new studio album will see The Bunnymen, still lead by the indominable Ian McCulloch and Will Sergeant, revisit some of their greatest songs to rearrange and transform them with co producer Andy Wright…and strings and things. Expect a couple of brand new tracks to accompany the classics. Echo & the Bunnymen's dark, swirling fusion of post-punk and The Doors/The Velvets-inspired pop psychedelia has brought the group twenty top 20 hits and nine top 20 albums in the UK so far in their 40 year career. The band have come a long way from the group's infamous first concert as a three-piece with a drum machine in 1979 at the legendary Erics club in Liverpool, The Bunnymen still perform sell-out concerts across the world today. Their seminal albums 'Crocodiles', 'Heaven Up Here', 'Porcupine' and 'Ocean Rain' have been a major influence for acts such as Coldplay, The Killers and The Flaming Lips whilst later albums 'Evergreen' and 'What Are You Going To Do With Your Life?' and 'Siberia & Meteorites' demonstrate what an amazing body of work the band have. The Bunnymen are still revered by those in the best of popular culture. In the past year alone, the highly acclaimed and culturally phenomenal Netflix series 'Stranger Things' has used the song 'Nocturnal Me' whilst the equally comparable '13 Reasons Why' has used 'The Killing Moon', a song also used on another Netflix show, 'Dead of Summer'.

Echo & The Bunnymen
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Eric Church

Eric Church

Desperate Man

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“Desperate Man” Church’s first single off the new album is currently in the Country Radio charts at #15.  Co-written by Church with Texas musician Ray Wylie Hubbard as well as collaborating with producer Jay Joyce.  The CMA Award winning singer won the Album of the Year in 2016 for Mr. Misunderstood and has reached Platinum status.  It included the hit singles- Mr. Misunderstood, Record Year, Kill A Word, and Round Here Buzz.  Desperate Man will contain 11 Tracks. 

“Excitement for new music from my favorite artists is a feeling I can remember from my formative years. The unknown and the possibilities of the anticipation are one of the true joys of music,” shares the North Carolina native. “Well, even though how we discover songs from our favorite performers may have evolved, the feeling remains the same.”

 

Eric Church
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Eric Church

Eric Church

Desperate Man [LP]

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“Desperate Man” Church’s first single off the new album is currently in the Country Radio charts at #15.  Co-written by Church with Texas musician Ray Wylie Hubbard as well as collaborating with producer Jay Joyce.  The CMA Award winning singer won the Album of the Year in 2016 for Mr. Misunderstood and has reached Platinum status.  It included the hit singles- Mr. Misunderstood, Record Year, Kill A Word, and Round Here Buzz.  Desperate Man will contain 11 Tracks. 

“Excitement for new music from my favorite artists is a feeling I can remember from my formative years. The unknown and the possibilities of the anticipation are one of the true joys of music,” shares the North Carolina native. “Well, even though how we discover songs from our favorite performers may have evolved, the feeling remains the same.”

 

Eric Church
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Fucked Up

Double LP on opaque yellow blob in clear vinyl in same packaging as standard 2-LP.  Includes coupon for full download

“Never sink and never hide / They tried to break our dream, but child: / Joy Stops Time”.  I was sent an unfinished version of Dose Your Dreams so that I might contribute string parts. I couldn’t stop listening to the rough mixes I received. A friend asked me how the record was. I replied, “My God, Fucked Up have made their Screamadelica.”  

And psych-rock-groove it is. The drums mixed wide, propensity for drones, for delay pedal, for repetition, groove. The politics and aesthetics of hardcore married to an “open format” approach to genre. Elements of doo-wop, krautrock, groove, digital hardcore. 

“None of Your Business Man” opens the album in familiar enough territory, a sax-assisted exit from an office space. But things get psychedelic very quickly. By the time the title track arrives, Mike Haliechuk is whispering, wah pedals are in full effect, and we’re wearing oversized t-shirts and pinwheeling. “Accelerate,” the lyrical centerpiece of the album, storms in like Boredoms on a bullet train and dissolves into a digital nightmare. The album closer, “Joy Stops Time,” finds Fucked Up at their most Düsseldorfian, nearly eight minutes of blissful motorik.

