Tag Archives

record

Childish-Gambino-Awaken-My-Love-Album-Art

New Releases 5/19 @ Mills Record Company

Aldous Harding — Party Alex G — Rocket (gatefold) Amon Amarth — The Crusher (180 gm vinyl includes lyric insert and large 2-sided poster) Autopsy — The Tomb Within Basement — Promise Everything (deluxe edition, includes 4 new recorded bonus tracks on colored vinyl) BIB — POP (7″) Biters — The Future Ain’t What It […]

17523356_1480453975330234_459777981837550872_n

Middle of The Map: The Tank Room

Middle of The Map is fast approaching. The three day music festival that turns all of Kansas City into a venue is, in its 7th year, stacked with such talent. It would be impossible to write about every single act worth seeing this year (which is all of them to be honest). Instead, I want to […]

17425985_834175890079401_1718775980864989568_n

Record Store Day: Girl Power

Record Store Day is fast approaching. Less than a week separates us from the waxy goodness of all those exclusive releases. In addition to all the great releases that the Record Store Day list promises will be gracing the bins on April 22nd, Mills Record Company will be turning out the day’s 10th anniversary with […]

16508810_10158466371340227_313708589687919103_n

Big Jesus, Existem, LAZAR WOLF, & No Place @ Riot Room

Wednesdays can be the worst–the past weekend is a phantom memory and the next weekend is still very nebulous. But this Wednesday will not be one of those thanks to Big Jesus, Existem, LAZAR WOLF, and No Place. These four bands will take Riot Room’s stage for a show that will rock the mid-week into […]

6lack-free-6lack_115

FREE 6LACK

If 6LACK‘s debut, FREE 6LACK, says anything it’s that 1) Atlanta is the new Motown and 2) once a sad RnB singer makes it, another comes up who is sadder and moodier. FREE 6LACK follows the same grimy RnB put forth by Abra but with a distinctively self-reflexive vibe. When Abra skews sensual, 6LACK focuses instead on […]

17264808_1117909628338470_826222321329857788_n

Hyborian’s Release Party

The Company is killing it. Though young, the Kansas City record label is putting out some of the heaviest releases. From Gnarly Davidson‘s The Tape to Keef Mountain‘s self-titled debut, there seems to be no end to the punishing riffage coming from this label. And 2017 seems to promise more gold. Just a couple weeks after Curse […]

144929

Used and Improved: Gil Scott-Heron’s Pieces of A Man

Every Tuesday, Mills Record Company brings out a feast of used records, and in that feast are more than a few juicy morsels. When TUSEDay features some gems, I try to review them. In the past, I’ve written about Grant Green, Soundtracks, and the Lucifer Rising Suite. Now, I want to look at a record […]

16002900_10154957225612238_3649693073105923769_n

MidCoast Takeover 2017: Send ‘Em To Austin

It’s that time of year: the fog is burning off the horizon before noon, the ground is thinking about turning green again, and music festivals are starting to pop up in our Facebook feeds. One of those festivals should be The MidCoast Takeover. Sitting squarely in its seventh year, The MidCoast Takeover is a four-day […]

a1380524637_10

Apocalipstick Now

Cherry Glazerr‘s latest release, Apocalipstick, has one of the best and most apt titles I have ever heard. From its first song to its final note, the album oscillates between upbeat and panic attack like a sunny stroll down chaos street in Endsville, USA. If you’re a fan of surf rock but want something darker, Apocalipstick is the […]

a2162981354_10

Vipassi’s Instru-Metal Debut

Vipassi is a super group. The Australian four-piece features members from A Million Dead Birds Laughing, Hadal Maw, and Ne Obliviscaris, and their collective seasoning comes together perfectly on their Season of Mist debut, Sunyata. Featuring dark and brooding atmospheric metal interspersed between truly unrelenting blast beats and mathy riffs, Sunyata is the instrumental tech metal album […]

GWRM1

Flo Morrissey Doesn’t Cover Her Voice

The last time an album of cover songs was on my radar was when Xiu Xiu played the music of Twin Peaks. The experimental band did their best at reinvisioning Angelo Badalamenti’s brooding score–eking the most tension from every note. Flo Morrissey and Matthew E. White do much of the same in Gentlewoman, Ruby Man. Reengineering […]

457af4cd79d666adae5a34b4e4664b88.740x740x1

The Flatbush Zombies Take Us on a Laced Odyssey

The Flatbush Zombies spit a fine line. One the one hand, the trio’s music is disjunctive, dark, and all around strange. On the other, it unwinds incredibly smooth, laced with points of light and references to other hip hop acts. It’s hard to neatly classify their latest, 3001: A Laced Odyssey. I can say that the […]