At the center of it all is Damian Abraham’s scream—a man chained, a man tortured, a true protagonist. The effect is one of an epic, every chapter attempting its own narrative devices, its own genre hybridization—and it works, it works so insanely well. The drama unfolds like a miniature world of many parts being explored, a map being illuminated, location by location.

As with David Comes to Life, there is a story here. David—who once came to life—is now indentured to a desk job. David meets the elderly Joyce who closes his eyes, opens his mind, and sends him on a spiritual journey. David embarks on his own metaphysical odyssey. He sees a stage adaptation of his own life. He speaks to an angel in a lightbulb. He sees an infinite series of universes as simulations within simulations.

Meanwhile, Lloyd—Joyce’s lover—was sent, decades ago, by Joyce on the same odyssey, but was lost in the void. Lloyd seeks to be found and reunited with his lover. Where will David end up? Will Joyce and Lloyd be reunited?

Dose Your Dreams—meaning: treat your dreams as you would a dream, allow yourself to be lost within them, allow them to open your heart and your mind, enjoy them as you would a drug. Reach out for my hand and pull me close.

—Owen Pallett
June 2018

Fucked Up
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High On Fire

High On Fire

Electric Messiah [LP]

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“I had a dream about Lemmy,” says Matt Pike, explaining the inspiration behind the title of High on Fire’s triumphant eighth album Electric Messiah. If there’s one aspect of High on Fire that warrants comparison to Lemmy’s mighty Motörhead, it’s longevity. 2018 sees the band celebrating 20 years of the most thunderous heavy metal, with brothers-in-arms Pike, bassist Jeff Matz, and drummer Des Kensel having been firmly intact for the last dozen years. Along the way the band has forged a distinct identity of towering riffs, a propulsive rhythm section, shredding solos, and lyrics of Hessian poetry that has drawn accolades from not only the metal community (notably Decibel, Revolver, Metal Hammer, Terrorizer, Kerrang! magazines) but from mainstream music scribes as well. Rolling Stone, Pitchfork, the Chicago Sun-Times, and The Village Voice are among the dozens of publications outside the metal scene to extol the greatness of High on Fire to curious readers.

High On Fire
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J. Cole

J. Cole

Kod [LP]

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Dark 2018 album from US rapper exploring issues of drug abuse, depression & African-American culture featuring 'ATM' & 'The Cut Off'. Pressed on 180-gram vinyl.

J. Cole
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Jim James

Jim James

Uniform Clarity

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Jim James returns with Uniform Clarity, the My Morning Jacket front man’s second solo album of 2018, produced by Grammy-award winning producer Shawn Everett (Alabama Shakes, The War On Drugs).  Uniform Clarity explores the acoustic side of the songs on June’s Uniform Distortion with an intimateness rarely felt in recorded music.  Check out Uniform Distorion on CD / LP / Indie Exclusive LP.

Jim James
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Jim James

Jim James

Uniform Clarity [White LP]

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Jim James returns with Uniform Clarity, the My Morning Jacket front man’s second solo album of 2018, produced by Grammy-award winning producer Shawn Everett (Alabama Shakes, The War On Drugs).  Uniform Clarity explores the acoustic side of the songs on June’s Uniform Distortion with an intimateness rarely felt in recorded music. Check out Uniform Distorion on CD / LP / Indie Exclusive LP.

Jim James
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Joe Strummer

First ever, career-spanning, definitive compilation of Joe Strummer’s work, comprising 32 tracks. Includes solo tracks as well as tracks with The Mescaleros, the 101ers and more. 4LP vinyl package contains 20 released and 12 previously unreleased tracks plus a bonus 12" of "U.S. North" - a Strummer/Jones song from 1986.

Joe Strummer
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KT Tunstall

KT Tunstall

Wax [LP]

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Since scoring a worldwide smash with her debut album ‘Eye To The Telescope’ in 2004, which went on to sell over 5 million copies, KT Tunstall has remained at the forefront of UK singer-songwriter talent. Over the next decade, three further critically acclaimed albums followed; ‘Drastic Fantastic’, ‘Tiger Suit’ and ‘Invisible Empire//Crescent Moon’ in 2007, 2010 and 2013 respectively, keeping the platinum sales rolling and cementing the Scottish singer-songwriter’s reputation as a major recording talent, as well as a mesmerising live artist. Tunstall has toured the world many times over. She landed a Grammy nomination for Best Female Pop Vocal Performance and lent her tunes to a host of movies and TV shows ('Suddenly I See', used in the iconic opening scene of Meryl Streep flick 'The Devil Wears Prada'). 2012 and the years that followed saw a seismic shift in outlook - the loss of her father, a divorce, and a relocation to Venice Beach, California. After a period of healing, soul-searching, and a change of scenery, 2016 hailed the arrival of the first of a trilogy of albums, the critically acclaimed UK top 10 album - 'KIN'. The trilogy evokes, separately and in sequence, spirit, body and mind. With 'KIN' being her phoenix-from-the-ashes 'spirit' album, 2018 will mark the second offering of that trilogy - her 6th studio album, her ‘body’ album - full details of which are to be revealed later this summer. The last few years have seen something of a creative rebirth for Tunstall. Upon relocating to the west coast of the USA, she was accepted as one of six annual fellows for the Sundance Film Institute’s Composers Lab (hosted by George Lucas’s Skywalker Ranch in Northern California) and has since scored music for short and feature films. As well as putting the finishing touches to her forthcoming album, 2018 has already seen KT being awarded the Inspirational Artist gong at Music Week's Women In Music Awards as well as having been invited to take on the role as the first ever female Grand Marshal (following the likes of Sir Sean Connery) to lead April’s annual New York Tartan Week Parade along Sixth Avenue. She will spend the summer touring with The Pretenders, Simple Minds, and Barenaked Ladies on the lead up to the much- anticipated release of her 6th studio album this Autumn.

KT Tunstall
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Many Voices Speak

Many Voices Speak

Necessaries

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Many Voices Speak
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Molly Burch

Molly Burch burst onto the music scene in 2017 with her debut Please Be Mine – a ten-track ode to unrequited romance written after studying Jazz Vocal Performance in Asheville, NC – and earned immediate praise from critics for her smoky, effortless vocals and bleeding-heart lyrics. Following a year of touring all over North America, Europe and the UK alongside the likes of Ought, Alex Cameron, Grizzly Bear and Courtney Barnett amongst others, Burch then returned to Texas to decompress. Finding herself suddenly devoid of stimulation and with nothing but time on her hands, she began anew, bouncing ideas off her bandmate and boyfriend Dailey Toliver – who contributed guitar parts and orchestration suggestions – and, slowly, an album took shape; soon after, First Flower became real.

A walk-through Burch’s most intimate thoughts – broken friendships, sibling relationships, and overwhelming anxiety – First Flower is a bright, beautiful album peppered with moments of triumph with Burch’s voice as strong and dexterous as ever. Opening track “Candy” is a swinging, playful hit, while “Wild” deals with pushing away fear. Title track “First Flower” is classic Burch, a simple love song that makes your skin raise with goosebumps when she breaks into the chorus. But the album’s true stand-out is “To The Boys”, a courageous, sassy fuck-you to her own self-deprecation where she learns to love all the things she hated about herself. “I don’t need to scream to get my point across/I don’t need to yell to know that I’m the boss,” she coos over a sparse guitar riff.

First Flower is a shapely sonic stage to let Burch shine on. The composition and production carefully constructed to compliment and not over power.

Molly Burch
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Phosphorescent

For years, Phosphorescent’s rise was a steady one: tours got a little better, rooms got a little bigger, and with it the music became more intricate, more ambitious in its recording and arrangement. Then came Muchacho, a juggernaut that to date has sold over 100,000 worldwide, with lead single “Song for Zula” now well over 50 million streams. Now, ve years later, Phosphorescent returns with his seventh studio LP, C’est La Vie. Recorded in Nashville at Matthew Houck’s own Spirit Sounds Studio, C’est La Vie reveals a crystallization of what made Muchacho such a breakout — a little sweetness and a little menace, sometimes boot-stomping and sometimes meditative.

A lot of life was lived between these records: Houck became a father (twice), built his studio, escaped New York. And C’est La Vie does have a hefty, career-spanning feel. But there’s a newfound wisdom, too, a deeper well for all that livin’. The magic of Matthew Houck’s music has always been the way he weaves shimmering, almost golden-sounding threads through elemental, salt-of-the-earth sounds. It’s not experimental, exactly, but it’s singular and it’s definitely not traditional. That knack, the through-line across the Phosphorescent catalog, is front and center here.

Phosphorescent
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The Promise Ring

The Promise Ring

Wood/Water [Clear LP]

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Wood/Water (2002) is the fifth and final album by The Promise Ring, and their first for Anti- Records. Long-time fans may have been surprised with Wood/Water, as it’s sound was a depar-ture from the band’s previous releases. The album had a drastic change of pace with a more introspective tone and shimmering atmospheric songs. Hailing from Milwaukee, The Promise Ring weren’t just emblematic of ‘90s Midwestern emo: they were one of the most celebrated bands in the history of the genre. Under the leadership of frontman Davey Von Bohlen of Cap’n Jazz, their sound incorporated elements of power pop that would become more popular in later years. They broke up in 2002 and after nearly a decade of inactivity The Promise Ring officially reunited in February 2012.

The Promise Ring
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Ron Gallo

Stardust Birthday Party is about human evolution. Specifically, one humans evolution: mine, Ron Gallo. That’s the name my parents gave me. Hi.

At one point, I was a very lost mid-twenties person living in Philadelphia, in a relationship with someone struggling with mental health issues and crippling heroin addiction. I was asleep. I didn’t know how to handle my life. I was also writing songs for HEAVY META - my “frustrated with humanity” album. I laugh about it all now, but at the time it all felt like an absolute nightmare. It was the perfect doorway to look inside the place I’d been avoiding forever: myself.

Stardust Birthday Party is about what is happening underneath all of this life stuff. My path inward. The details of my path are pointless because everyone’s path is different. It is about me sitting with myself for the first time and confronting the big question “WHAT AM I, REALLY?” It’s about the love and compassion for all things that enters when you find out you are nothing and everything. I think at one point I wanted to change the world, but now I know I can only change myself, or rather just strip away everything that is not me to reveal the only thing that’s ever been there. And that’s what this album is about, it’s me dancing while destroying the person I thought I was, and hopefully forever.

In the liner notes of John Coltrane’s album A Love Supreme (which we pay tribute to on this album) he wrote: “During the year 1957, I experienced, by the grace of God, a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music.”

That’s it. That is the pure essence of creativity. Someone embodying what they have realized about themselves and the world that surrounds them. That is why this album exists.

Thank you for letting me share this with you. Ron Gallo

Ron Gallo
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Steve Perry

Steve Perry

Traces [LP]

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Legendary singer-songwriter and Rock & Roll Hall of Fame inductee Steve Perry makes his long-awaited return with Traces, his first new album in nearly a quarter century.

The famed singer introduces Traces with lead track “No Erasin’” and reassuringly greets fans with the opening line “I know it’s been a long time comin’.” The track is an emotional homecoming, a familiar welcome from the iconic voice and writer of Journey's timeless, global hits including “Don’t Stop Believin’,” “Faithfully,” and “Open Arms,” as well as the significant solo success of “Oh Sherrie” and “Foolish Heart.”

Perry says, “Putting 30 years into 10 songs has certainly been an emotional experience for me. I started writing and recording these songs with the creative freedom that I was the only one who would ever hear them. Along the way, I rediscovered my love for music. Each track represents traces of my past, but is also a hopeful look into the future. I invite you to listen with an open heart.”

Produced by Perry alongside co-producer Thom Flowers, Traces is the artist’s most vulnerable and honest recording to date, balancing tremendous loss with enduring hope and beauty. The album is a collection of nine original tracks that encompass the spectrum of human emotion, and also features a beautifully reimagined cover of The Beatles’ “I Need You” It is the work of an artist who has reconnected with his music in a new way.

Steve Perry
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Richard Reed Parry

Richard Reed Parry’s Quiet River of Dust, is a meditative, widescreen musical experience with Beach Boy harmonies and a hypnotic pulse. Layered songs that move in a linear fashion, following a current rather than circular composition. Japanese folk myths, death poems and British folk music are tributaries flowing into a river of avant-garde composition and traditional song craft, written and performed by a member of the Grammy-winning rock band, Arcade Fire. Being released as two volumes, Quiet River of Dust Vol. 1 will be available on the start of the autumn equinox, September 21 2018. Quiet River of Dust Vol. 2 is coming out next year on the spring equinox 2019. Long before he joined Arcade Fire in 2003, Richard Reed Parry grew up in a thriving folk music community in Toronto, where house parties were full of singing. While a student of electroacoustic music and contemporary dance in university, he formed the instrumental ensemble Bell Orchestre, who have released three albums. In 2014, he released an album of biologically inspired compositions, Music for Heart and Breath, on the prestigious Deutsche Grammophon classical label. The genesis of these songs came after Arcade Fire’s first tour of Japan in February 2008. Parry stayed on for weeks after the last show, heading to a monastery for some solace in “the biggest silence you’ve ever heard.” One day he was walking alone in a massive, snow-covered cedar forest when he heard distant voices, voices that sounded a lot like his father’s folk group back in Toronto, Friends of Fiddlers Green. (Parry was 18 when his father died in 1995.) “There was no reason for something to sound like full-throated, British-Isle folk singing there,” he recalls. “I walked and walked but I could never get closer to where the music was coming from.” The ghostly experience inspired the song “On the Ground,” which in turn inspired the rest of the song cycle. When it came time to record “On the Ground,” he enlisted his father’s former colleagues on concertina, Northumbrian pipes and fiddle. For a musician raised in a musical family and environment, collaboration and community are essential parts of the process. Guest performers on this project include Parry’s partner Laurel Sprengelmeyer of Little Scream, Stef Schneider of Bell Orchestre, Dallas Good of the Sadies, Yuka Honda of Cibo Matto, Amedeo Pace from Blonde Redhead, and The National’s Aaron and Bryce Dessner.

Richard Reed Parry
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Swearin'

Swearin’ is the kind of band that comes around, at best, once a decade. Thankfully for us, they’ve come around twice. After releasing two beloved full-lengths, 2012’s Swearin’ and 2013’s Surfing Strange, the Philadelphia band quietly put things on hold. It was due, at least in part, to the band’s main songwriters, Allison Crutchfield and Kyle Gilbride, ending their romantic relationship. And though Swearin’ tried to soldier on, it became far too stressful to keep going. But after a few years apart, those bad feelings disappeared. And when the band’s three members—Crutchfield, Gilbride, and drummer Jeff Bolt—found themselves in a room again, the conversation inevitably turned back to Swearin’. “Drunkenly, without any hesitation or inhibitions,” said Crutchfield, “we asked, ‘What would it take from each of us? What would we need to do this again? What would we want to accomplish if we decided to be a band again?’” They realized that what they all wanted was to not just play shows, but to make a new record. Before the band initially split, they’d already started writing for what would have been their third album, but instead of going back to that old material, they wanted to do something that reflected the people they’d become during those intervening years. “When a band re-forms and makes a new record that is trying to sound like the heyday of their band, it doesn’t sound genuine,” said Bolt. Before long, Crutchfield and Gilbride had a new batch of Swearin’ songs, ones that meshed with the sound they’d originally developed together but boldly pushed things forward. The result is Fall into the Sun, a Swearin’ record that doesn’t try to obscure the passage of time but instead embraces it. “Getting older, your tastes change, and what you want to do changes,” said Bolt. Those changes, though subtle, are impactful, making Fall into the Sun what Crutchfield calls “the adult Swearin’ album.” It can be seen in songs like “Big Change,” where she says goodbye to Philly and the scene that she came up in, or in “Dogpile,” where Gilbride offers the line any aging punk can relate to: “By pure dumb luck I’ve gotten where I’m going.” Where Swearin’ used to pummel through their songs, on Fall into the Sun, they bask in what this newfound openness offers. It’s most notable on the ambling “Stabilize,” which sees the band throw their weight around in the song’s back half, offering up what’s easily the heaviest riff in the band’s catalog. “I think both me and Allison have gone through huge transitions in our lives. There was a lot on our minds, and it was a super fertile time to put a bunch of songs together,” said Gilbride. It’s true of the material found on Fall into the Sun, but it’s noticeable in the album’s production, too. Much like the band’s previous albums, Gilbride anchored the recording and producing of the record, but this time around, the band worked to make the process feel more collaborative than ever before. “I feel like this was the first time I could look at a Swearin’ record and say that I co-produced it, and that felt really good,” said Crutchfield. Recorded in both Philly and Los Angeles, where Crutchfield now resides, Fall into the Sun took shape by the members giving their full trust to one another, and it can be seen in the final product. Listening to Fall into the Sun, the old Swearin’ is still there, but it’s a more confident, collaborative version than the one people first came to know. Crutchfield and Gilbride always had an innate ability to mirror the other’s movements in songs, but here, they build a focused lyrical perspective across their songs, one that’s thankful for their past, but looks boldly toward the future. Though it may have taken them a while, Swearin’ finally made the third album they always wanted. Fall into the Sun is as riotously affirming as their early work...

Swearin'
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The Marcus King Band

Carolina Confessions features 10 brand-new songs, all written by Marcus except for 'How Long,' which was co-written with the Black Keys' Dan Auerbach and veteran songwriter Pat McLaughlin. Whether it's the searing rock exorcism of 'Confessions' or the propulsive road-bound soul of 'Where I'm Headed,' Marcus exhibits an almost Southern gothic sensibility in his songs, owning up to failed relationships, portraying his complex connection with his hometown, arraying a sprawling musical firmament in the process.

Marcus and his five bandmates - drummer Jack Ryan, bass player Stephen Campbell, trumpeter/trombonist Justin Johnson, sax player Dean Mitchell and keyboard player DeShawn 'D'Vibes' Alexander - are in top form on Carolina Confessions, exhibiting an intuitive sense of control and expression as they tackle their most sonically layered and emotionally complex compositions to date.

Black vinyl. 180g.

The Marcus King Band
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Tricky

Tricky

Maxinquaye (Ogv)

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Tricky
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Twenty One Pilots

Twenty One Pilots

Trench [2LP]

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Twenty One Pilots shook the world with the release of their 2015 LP BLURRYFACE, an album that would go on to sell over 7 million copies worldwide and earn the band their first ever GRAMMY® Award as they shattered longstanding chart records, and captivated audiences worldwide on sold-out arena runs and at international festivals. Now three years later, the duo of Tyler Joseph and Josh Dun have returned to write the next chapter of their story with TRENCH, the band's highly anticipated new studio album. TRENCH finds Twenty One Pilots fearlessly reimagining the possibilities of their music through the same candid expression and genuine identity that helped to cement their place as one of the largest bands in the world.

Twenty One Pilots
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Twenty One Pilots

Twenty One Pilots

Trench

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Twenty One Pilots shook the world with the release of their 2015 LP BLURRYFACE, an album that would go on to sell over 7 million copies worldwide and earn the band their first ever GRAMMY® Award as they shattered longstanding chart records, and captivated audiences worldwide on sold-out arena runs and at international festivals. Now three years later, the duo of Tyler Joseph and Josh Dun have returned to write the next chapter of their story with TRENCH, the band's highly anticipated new studio album. TRENCH finds Twenty One Pilots fearlessly reimagining the possibilities of their music through the same candid expression and genuine identity that helped to cement their place as one of the largest bands in the world.

Twenty One Pilots
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Twenty One Pilots

Twenty One Pilots shook the world with the release of their 2015 LP BLURRYFACE, an album that would go on to sell over 7 million copies worldwide and earn the band their first ever GRAMMY® Award as they shattered longstanding chart records, and captivated audiences worldwide on sold-out arena runs and at international festivals. Now three years later, the duo of Tyler Joseph and Josh Dun have returned to write the next chapter of their story with TRENCH, the band's highly anticipated new studio album. TRENCH finds Twenty One Pilots fearlessly reimagining the possibilities of their music through the same candid expression and genuine identity that helped to cement their place as one of the largest bands in the world.

Twenty One Pilots
$ 9.99   Digital: $11.49 
Cassette
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Unicorn

Unicorn

Laughing Up Your Sleeve [LP]

New Vinyl: $21.98 Buy

MP3 Album:

$9.99

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• 20 previously unissued demos from 1973–74. • Produced & recorded by Pink Floyd’s David Gilmour in his home studio. • Newly mixed & mastered at Storybook Sound from the original multi-track tapes. • Contains previously unseen photographs. • Extensive liner notes include interviews with band members & David Gilmour. • Glorious blend of rural Americana & English melancholy. • LP includes download card of complete CD program. Unicorn released three exquisite albums in the mid-’70s with David Gilmour of Pink Floyd in the producer’s chair. The albums and the band found a wide audience elusive, even though the band opened for many heavyweights in the day (including Linda Ronstadt, Fleetwood Mac, The Doobie Brothers, Billy Joel, Dr. Hook), played with Kate Bush on her first proper demo recordings that landed her a deal with EMI, and were even covered by their producer, David Gilmour, on his first self-titled solo album, released in 1978. Laughing Up Your Sleeve attempts to correct what may have been a matter of wrong time, wrong place for a band whose music overflows with beautiful melodies, lush arrangements and perfect harmonies. The CD/LP/Digital release compiles twenty previously unreleased demos, recorded in Pink Floyd’s David Gilmour’s home studio in 1973–74, with Gilmour adding pedal steel guitar to “Sleep Song.” Unicorn’s music owes as much to rustic Americana acts such as The Band, The Byrds, and Crosby, Stills, Nash, and Young, as it does to the lyrical themes of English tradition and whimsy relayed by the likes of Ray Davies and even Syd Barrett. Although musically inspired by American acts (mostly folk and country rock), theirs is a very British sound which, unfortunately, was out of step for the time in which it was released, at least in England from where they rarely strayed. Laughing Up Your Sleeve contains many never-before-seen, recently discovered photos of the band, including pictures of the band in the studio with Gilmour and on stage in London. In addition, extensive liner notes detail the band’s story, how these demos were found and new interviews with David Gilmour and key band members. These demos, recorded on multi-track tapes, have been lovingly restored and beautifully mixed and mastered by Scott Anthony at Storybook Sound in New Jersey with input from Pat Martin from Unicorn. The sound quality is simply stunning. It’s hard to imagine this music managed to remain under the radar for so long, but true artists, Unicorn never played “the game” the music industry requires in order to achieve commercial success. We are fortunate then, that this music was preserved so we can give it its just reward now.

Unicorn
$ 21.98   Digital: $9.99 
Vinyl
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Black Caesar / O.S.T.

New Vinyl: $24.98 Buy

$ 24.98  
Vinyl